1686316895

Judaism and Islam, one God one music : the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources / by Merav Rosenfeld-Hadad

Englisch

Leiden ; Boston : Brill [[2019]], [2019]

© 2020

1 Online-Ressource (XIV, 297 Seiten) : Illustrationen

Revised dissertation (Ph. D.), St. Edmund's College (University of Cambridge), 2009

Includes bibliographical references (pages 257-280) and index

Erscheint auch als: Druck-Ausgabe- Judaism and Islam, one God one music. - Leiden : Brill, 2019. - xiv, 297 Seiten

978-90-04-41263-7 ebook

Weitere Ausgaben: 978-90-04-41262-0 (Druckausgabe)

DOI: 10.1163/9789004412637

*978-90-04-41262-0

*Irak / Islam / Judentum / Pijut / Liturgischer Gesang / Interreligiöser Dialog / Geschichte

*Piyutim -- History and criticism ; Jewish religious poetry, Hebrew -- History and criticism ; Synagogue music -- Iraq -- Baghdad ; Jews -- Iraq -- Baghdad -- Songs and music ; Arabs -- Iraq -- Songs and music -- Influence ; Islam -- Relations -- Judaism ; Judaism -- Relations -- Islam

*Interreligiöser Dialog ; Islam ; Liturgischer Gesang ; Judentum ; Pijut ; Irak

Klassifikation der Library of Congress: BM670.P5

Dewey Dezimal-Klassifikation: 296.4/52;

Book Industry Communication: HRJC

bisacsh: REL 040010

The 1954 Miṣḥaf as a Holy Book of Paraliturgical Songs -- The 1954 Miṣḥaf as a History Book of Paraliturgical Songs -- The Paraliturgical Practice and Text: Typical Features Emerging from the Written Sources -- The Paraliturgical Melody: Characteristics Emerging from Both the 1906 and the 1954 Mṣāḥif.

"In Judaism and Islam One God One Music, Merav Rosenfeld-Hadad offers the first substantial study of the history and nature of the Jewish Paraliturgical Song, which developed in the Arabo-Islamic civilization between the tenth and the twentieth centuries. Commonly portrayed as clashing cultures, Judaism and Islam appear here as complementary and enriching religio-cultural sources for the Paraliturgical Song's texts and music, poets and musicians, as well as the worshippers. Relying chiefly on the Babylonian-Jewish written sources of the genre, Rosenfeld-Hadad gives a fascinating historical account of one thousand years of the rich and vibrant cultural and religious life of Middle Eastern Judaism that endured in Arabo-Islamic settings. She convincingly proves that the Jewish Paraliturgical Song, like its people, reflects a harmonious hybridization of Jewish and Arabo-Islamic aesthetics and ideas"--

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