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The construction of testimony : Claude Lanzmann's "Shoah" and its outtakes / edited by Erin McGlothlin, Brad Prager, and Markus Zisselsberger

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Katalogangaben
	Zitierlink
Medienart	[Band]
Signatur	IX.3. Const 637
Titel	The construction of testimony : Claude Lanzmann's "Shoah" and its outtakes / edited by Erin McGlothlin, Brad Prager, and Markus Zisselsberger
Person	McGlothlin, Erin Heather [Herausgeber/in] Prager, Brad [Herausgeber/in] Zisselsberger, Markus [Herausgeber/in]
Veröffentlichung	Detroit : Wayne State University Press, [2020]
Umfang / Format	vi, 495 Seiten : Illustrationen
Anmerkungen	Erscheint auch als Online-Ausgabe 978-0-8143-4735-5 (ISBN)
Sprache	Englisch
ISBN	978-0-8143-4734-8 978-0-8143-4733-1
Gesamtwerk	(Contemporary approaches to film and media series)
Person über	Lanzmann, Claude
Schlagwörter	Shoah (Film)
Systematik	IX.3. Film
Inhalt	In "The Construction of Testimony: Claude Lanzmann’s Shoah and Its Outtakes", editors Erin McGlothlin, Brad Prager, and Markus Zisselsberger gather contributions on how Shoah (1985) fundamentally changed the nature and use of filmed testimony and laid the groundwork for how historians and documentarians regard and understand the history of the Holocaust. Critics have taken long note of Shoah’s innovative style and its place in the history of documentary film and in cultural memory, but few scholars have touched on its extensive outtakes and the reams of documentation archived at the United States Holocaust Memorial Museum and at Yad Vashem, or the release of five feature-length documentaries based on the material in those outtakes. "The Construction of Testimony", which contains thirteen essays by some of the most notable scholars in Holocaust film studies, reexamines Lanzmann’s body of work, his film, and the impact of Shoah through this trove—over 220 hours—of previously unavailable and unexplored footage. Responding to the need for a sustained examination of Lanzmann’s impact on historical and filmic approaches to testimony, this volume inaugurates a new era of scholarship, one that takes a critical position vis-à-vis the filmmaker’s posturing, stylization, and editorial sleight-of-hand. The volume’s contributors engage with a range of dimensions central to Lanzmann’s filmography and the outtakes, including the dynamics of gender in his work, his representation of Nazi perpetrators, and complex issues of language and translation. In light of Lanzmann’s invention of a radically new form of witnessing and remembrance, Shoah laid the framework for the ways in which subsequent filmmakers have represented the Holocaust cinematically; at the same time, the outtakes complicate this framework by revealing new details about the filmmaker’s complex editorial choices. Scholars and students of film studies and Holocaust studies will value this close analysis.
Inhaltsverzeichnis	Link zum Inhaltsverzeichnis

Exemplarangaben

Standort	Signatur	Bestellmöglichkeit	Verfügbarkeit
Freihand	IX.3. Const 637	Standardleihe	Zur Zeit ausgeliehen.