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Jewish artists and the Bible in twentieth-century America / Samantha Baskind

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Katalogangaben
 Zitierlink
MedienartBuch [Buch]
SignaturII.2.1. Baski 21
VerfasserBaskind, Samantha
Titel Jewish artists and the Bible in twentieth-century America / Samantha Baskind
PersonLevine, Jack [Illustrator/in]
Segal, George [Illustrator/in]
Flack, Audrey [Illustrator/in]
Rivers, Larry [Illustrator/in]
Kitaj, Ronald B. [Illustrator/in]
VeröffentlichungUniversity Park, PA : Pennsylvania State University Press, 2014
Umfang / Format XIX, 239 Seiten : Illustrationen
Anmerkungen Includes bibliogr. references (pages 209-219) and index
SpracheEnglisch
LandUSA
ISBN978-0-271-05983-9
Hinweis aufRezensiert in: Images : journal of Jewish art and visual culture. - 9 (2016).. - 2016
Schlagwörter Jüdische Kunst
Kunst
Juden
Bibel
USA
Systematik II.2.1. Bibel, Religion
II.3.4. Klassische Moderne (1900 - 1945)
II.3.6. Nachkriegszeit (1945 - 1990)
Inhalt Jack Levine, George Segal, Audrey Flack, Larry Rivers, and R. B. Kitaj have long been considered central artists in the canon of twentieth-century American art: Levine for his biting paintings and prints of social conscience, Segal for his quiet plaster figures evoking the alienation inherent in modern life, Flack for her feminist photorealist canvases, Rivers for his outrageous pop art statements, and Kitaj for his commitment to figuration. Much less known is the fact that at times, all five artists devoted their attention to biblical imagery, in part because of a shared Jewish heritage to which they were inexorably tied. Taking each artist as an extensive case study, Jewish Artists and the Bible in Twentieth-Century America uncovers how these artists and a host of their Jewish contemporaries adopted the Bible in innovative ways. Indeed, as Samantha Baskind demonstrates, by linking the past to the present, Jewish American artists customized the biblical narrative in extraordinary ways to address modern issues such as genocide and the Holocaust, gender inequality, assimilation and the immigrant experience, and the establishment and fate of the modern State of Israel, among many other pertinent concerns.
AufsatzCatastrophe and the biblical archetype in Jack Levine's art. - (2014), Seite 11 - 39
George Segal and the book of Genesis. - (2014), Seite 41 - 75
Audrey Agonistes : anguish, stereotype, and Audrey Flack. - (2014), Seite 77 - 107
Biblical parody : Larry River's "History of Matzah: The Story of Jews" as counterhistory. - (2014), Seite 109 - 135
R. B. Kitaj : village explainer of Jewish art. - (2014), Seite 137 - 167
Epilogue : Jewish artists and the formation of the American art canon. - (2014), Seite 169 - 181
Inhaltsverzeichnis Link zum Inhaltsverzeichnis

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