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Visualizing the Holocaust : documents, aesthetics, memory / edited by David Bathrick ...

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Katalogangaben
 Zitierlink
MedienartBand [Band]
SignaturIII.10.2. Visua 346
Titel Visualizing the Holocaust : documents, aesthetics, memory / edited by David Bathrick ...
PersonBathrick, David [Herausgeber/in]
VeröffentlichungRochester, NY : Camden House, 2008
Umfang / Format VI, 336 Seiten : Illustrationen
Anmerkungen Includes bibliogr. references and index
SpracheEnglisch
LandUSA
ISBN978-1-57113-383-0
Gesamtwerk (Screen cultures: German film and the visual)
Schlagwörter Bildliche Darstellung
Schoa
Fotografie
Film
Kollektives Gedächtnis
Systematik III.10.2. Aufarbeitung der NS-Zeit
Inhalt Visual representations are an essential but highly contested means of understanding and remembering the Holocaust. Photographs taken in the camps in early 1945 provided proof of and visceral access to the atrocities. Later visual representations such as films, paintings, and art installations attempted to represent this extreme trauma. While photographs from the camps and later aesthetic reconstructions differ in origin, they share goals and have raised similar concerns: the former are questioned not as to veracity but due to their potential inadequacy in portraying the magnitude of events; the latter are criticized on the grounds that the mediation they entail is unacceptable. Some have even questioned any attempt to represent the Holocaust as inappropriate and dangerous to historical understanding.This book explores the taboos that structure the production and reception of Holocaust images and the possibilities that result from the transgression of those taboos. Essays consider the uses of various visual media, aesthetic styles, and genres in representations of the Holocaust; the uses of perpetrator photography; the role of trauma in memory; aesthetic problems of mimesis and memory in the work of Lanzmann, Celan, and others; and, questions about mass-cultural representations of the Holocaust. David Bathrick is professor of German at Cornell University, Brad Prager is associate professor of German at the University of Missouri, and Michael D. Richardson is associate professor of German at Ithaca College.
AufsatzIntroduction: Seeing against the grain : re-visualizing the Holocaust / David Bathrick. - (2008), Seite [1] - 18
On the liberation of perpetrator photographs in Holocaust narratives / Brad Prager. - (2008), Seite [19] - 37
¬The¬ interpreter's dilemma : Heinrich Jöst's Warsaw Ghetto photographs / Daniel H. Magilow. [Heinrich Jöst]. - (2008), Seite [38] - 61
Whose trauma is it? : identification and secondary witnessing in the age of postmemory / Elke Heckner. - (2008), Seite [62] - 85
No child left behind : Anne Frank exhibits, American abduction narratives, and Nazi bogeymen / L. J. Nicoletti. - (2008), Seite [86] - 113
Auschwitz as hermeneutic rupture, differend, and image malgré tout : Jameson, Lyotard, Didi-Huberman / Sven-Erik Rose. - (2008), Seite [114] - 137
Claude Lanzmann's Shoah and the intentionality of the image / Michael D'Arcy. - (2008), Seite [138] - 161
For and against the Bilderverbot : the rhetoric of "unrepresentability" and remediated "authenticity" in the German reception of Steven Spielberg's Schindler's List / Karyn Ball. - (2008), Seite [162] -
Celan's cinematic : anxiety of the gaze in "Night and Fog" and "Engführung" / Eric Kligerman. - (2008), Seite [185] - 210
Affect in the archive : Arendt, Eichmann and "The Specialist" / Darcy C. Buerkle. - (2008), Seite [211] - 238
Home-movies, film diaries, and mass bodies : Péter Forgác's "Free Fall" into the Holocaust / Jaimey Fisher. - (2008), Seite [239] - 260
Laughter and catastrophe : "Train of Life" and tragicomic Holocaust cinema / David A. Brenner. - (2008), Seite [261] - 276
"Heil Myself!" : impersonation and identity in the comedic representation of Hitler / Michael David Richardson. - (2008), Seite [277] - 297
URL http://www.camden-house.com/store/viewItem.asp?idProduct=12757
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