Filmuniversität Menü überspringen Filmuni-Logo Universitätsbibliothek
Anmelden | Sitzung beenden | Einstellungen | | Kontakt | Hilfe
Indexsuche | Suchen | Ergebnisliste | Suchverlauf | Korb | Switch to English version
 
In den Korb  |  Speichern/Senden
Vollanzeige des Titels Anzeigeformat: Standardformat / Katalogkarte / Karte Filmarchiv / Feldnummern
Satz 1 von 1 Kein vorheriger Datensatz   Kein weiterer Datensatz
Bestandsnachweis   Hier klicken um Verfügbarkeit zu prüfen
Signatur   C 2189 
1.G.Schöpfer   LinkCoates, Paul, 1953-
Titel   LinkThe red and the white
Zusatz   the cinema of people’s Poland
Personenang.   Paul Coates
Ausgabe   1. publ. 
Veröffentlichung   London [u.a.] : Wallflower Press, 2005
Umfang/Format   IX, 251 S. 
Angaben zum Inhalt   "Ashes and diamonds" between politics and aesthetics -- Typical stories?: (socialist? realism?) -- Censorship in a hall of mirrors -- Heroism, masculinity, "feminisation" and "The Polish school" -- Walls and frontiers: representing Polish-Jewish relations -- Kieslowski, politic and the anti-politics of colour: from the 1970s to the "Three colours" trilogy
ISBN   1-904764-26-6 1-904764-27-4
Schlagwort   LinkPolen/C LinkAnalyse von Filmen/A LinkPolitik/A LinkÄsthetik/A LinkSozialistischer Realismus/A LinkZensur/A LinkHeld/A LinkFeminismus/A LinkJuden/A LinkZweiter Weltkrieg/A LinkNachkriegsfilm/A LinkMythos/A LinkAdaption/A LinkSurrealismus/A 
Stichwörter   Nationale Identität 
Zusammenfassung   The Red and the White: The Cinema of People’s Poland takes a fascinating look at the history of post-war Polish cinema, and how it was affected by the political, social and cultural upheavals throughout the period 1947-89. This timely study re-evaluates the legacy of Socialist Realism, the representation of the war, cinematic portrayals of national myth and cultural history, literary adaptation and surrealism, and discourses of exile and national identity. Although paying particular reference to the work of Krzysztof Kieslowski and Andrzej Wajda, this book considers the contribution of a wide range of filmmakers, including Jerzy Skolimowski, Krzysztof Zanussi, Agnieska Holland, Andrzej Munk, Jerzy Kawalerowicz, Wojciech Has and Roman Polanski. The volume also includes unique primary archival research into the role of state-sponsored censorship, and coverage of Polish-Jewish representations in film. Among the many films discussed are A Generation, Eroica, Ashes and Diamonds, Family Life, The Promised Land, The Hour Glass Sanatorium, Hands Up!, Decalogue 8, Europa, Europa and The Double Life of Veronique. 
Zitierlink   https://server8.bibl.filmuniversitaet.de:443/F/?func=direct&doc_number=000123496&local_base=HFF01
  Kein vorheriger Datensatz   Kein weiterer Datensatz
  Sitzung beenden - Kontakt - Hilfe - Suche - Ergebnisliste - Suchverlauf - Datenbanken