| Brenner, Athalya On Reading the Hebrew Bible as a Feminist Woman: Introduction to the Series | S. 11- |
| Brenner, Athalya On Feminist Criticism of the Song of Songs | S. 28- |
| Stanton, Elizabeth Cady The Women's Movement and the Bible | S. 40- |
| Ginsburg, C.D. The Importance of the Book | S. 47- |
| Stanton, Elizabeth Cady The Song of Solomon | S. 55- |
| Goitein, S.D. The Song of Songs: A Female Composition | S. 58- |
| Bekkenkamp, Jonneke / Dijk, Fokkelien van The Canon of the Old Testament and Women's Cultural Traditions | S. 67- |
| Brenner, Athalya Women Poets and Authors | S. 86- |
| Trible, Phyllis Love's Lyrics Redeemed | S. 100- |
| Pope, Marvin H. The Song of Songs and Women's Liberation: An 'Outsider's' Critique | S. 121- |
| Landy, Francis Two Versions of Paradise | S. 129- |
| Setel, T. Drorah Prophets and Pornography: Female Sexual Imagery in Hosea | S. 143- |
| Dijk-Hemmes, Fokkelien van The Imagination of Power and the Power of Imagination | S. 156- |
| Deckers, M. The Structure of the Song of Songs and the Centrality of nepe | S. 172- |
| Meyers, Carol Gender Imagery in the Song of Songs | S. 197- |
| Soulen, Richard N. The wasfs of the Song of Songs and Hermeneutic | S. 214- |
| Falk, Marcia The wasf | S. 225- |
| Brenner, Athalya 'Come Back, Come Back the Shulammite' (Song of Songs 7.1-10): A Parody of the wasf Genre | S. 234- |
| Landy, Francis Mishneh Torah: A Response to Myself and Phyllis Trible | S. 260- |
| Whedbee, J. William Paradox and Parody in the Song of Solomon: Towards a Comic Reading of the Most Sublime Song | S. 266- |
| Brenner, Athalya An Afterword | S. 279- |
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