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Last 7 Days Catalog Additions

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  • 2015-2019  (2)
  • 2005-2009  (6)
  • 1965 - 1969
  • Amsterdam  (4)
  • Paris  (4)
  • Malerei  (5)
  • Fotograf  (3)
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Material
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Year
  • 1
    ISBN: 9789057305412
    Language: Dutch
    Pages: 95 Seiten , Fotografien
    Year of publication: 2008
    Keywords: Fotograf ; Ausstellung
    Abstract: The Jewish Historical Museum is organising an exhibition of photographs by Kurt Lubinski (1899-1969). Although this German émigré photographer is now relatively unknown, he gained a significant reputation as a successful photojournalist for his travel reportages in the 1920s and 1930s, initially in Germany and later in the Netherlands. Lubinski began his career at the end of the 1920s as a photographer at the Ullstein Verlag in Berlin. In 1933 he fled Nazi Germany and emigrated to the Netherlands. He received commissions from Dutch illustrated weeklies and was one of the first photojournalists to travel through the remote areas of the Soviet Union (Siberia and Central Asia), Africa and the American Deep South. He also travelled extensively in Europe, from Gibraltar to the Shetland Islands. In the 1930s Lubinski̷s photographs were among the first to acquaint the general public with images of strange cultures and exotic peoples. Lubinski̷s countless reportages, the texts for which he wrote himself, speak of his great empathy for the underprivileged such as poor Russian peasants, nomads in Kazakhstan, dispossessed Native Americans and black street sweepers in the USA. People are always central to his photography. He observed how, throughout the world, the authenticity of age-old cultures was threatened by modernisation, industrialisation, urbanisation and political developments. His photographs remain, in our age of globalisation, a silent witness to a world that has largely disappeared. Lubinski escaped to England before the outbreak of the Second World War and in 1943 he emigrated to the United States. There he abandoned photography, his archive was lost and his name fell into obscurity. The JHM hopes that this exhibition will restore him to his rightful place in the history of Dutch photography. It is the first time that his work will be exhibited. The majority of the photographs in the exhibition are vintage prints from the collection of Spaarnestad Photo.
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  • 2
    Language: French
    Pages: 103 Seiten , überw. Ill.
    Year of publication: 2008
    Keywords: New Bauhaus ; Bauhaus ; Fotograf ; Ausstellung ; USA
    Abstract: The Musée d'art et d'histoire du Judaïsme is organising the first French retrospective of the photographer and designer Nathan Lerner, whose career was closely linked to the New Bauhaus school in Chicago. The son of Ukrainian Jewish immigrants, Lerner was born in Chicago in 1913 and while studying painting at the Art Institute began photographing the poor Maxwell Street district of the city from 1935. His photographs show us the America of the Depression years and the misery of the population of this immigrant district, many of whom were Jews from Eastern Europe. Lerner photographed these people with great empathy but not with the eye of a reporter. His concerns were primarily formal, particularly composition and framing. These social photographs are contemporary to those of Walker Evans, Helen Levitt and Dorothea Lange. On Archipenko̷s advice, Lerner enrolled at the New Bauhaus as soon as the school was opened by László Moholy-Nagy in 1937. He met Arthur Siegel and Harry Callahan there, and immediately began experimenting with abstract photography, using a light box to created compositions of everyday objects, ĺlight drawings̷ and photogrammes. He assisted György Kepes in the Light workshop from 1939 until he took over from him in 1941. In late 1945, Moholy-Nagy asked him to direct the teaching of technical drawing at the school (which had been renamed the School of Design). In 1946, he became the school̷s dean then director of studies. In 1949, he left the school, distanced himself from photography and set up a design studio, Lerner Design Associates, specialised in consumer items: packages and bottles, toys and ĺassemble-yourself̷ furniture. He also designed a modular house, which he built himself in 48 hours in 1951, and the familiar plastic ̮HoneybearŁ jar, one of American marketing̷s most emblematic objects. In 1968, he married the pianist Kiyoko Asai, who introduced him to Japan, and from 1973, there were several exhibitions of his work in the United States, Berlin and Japan. Nathan Lerner died in 1997. This exhibition was made possible by the generosity of his wife, Kiyoko Lerner, who donated a major collection of his photographs to the Musée d'art et d'histoire du Judaïsme. This event has also been an opportunity to recall that Nathan and Kiyoko Lerner protected and revealed the unique and unclassifiable work of Henry Darger, one of the major figures of American Art Brut.
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  • 3
    Language: Dutch
    Pages: [8] Blatt , Fotografien
    Year of publication: 2005
    Keywords: Kriegsberichterstattung ; Fotograf ; Ausstellung ; Provenienz: Voolen, Edward van Donator
    Note: Werbeprospekt für die Ausstellung und das Joods Historisch Museum als Ganzes
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  • 4
    Language: Dutch
    Pages: 44 Seiten, [2] Blatt , Illustrationen
    Year of publication: 2009
    Keywords: Künstler ; Malerei ; Kunstausstellung ; Provenienz: Voolen, Edward van Donator
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  • 5
    Language: French
    Pages: 47 Seiten , Illustrationen
    Year of publication: 2008
    Keywords: Künstler ; Malerei ; Ausstellung
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  • 6
    Language: English
    Pages: 191 Seiten , Ill.
    Year of publication: 2009
    Series Statement: Pera Müzesi Yayını 37
    Series Statement: Pera Müzesi Yayını
    Keywords: Malerei ; Zeichnung ; Grafik ; Künstler ; Ausstellung ; Provenienz: Voolen, Edward van Donator
    Abstract: The works of outstanding 20th century artist Marc Chagall were exhibited in Turkey for the very first time at the Pera Museum. The 160 works by Chagall were comprised of prints, drawings and paintings selected from the rich collection of The Israel Museum, Jerusalem. The exhibition catalogue examines a unique selection that revealed Chagall's multi-faceted personality and vivid world of imagination. Accompanying the drawings, which reflect Chagall’s life and his love for his first wife Bella, the catalogue also presents his illustrations. for the Holy Book and for literary works such as The Fables of La Fontaine, and Gogol's Dead Souls. Representing his signature style, themes such as Russian folklore, Jewish traditions and lovers stand out in Chagall's works.
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  • 7
    Language: French
    Pages: 207 Seiten , Illustrationen
    Year of publication: 2016
    Keywords: Künstler ; Malerei ; Ausstellung
    Abstract: Arnold Schönberg (1874-1951) est l’un des compositeurs majeurs du xxe siècle, mais il fut aussi théoricien, enseignant, poète et peintre. En effet, à partir de 1908 et pendant une dizaine d’années, il s’est adonné à la peinture, en parallèle de son activité musicale. Portraits et autoportraits, paysages imaginaires à la limite de l’abstraction et études de décors d’opéra constituent un œuvre hors norme, miroir de ses états d’âme qui ne trouvaient pas de forme musicale. La redécouverte de Schönberg à l’aune de sa production picturale est ainsi l’occasion de se replonger dans les cercles artistiques viennois du tournant du xxe siècle avec Richard Gerstl, Oskar Kokoschka, Max Oppenheimer ou Egon Schiele, mais aussi de pénétrer les coulisses de son amitié avec Vassily Kandinsky, pour lequel la musique de Schönberg joua un rôle fondamental. La relation de Schönberg à son identité juive est également abordée par nombre d’œuvres, écrits et compositions qui témoignent d’un engagement méconnu, tant musical que politique. Arnold Schönberg. Peindre l’âme pose un regard renouvelé sur l’artiste, en suivant sa trajectoire à travers des questions inédites en France, à la croisée des champs artistiques et des préoccupations culturelles et religieuses qui ont irrigué son œuvre. Les auteurs Sous la direction de Jean-Louis Andral, directeur du musée Picasso, Antibes, et Fanny Schulmann, conservatrice chargée de l’art moderne et contemporain, musée d’art et d’histoire du Judaïsme, Paris Textes de : Jean-Louis Andral, directeur du musée Picasso, Antibes Esteban Buch, directeur d'études à l’École des hautes études en sciences sociales, Paris, directeur du centre de recherches sur les Arts et le Langage Steven J. Cahn, professeur de théorie musicale, conservatoire de l’université de Cincinnati Romeo Castellucci, metteur en scène Angela Lampe, conservatrice des collections modernes, musée national d’Art moderne, Centre Pompidou, Paris Jean-Claude Marcadé, directeur de recherche émérite au CNRS Therese Muxeneder, responsable des collections au Arnold Schönberg Center, Vienne Fanny Schulmann, conservatrice chargée de l’art moderne et contemporain, musée d’art et d’histoire du Judaïsme, Paris Patrick Werkner, professeur d’histoire de l’art et directeur des collections, Universität für angewandte Kunst, Vienne.
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  • 8
    Language: Dutch
    Pages: 39 Seiten , zahlr., farb. Ill.
    Year of publication: 2015
    Keywords: Künstler ; Malerei ; Ausstellung ; Provenienz: Voolen, Edward van Donator
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