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Last 7 Days Catalog Additions

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  • 2020-2024  (56)
  • 2020  (56)
  • Ausstellung  (44)
  • Exil
  • Jews
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Subjects(RVK)
  • 1
    ISBN: 9783962332105 , 3962332103
    Language: German
    Pages: 204 Seiten , Illustrationen , 24 cm x 17 cm
    Edition: Originalausgabe
    Year of publication: 2020
    Series Statement: Münchner Beiträge zur Migrationsgeschichte Band 3
    Series Statement: Münchner Beiträge zur Migrationsgeschichte
    Keywords: Cramer, Ernst ; Cramer, Ernst ; 1945-1990 ; Jewish journalists Biography ; Jews Biography ; Return migrants Biography ; Journalistes juifs - Allemagne - Biographies ; Juifs - Allemagne - Biographies ; Immigrants de retour - Allemagne - Biographies ; Jewish journalists ; Jews ; Politics and government ; Return migrants ; collective biographies ; Biographies ; Biographies ; Biographies ; Germany Politics and government 1945-1990 ; Allemagne - Politique et gouvernement - 1945-1990 ; Germany ; Biografie ; Cramer, Ernst 1913-2010 ; Cramer, Ernst 1913-2010 ; Rückwanderung
    Abstract: Ernst Cramer (1913-2010), Augsburger, Jude und 1939 in die USA emigriert, kehrt 1945 als amerikanischer Soldat in seine Heimat Deutschland zurück. Schockiert von den Kriegsschäden und vom Tode seiner Eltern und seines Bruders im Holocaust, entschließt er sich, in Deutschland zu bleiben und mitzuhelfen, dass wieder Vernunft, Anstand und Gerechtigkeit einziehen. Als Mitarbeiter der amerikanischen Militärregierung und als Journalist widmet er sich diesem Ziel.
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 2
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030540692 , 9783030540722
    Language: English
    Pages: v, 171 Seiten , 21 cm
    Year of publication: 2020
    Parallel Title: Erscheint auch als Zakai, Avihu Jewish Exiles’ Psychological Interpretations of Nazism
    Parallel Title: Erscheint auch als Zakhai, Avihu, 1945 - Jewish Exiles' Psychological Interpretations of Nazism
    DDC: 943.086
    RVK:
    Keywords: Reich, Wilhelm ; Fromm, Erich ; Kracauer, Siegfried ; Neumann, Erich ; Nazis Psychology ; National socialism Psychological aspects ; Reich, Wilhelm 1897-1957 ; Fromm, Erich 1900-1980 ; Kracauer, Siegfried 1889-1966 ; Neumann, Erich 1905-1960 ; Exil ; Einfluss ; Geschichte 1933-1945 ; Deutschland ; Juden ; Intellektueller ; Exil ; Geschichte 1933-1945
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  • 3
    ISBN: 9781108483636
    Language: English
    Pages: xvi, 313 Seiten , Illustrationen
    Year of publication: 2020
    Series Statement: Cambridge studies in European law and policy
    Parallel Title: Erscheint auch als Tuori, Kaius, 1974 - Empire of law
    DDC: 342.4308/73
    RVK:
    Keywords: Jurisprudence History 20th century ; National socialism ; Europa ; Recht ; Geschichte ; Europa ; Rechtsgeschichtsschreibung ; Geschichte 1930-1950 ; Deutschland ; Jurist ; Exil ; Geschichte 1930-1945
    Abstract: "Introduction In a letter to Max Radin on April 2, 1933, Hermann Kantorowicz writes how the situation in Germany took a turn for the worse after the Nazis took power: What is happening there is even more terrible than American newspapers report and if our Nazis proclaim these reports a justification for their "reprisals", this is a mere pretext. Everything now going on is according to the Nazi party programme of February 25, 1920, especially to article 4, only no one believed such barbarism possible, myself excepted as you probably remember. The letters now written by thousands of German Jews denying every atrocity are, of course, written under the threat of still worse treatment. My own family has been severely stricken. Dozens of my cousins, in great part well-known lawyers and doctors, have lost their jobs and every means of subsistence, my brother, Professor in Bonn, is hiding I don't know where; his daughter, a girl of 21 years, has been imprisoned as a hostage; the Nazi-police tried to compel my mother, 74 years old, to give away the address of my brother; my late wife's cousin, the director of a theatre in Silesia, has been kidnapped by a Nazi auto during a rehearsal, conducted out of town, stripped naked, beaten and then forced to walk home in this state. One of my best friends in Kiel,the lawyer Spiegel, has been murdered and of course I myself cannot venture to show myself again in the present Germany (...)1 As this example shows, the Nazi revolution upended many of the things considered self-evident in Europe at the time: it appeared that the ideals of humanity, equality, rights and security were abandoned. Compounding the sense of crisis was the notion that truth and falsehood had lost their meanings, becoming dependent on the vagaries of the powers that be. A mere decade and a half after the carnage of the First World War had ended, a new barbarism had risen in Germany, the land that had previously been considered the centre of European civilization. The Nazi repression was a direct attack on the European tradition of justice and the rule of law. A jurist like Kantorowicz felt this acutely because among the main targets of Nazi repression after the takeover of power were the forces of law and order, meaning the police, the judiciary and lawyers, in order to bring down the German Rechtstaat"--
    Note: Literaturverzeichnis: Seite 273-306
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  • 4
    Book
    Book
    [Norderstedt] : Books on Demand
    Language: German
    Pages: 161 Seiten , Illustrationen
    Year of publication: 2020
    Keywords: Rheydt ; Judenverfolgung ; Exil
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  • 5
    ISBN: 9783960987499 , 3960987498
    Language: English
    Pages: 105 Seiten , 75 Illustrationen , 22 cm x 29 cm
    Year of publication: 2020
    Keywords: Ausstellung
    Abstract: Erst nach ausführlichen Recherchen und Themensetzungen reist die Fotokünstlerin Johanna Diehl an ausgewählte Orte und nimmt die Patten-Kamera in die Hand. Die ehemalige Schülerin von Timm Rautert und Tina Bara an der Hochschule für Grafik und Buchkunst in Leipzig sowie von Christian Boltanski und Jean Marc Bustamante in Paris findet stets vom Standpunkt der Gegenwart aus zu Bildern, die konstatieren, was war, was ist und was sein könnte. Wie ein Palimpsest geben ihre feinfühligen Arbeiten eine Vorstellung von Zeit und bleiben zugleich in der Schwebe des Möglichen. Ausstellung und Katalog stellen Diehls jüngste Werkgruppe „Alienation“ (Entfremdung), in der es um vererbte Kriegstraumata geht neu vor.
    Abstract: Katja Blomberg, Annette Tietenberg Photo artist Johanna Diehl only travels to selected places and utilizes a plate camera after extensive research and setting of themes. The former student of Timm Rautert and Tina Bara at the Academy of Fine Arts Leipzig as well as of Christian Boltanski and Jean Marc Bustamante in Paris always finds images from the point of view of the present which state what was, what is and what could be. Like a palimpsest, her sensitive works give an idea of time and simultaneously remain within the realms of possibility. The exhibition and catalogue present Diehl's most recent group of works "Alienation", a new approach to inherited war traumas.
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  • 6
    ISBN: 9783837929775 , 3837929779
    Language: German
    Pages: 219 Seiten , 21 cm, 326 g
    Edition: Originalausgabe
    Year of publication: 2020
    Series Statement: Haland & Wirth
    Series Statement: Haland & Wirth
    Keywords: Exil ; Rückwanderung
    Abstract: Was ist »Heimat«? Diese Frage blieb für jene deutschen Jüdinnen und Juden, die durch Flucht und Emigration nach 1933 ihr Leben retten konnten, oftmals ein Lebensthema. Nach 1945 kehrten nur wenige der Geflüchteten nach Deutschland zurück, manche direkt nach Kriegsende, andere als SpätheimkehrerInnen; manche nur für eine gewisse Zeit, andere dauerhaft. Alle mussten auf unsicherem Grund neue Perspektiven entwickeln. Die BeiträgerInnen berichten von deutsch-jüdischen Lebenswegen und rücken Fragen nach der Fragilität von »Heimat«, nach Prägungen und stabilisierenden Ressourcen in den Fokus. Sie präsentieren deutsch-jüdische Geschichte als facettenreiches Thema, das auch für jene inspirierend ist, die in der praktischen Arbeit mit Auswirkungen von Kriegs-, Flucht- und Gewalterfahrungen konfrontiert sind. Mit Beiträgen von Micha Brumlik, Sabine Hering, Elke-Vera Kotowski, Claus-Dieter Krohn, Peter J. Loewenberg, Bernhard Schäfers, Julius H. Schoeps, Barbara Stambolis, Guy Stern und Moshe Zimmermann
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  • 7
    Language: English
    Pages: 60 Seiten , Illustrationen
    Year of publication: 2020
    Keywords: No! Art ; Künstler ; Ausstellung
    Abstract: A contemporary of Rauschenberg, Warhol, Lichtenstein and Johns, Boris Lurie arrived in New York in 1946, having survived nearly four years in Hitler’s death camps. He was just 21. Over the next 60 years, his art became his life, his refuge, his therapy and his means of protesting the racism, anti-Semitism and social hypocrisy he encountered in the United States; its Cold War nuclear rivalry with the Soviet Union; and its interventionist policies abroad. In 1959, he, Sam Goodman and Stanley Fisher founded the NO!Art movement, reflecting Lurie’s views that artists should use their talent to protect and defend the interests of the people in the communities and countries where they live. At this difficult time in our history, it is our hope that Boris Lurie’s legacy, his art and his courage, will serve as an inspiration for artists everywhere to express their political views in their art, to increase awareness and understanding of the political issues we’re confronted with today.
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  • 8
    Language: Dutch
    Pages: 255 Seiten , Illustrationen
    Additional Material: [2] Blatt: deutsche Zusammenfassung
    Edition: [1. Auflage]
    Year of publication: 2020
    Keywords: Bildnis ; Zeichnung ; Künstlerin ; Ausstellung
    Abstract: Op een vlooienmarkt in Parijs ontdekte een Nederlandse kunsthandelaar het werk van een nagenoeg vergeten kunstenares, de Duits-Joodse Edith Auerbach (1899-1994). Zij was in 1926 vanuit Duitsland naar Parijs vertrokken en was een vaste bezoeker van de befaamde kunstenaarscafés in Montparnasse, waar ze haar schetsboeken vulde met portretten van bekende en onbekende kunstenaars en passanten. Haar tekeningen getuigen van een ontroerende belangstelling voor de medemens. Pauline Broekema en Han Steenbruggen schetsen in dit boek het turbulente leven van Edith Auerbach en haar artistieke betekenis. Hun bijdragen worden gevolgd door bijna tweehonderd tekeningen die ze maakte in Montparnasse. Het boek sluit af met een kleine selectie uit de aangrijpende serie schilderijen die Auerbach na de bevrijding maakte onder de titel ‘Contre l’Oubli’. In deze reeks gaf ze uitdrukking aan haar persoonlijke, traumatische kampervaringen en aan de verschrikkingen van de holocaust. ‘Contre l’Oubli’ (tegen het vergeten) is verschenen in het kader van de viering van 75 jaar bevrijding, vrede en vrijheid. De publicatie begeleidt de gelijknamige tentoonstelling in Museum Belvédère (4 juli tot en met 20 september 2020).
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  • 9
    ISBN: 9783990289471 , 3990289470
    Language: English
    Pages: 316 Seiten , Illustrationen , 21 cm x 13 cm, 450 g
    Edition: 1. edition
    Year of publication: 2020
    Series Statement: artedition | Verlag Bibliothek der Provinz
    Series Statement: art edition
    Keywords: Auerbach, Ellen ; Stern, Grete ; Dicker, Friedl ; Niebuhr, Elly ; Gert, Valeska ; Model, Lisette ; Ora, Madame d' ; Paalen, Wolfgang ; Réthi, Lili ; Vogel, Amos ; Laserstein, Lotte ; Lasker-Schüler, Else ; Fleck, Luise ; Papanek, Victor ; Trier, Walter ; Suschitzky, Wolf ; Exil ; Ausstellung
    Abstract: The third and likely final presentation in the series of exhibitions about artists in exile explores Scenes of Exile (2020) all over the world; among them are ports of embarkation and arrival, but also mere places of transit and stopovers where new doors unexpectedly opened, yearned-for destinations, places where escapees got stuck, and scenes of return. Focusing on a selection of places—Zurich, Jerusalem, London, New York, Collingwood, Stockholm, and Shanghai—the exhibition will feature the graphic oeuvre of the writer Else Lasker-Schüler (1869 Elberfeld, DE―1945 Jerusalem, IL), the photographs and films of Wolf Suschitzky (1912 Vienna, AT―2016 London, UK), the drawings and caricatures of Walter Trier (1890 Prague, CZ―1951 Collingwood, Ontario, CA), furniture designs by Victor Papanek (1923 Vienna, AT―1998 Lawrence, KS, US), the self-portraits of the painter Lotte Laserstein (1898 Preußisch Holland, today PL―1993 Kalmar, SE), and the films of the director Louise Kolm-Fleck (1873―1950 Vienna, AT). It will illustrate that the scenes of exile with their distinctive conditions gave some, such as Trier and Suschitzky, the chance to build new lives for themselves, while others, like Laserstein, survived in refuges where the need to adapt to the expectations of new audiences and the loss of familiar milieus and sources of inspiration lastingly stunted their gift for creative innovation.
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  • 10
    ISBN: 9783868325676 , 3868325670
    Language: German
    Pages: 131 Seiten , Fotografien , 28 cm
    Year of publication: 2020
    Keywords: Fotograf ; Ausstellung
    Abstract: Max Jacoby (1919–2009) floh 1937 aus seiner Geburtsstadt Koblenz nach Argentinien. Eine Kamera-Assistenz bei dem ungarischen Fotografen George Friedmann bot einen Neuanfang und zusammen mit anderen emigrierten Fotografen bildeten sie die Künstlergruppe „La Carpeta de los Diez“. 1957 wagte Jacoby den Sprung nach Berlin und blieb als freier Fotograf für Presse, Film, Buch- und Zeitschriften-Verlage. Er porträtierte Arbeiter und Künstler, Bettler und Politiker und dokumentierte das politische Leben und den Alltag in der geteilten Stadt. Dieser Band gibt nun einen Überblick über seinen Nachlass mit einer lang erwarteten Dokumentation seines bedeutenden fotografischen Werks.
    Abstract: In 1937, Max Jacoby fled from his hometown of Koblenz to Argentina. A job as camera assistant with the photographer George Friedmann offered a new beginning. Together with other emigrated photographers, he co-founded the artist group La Carpeta de los Diez. In 1957, Jacoby returned to Berlin, where he remained as a freelance photographer, portraying workers and artists, beggars and politicians and documented political and everyday life in the divided city.
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