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Last 7 Days Catalog Additions

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  • 2015-2019  (1,702)
  • 1975-1979  (39)
  • 1945 - 1949
  • 2016  (1,702)
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  • 1
    ISSN: 0344-6727
    Language: German
    Year of publication: 1988-
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    Keywords: Konferenzschrift 1987 ; Österreich ; Juden ; Geschichte 1780-1938 ; Österreich ; Antisemitismus ; Geschichte 1780-1938 ; Antisemitismus ; Literatur ; Deutsch ; Geschichte 1700-1918 ; Juden ; Literatur ; Deutsch ; Geschichte 1750-1918 ; Juden ; Mitteleuropa ; Sozialgeschichte 1754-1918 ; Juden ; Literatur ; Deutsch ; Geschichte 1700-1918 ; Antisemitismus ; Mitteleuropa ; Geschichte 1700-1918 ; Antisemitismus ; Literatur ; Deutsch ; Geschichte 1750-1918 ; Judentum ; Literatur ; Deutsch ; Geschichte 1700-1918
    Note: Kongreßbericht ; (Bad Homburg, Höhe) : 1987
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  • 2
    Journal/Serial
    Journal/Serial
    Wien : Verein zur Herausgabe der Zeitschrift Das Jüdische Echo | Wien : Freunde der Jüdischen Akademischen Presse | Wien : Vereinigung Jüdischer Hochschüler Österreichs und Jüdischer Akademiker Österreichs ; 1.1952,Aug. -
    Language: German
    Year of publication: 1952-
    Dates of Publication: 1.1952,Aug. -
    Keywords: Österreich ; Judentum ; Kultur ; Zeitschrift
    Note: Zusatz anfangs: Zeitschrift für Kultur und Politik , Beteil. Körp. anfangs: Vereinigung Jüdischer Hochschüler in Österreich ; später: Freunde der Jüdischen Akademischen Presse , Adresse d. Verl.: 1010 Wien, Stephansplatz 10 , 2.1953/54,3 nicht ersch.; 4.1955/56,9 nicht ersch.
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  • 3
    Language: Hebrew
    Year of publication: 1912-
    Uniform Title: Mišnā
    Note: Später erschienen bei de Gruyter, Berlin [u.a.]. - Später hrsg. von Karl Heinrich Rengstorf ... - Text hebr. u. dt. - Auch mit der Ang.: Begr. von Beer u. Holtzmann unter Mitw. von ... hrsg. von Rengstorf ; Rost
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  • 4
    Language: German
    Year of publication: 1989-
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    Keywords: Simmel, Georg 1858 - 1918 Collected works ; Philosophy ; Sociology ; Philosophie ; Soziologie ; Ethik
    Note: Auch als Suhrkamp-Taschenbuch : Wissenschaft , 1999 , 1 (1999) - 24 (2015)
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  • 5
    Journal/Serial
    Journal/Serial
    Potsdam : Moses Mendelssohn Zentrum für Europäisch-Judisches Studien | Erlangen : Union Aktuell | Erlangen : Defacto Marketing GmbH | Essen : Druckzentrum Sutter & Partner | Erlangen : Moses Mendelssohn Stiftung ; 1.1988 - 4.1991; 5.1992,März = Nr. 1; 6.1992,Juni - 9.1995 = Nr. 2-16; Nr. 17.1996 - 24.1997, [N.S.] 1.1998-Heft 92 = 2021,3
    ISSN: 0948-1753 , 0948-1753
    Language: German
    Pages: 30 cm
    Year of publication: 1988-2021
    Dates of Publication: 1.1988 - 4.1991; 5.1992,März = Nr. 1; 6.1992,Juni - 9.1995 = Nr. 2-16; Nr. 17.1996 - 24.1997, [N.S.] 1.1998-Heft 92 = 2021,3
    Parallel Title: Erscheint auch als Dialog
    Former Title: Vorg. ---〉 Schalom
    Former Title: Mitteilungen des Steinheim-Instituts für Deutsch-Jüdische Geschichte
    Subsequent Title: Daraus hervorgeg. Kalonymos
    Subsequent Title: Fortgesetzt durch MMZ Dialog
    Keywords: Zeitschrift
    Note: Herausgeber bis 24.1997: Salomon Ludwig Steinheim-Institut für Deutsch-Jüdische Geschichte; bis 23.2004: Moses Mendelssohn-Zentrum für Europäisch-Jüdische Geschichte; teils: Moses Mendelssohn Stiftung; teils: Moses Mendelssohn Akademie , Ersch. vierteljährl.
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  • 6
    Language: English
    Year of publication: 2016
    Titel der Quelle: Interpreting Primo Levi
    Angaben zur Quelle: (2016) 147-160
    Keywords: Levi, Primo, ; Holocaust survivors' writings History and criticism ; Memory Psychological aspects ; Metaphor in literature ; Holocaust, Jewish (1939-1945) Personal narratives ; History and criticism
    Abstract: As the epigraph to what would turn out to be his final book, Primo Levi chose a few lines from Coleridge’s Rime of the Ancient Mariner that lend impressive moral authority to the witness:Since then, at an uncertain hour,That agony returns,And till my ghastly tale is toldThis heart within me burns.1It is memory, of course, that visits this agony upon the mariner, the memory of having sinned first by felling the fateful albatross and then, all the worse, by surviving his fellow sailors after they paid the heavy price for his violent presumption. Thereafter, the mariner’s transgression overtakes him as a force unto itself, a Fury that he can neither predict nor control, a phantom of the mind that plunges him—in true Romantic form—into physical pain. His only relief takes the form of confessions that will (also with vintage Romantic defiance) imperil simple bourgeois happiness, robbing the wedding celebration of joy with the tale of his devastating (if entirely human) failure. In fact, Coleridge’s mariner does not so much tell his tale as find himself the vehicle for its searing truth, a mere—more or less helpless—medium of agonizing revelation. In return for bearing his agonizing truth so unconsciously, even selflessly, all the mariner can claim is a kind of helpless irreproachability, the ghosts that throng his burning heart and tongue comprising a veritable moral imperative.
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  • 7
    Language: English
    Year of publication: 2016
    Titel der Quelle: Interpreting Primo Levi
    Angaben zur Quelle: (2016) 129-145
    Keywords: Levi, Primo, Criticism and interpretation ; Holocaust survivors' writings ; Nazi concentration camps in literature ; Space and time in literature
    Abstract: “I’ve always thought that bridges are the most beautiful work there is,” remarks Tino Faussone in Primo Levi’s 1978 book The Wrench (La chiave a stella).1 Levi’s rigger-protagonist appreciates bridges because “they’ll never do anybody harm; in fact, they do good, because roads pass over bridges, and without roads we would still be like savages. In other words, bridges are sort of the opposite of boundaries, and boundaries are where wars start.”2 The nomadic Faussone enjoys seeing the world while “going from one construction site to another,” appreciating the diversity of the planet: “the world is beautiful because it’s all different .”3 Typically working at interstitial places such as shorelines, riverbanks, or on an offshore oil rig that is “like an island, but … an island we had made,” Faussone is a “Homo faber” who finds meaning in work performed well. The rigger’s wrench is, for Faussone, also a key to the stars whose dust he finds on top of the tall constructions he has helped to erect.4 A celebration of the “freedom” attainable from “being good at your job and therefore taking pleasure in doing it,” Faussone demonstrates Levi’s argument that freedom means “not having to work under a boss.”5
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  • 8
    Article
    Article
    In:  Interpreting Primo Levi (2016) 97-112
    Language: English
    Year of publication: 2016
    Titel der Quelle: Interpreting Primo Levi
    Angaben zur Quelle: (2016) 97-112
    Keywords: Levi, Primo, ; Jewish scientists ; Holocaust survivors' writings History and criticism ; Literature and science
    Abstract: Primo Levi was not only a Holocaust survivor and witness, he was also an industrial chemist by trade and a lifelong apologist for science as a vital part of an integrated culture. Yet, though few scholars or critics fail to mention that he was a chemist, or to add that his profession helped to save his life in Auschwitz, Levi the scientist and advocate of science remains a surprisingly neglected subject, especially when we consider that it was the publication in 1984 of the English translation of The Periodic Table that first established him as an internationally significant writer. In part, this neglect is due to that very lack of comprehension between the humanities and the sciences (sadly, often more evident on the humanities side) which Levi attempted to overcome. For example, Nicholas Patruno, keenly concerned with the history of the Jews, reads the whole of the “Carbon” chapter of The Periodic Table as an extended metaphor on that theme, making the unexamined assumption that Levi cannot really be writing about organic chemistry, a subject in which Patruno himself clearly sees little intrinsic interest:Levi speaks of the “atom,” which, inserted as part of an architectural structure, is “subjected to complicated exchanges and balances”. By this he seems to mean the Jews and their history. … Levi’s description of how carbon is involved in the creation of wine and how it is stored in the human liver to be activated in exacerbated circumstances refers to how the Jews were destined to be abused and, in a sense, kept in reserve for those moments in history when the world needed to lash out at a scapegoat.
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  • 9
    Language: English
    Year of publication: 2016
    Titel der Quelle: Interpreting Primo Levi
    Angaben zur Quelle: (2016) 115-127
    Keywords: Levi, Primo, Criticism and interpretation ; Holocaust survivors' writings History and criticism ; Italian fiction Jewish authors ; History and criticism ; Smell in literature ; Smell Psychological aspects ; Memory in literature
    Abstract: Smell is a primary and primitive sense; it is our “chemical” sense, as the French geographer Jean-François Staszak states.1 The sense of smell begins with the contact between a molecule and a cell. The stimulus (a set of odorant molecules) is processed by the brain together with other information, both contextual (visual, tactile, and olfactory) and emotional.2 The brain, as the anthropologist Joël Candau explains, identifies, names and categorizes these pieces of information, creating an olfactory image.3 In this complex process, the data that an individual has stored during a lifetime produces olfactory traces. The social and cultural environment and the biography of the individual determine what these traces are. At the end of this “operation,” according to Candau, the stimulus “is codified in the long-term memory in the form of a new olfactory trace.”4 Therefore, individuals carry their own personal, subjective, and intimate olfactory cultures and memories. Two different persons can smell the same odor, but each one memorizes and collects different traces.
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  • 10
    Language: English
    Year of publication: 2016
    Titel der Quelle: Interpreting Primo Levi
    Angaben zur Quelle: (2016) 7-20
    Keywords: Levi, Primo, Criticism and interpretation ; Améry, Jean Criticism and interpretation ; Holocaust survivors' writings History and criticism ; Holocaust, Jewish (1939-1945), in literature ; Holocaust survivors Psychology
    Abstract: Primo Levi was the twentieth century’s preeminent witness—preeminent both in general and, more specifically, among the voices that sought to draw attention to the shape of its central disfiguring tragedy. Levi attained this position because, as Philip Roth wrote of him shortly after his death, he had “the moral stamina and intellectual poise of a twentieth century Titan:”1 Levi’s name will forever be associated with Auschwitz, where he was imprisoned between February 1944 and January 1945. Indeed, he himself later said that but for his time there he would probably not have become a writer.2 I find this hard to credit in view of his exceptional wisdom about life and the world even as early as his mid-20s, when he composed his memoir of Auschwitz, If This Is a Man.3
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