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Last 7 Days Catalog Additions

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  • 2010-2014  (16)
  • 1990-1994
  • 1920 - 1924
  • 2011  (16)
  • Köln  (7)
  • Tel Aviv  (6)
  • London
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  • 2010-2014  (16)
  • 1990-1994
  • 1920 - 1924
Year
  • 1
    Language: German
    Pages: 147 Seiten , Ill.
    Year of publication: 2011
    Keywords: Sal. Oppenheim Jr. & Cie. AG & Co. KGaA ; Privatbank
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  • 2
    Language: English
    Pages: 92 Seiten , zahlr. Ill.
    Year of publication: 2011
    Keywords: Malerei ; Jerusalem
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  • 3
    Language: German
    Year of publication: 1
    Dates of Publication: 1.2011 -
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  • 4
    Language: English
    Pages: 156, 44 Seiten , Illustrationen
    Year of publication: 2011
    Keywords: Israel ; Puppe ; Souvenir ; Ausstellung
    Abstract: National costume dolls as a socio-cultural phenomenon are part of popular a culture that began before the establishment of the State of Israel, and came to its end in the late 1980s; its halcyon days were between the 1950s and the 1970s. These dolls were made by artists, artisans and craftspeople who used an array of techniques and styles, typically employing straightforward methods. Most of the doll makers and designers were not born in the country; some of them had had art or artisan education and others had a modicum of knowledge of the field. The dolls were displayed and sold privately, in souvenir shops or in shops owned by institutional bodies such as WIZO, Maskit and Hameshakem. They were bought as souvenirs, mementoes of a place or an experience, by Israelis and particularly Jewish tourists who took them home with them after they left the country, a scrap of their national homeland in the shape of ornamental dolls that depicted local types, later to be put on display in their faraway homes. In retrospect, the repertoire of these national costume dolls evokes memories, and perhaps even yearning. However, the exhibit seeks to expand the scope beyond the nostalgic context and regard these dolls as a symbolic unit that conveys messages and meaning about the period, and the changes that took place over seven decades. The dolls in this exhibit manifest symbols, values and myths that relate to the creation of Israeli identity: nationality, ethnicity, the melting pot, pluralism and multiculturalism. Presenting and interpreting the doll collection will draw the boundaries of representation and reveal the figures that are included, as well as those which are not. The exhibit attests to the tension embodied in the dolls, while attempting to answer the question: did these dolls - created over the years -reflect, represent, shape or invent the sought-after imagined and hegemonic Israeliness?
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  • 5
    ISBN: 9783868600889
    Language: German
    Pages: 45, 53 Minuten
    Additional Material: Beiheft
    Year of publication: 2011
    Keywords: Biografisches Interview
    Abstract: Der Journalist David Dambitsch hat mit dem US-amerikanischen Wirtschaftsprofessor, Politiker, Manager und Autor W. Michael Blumenthal mehrere Interviews für den Deutschlandfunk geführt, um sein Lebenswerk zu beleuchten. Das Ergebnis ist diese herausragende Hörspielproduktion, in dem W. Michael Blumenthal sein bewegtes Leben nochmal in seinen eigenen Worten Revue passieren lässt. Blumenthal, der selbst deutsch-jüdischer Herkunft ist, war von 1977 bis 1979 US-Finanzminister unter US-Präsident Jimmy Carter und ist seit 1997 Direktor des Jüdischen Museums Berlin. Blumenthals Familie musste 1939 aus dem faschistischen Deutschland fliehen und emigrierte über Shanghai in die USA. Für seine Verdienste wurden Blumenthal sieben Ehrendoktorwürden in den USA verliehen. Der Journalist David Dambitsch, der die Gespräche führte, schreibt für das Informationsprogramm Deutschlandfunk und ist seit 1998 Berliner Korrespondent der Sendereihen Schalom Jüdisches Leben heute und Corso Kultur nach 3 . Die engagierte und kritische Auseinandersetzung mit dem NS-Regime und dessen Folgen ist zentrales Thema seiner Beiträge. CD 1 1. Hineingeboren in Geschichte 2. Unter dem Schatten der Shoah 3. Zuhause, nach Amerika 4. Amerika nach 9/1 CD 2 1. Erinnerungen an Politik und Wirtschaft 2. Erfahrungen aus Politik und Wirtschaft 3. Das Jüdische Museum Berlin 4. Geschichte und Biographie 5. Bonus-Material
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  • 6
    ISBN: 9789655390292
    Language: English
    Pages: 154 Seiten , Illustrationen
    Year of publication: 2011
    Series Statement: [Tel Aviv Museum of Art] Catalogue = Katalog / Muze'on Tel Aviv la-Omanut 2011/5
    Series Statement: Catalogue
    Keywords: Malerei ; Installation ; Kunstpreis ; Künstlerin ; Ausstellung
    Abstract: The exhibition presents new works, all from the past year, among them a group of monumental paintings alongside drawings in ink on paper, prints, tri-dimensional objects and a sculptural installation composed of 15 pumpkins cast in aluminum. Ignorant Field, the exhibition's central image, views the painting surface as a material "field" space, and entails the ethos of physical labor that accompanies Poliakine's artistic work and dictates many of her actions. Using her characteristic "sequential line," Poliakine develops motives of cyclamens (wilted), pumpkins, dead birds, self-portrait and personal homages to old masters. Poliakine draws, paints, coils paint tubes and combines various media to crossbreed painting and sculpture.
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  • 7
    Language: English
    Pages: 162 Seiten, [3] Blatt , Ill.
    Year of publication: 2011
    Keywords: Susskind, Moshe ; Susskind, Shlomo ; Tarnów
    Abstract: Kroscienko Dunajec Home Tarnow Hard labor / May 1942 Railways near Nowy Targ Village liquidation / August 28th 1942 Selection Tscherna Dunajec Escape Rabka Transport Hard labor Krakow / Ghetto A. Ghetto B Deportation from Krakow Ghetto / March 13th 1943 Escape The train station: Krakow False papers Bochnia Plaszow / May 1943 Block 34 / punishment group / hard labor in stone quarry A miracle: The meeting Amon Göth Number on forearm The roll call / October 1944 Schindler's list and those left behind Is this farewell? Gross Rosen Bruennlitz Liberation / May 9th 1945
    Note: hebr. Orig.-Ausg.: Mai 2010, Tel Aviv
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  • 8
    Language: English
    Pages: 29 Seiten, [1] Blatt , Illustrationen
    Year of publication: 2011
    Keywords: Zwilling ; Porträtfotografie ; Fotografin ; Ausstellung
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  • 9
    Book
    Book
    Köln
    Language: German
    Pages: 15, 15 Seiten , Illustrationen
    Year of publication: 2011
    Keywords: Pessach
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  • 10
    Language: English
    Pages: 159 Seiten , Illustrationen
    Year of publication: 2011
    Keywords: Malerei ; Grafik ; Ausstellung
    Abstract: Unseen works by Herman It is a chance to see rare artworks from Josef Herman, and brings together for the first time much of Herman's surviving work from this formative period, when his art was at its most experimental and his use of colour strikingly imaginative. Most works are held in private collections, so have rarely been seen or previously gathered together on such a comparable scale. Included are the few remaining works from Brussels, a series of powerfully expressionist figurative works in oil, gouache and tempera, striking designs for a politically-themed ballet, and many works on paper from the series known as the 'Memory of Memories'. These vivid, often poignant, sketches fired by memory and imagination, carried out in Glasgow between 1940 and 1943, bring the memory of Herman's family (who perished in the Warsaw Ghetto), as well as his lost Warsaw years, back to life. The Glasgow art scene The exhibition also includes examples of work by Herman's contemporaries in Glasgow: fellow Polish émigré Jankel Adler, Estonian-born sculptor Benno Schotz and Scottish colourist J D Fergusson, alongside whom Herman briefly made a considerable contribution to the Glasgow arts scene. At the Ohel Centre in North London (1943-4), Herman mixed with fellow artists Martin Bloch, David Bomberg, Jacob Epstein and Ludwig Meidner (whose work is also included), as well as with the poets Itzik Manger and Avrom Stencl. Ystradgynlais and Herman The exhibition concludes in mid-1944, when Herman's momentous discovery of the Welsh mining town of Ystradgynlais in South Wales changed the direction of his life and work forever. The catalogue includes contributions from Herman's biographer, Monica Bohm-Duchen, as well as Professor Jerzy Malinowski (President of the Polish Institute of World Art Studies and Head of Modern and Oriental Art, Nicolaus Copernicus University, Torun, Poland), Nanny Schrijvers (curator and researcher, the Royal Museum, Antwerp), Douglas Hall (former first Keeper of the Scottish Gallery of Modern Art in Edinburgh), the artist's son, David Herman, Ben Uri's Head of Curatorial Services, Rachel Dickson and the curator Sarah MacDougall, the inaugural Ben Uri Eva Frankfurther Research and Curatorial Fellow for the study of émigré artists.
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