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  • Karasik, Paul
  • Moss, Kenneth B.
  • פאולוס, השליח
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  • 1
    Article
    Article
    In:  Within Judaism? Interpretive Trajectories in Judaism, Christianity, and Islam from the First to the Twenty-First Century (2024) 99-110
    Language: English
    Year of publication: 2024
    Titel der Quelle: Within Judaism? Interpretive Trajectories in Judaism, Christianity, and Islam from the First to the Twenty-First Century
    Angaben zur Quelle: (2024) 99-110
    Keywords: Paul, Criticism and interpretation ; New Testament. Criticism, interpretation, etc. ; Christianity and other religions Judaism Early church, ca. 30-600 ; History
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  • 2
    Language: English
    Year of publication: 2021
    Titel der Quelle: Biblical Research
    Angaben zur Quelle: 66 (2021) 86-100
    Keywords: Tobin, Thomas H., ; Paul, Criticism and interpretation ; New Testament. Criticism, interpretation, etc. ; Christianity and other religions Judaism Early church, ca. 30-600 ; History
    Abstract: This article describes the use of Greco-Roman and Hellenistic Jewish rhetoric and philosophy by Thomas H. Tobin, SJ, in his interpretation of the New Testament, in particular the letters of Paul. His approach highlights how Paul, as well as other NewTestament authors including the author of the Prologue of John, is part of the speculativetradition of Hellenistic Judaism. Paul is a recipient of such a tradition, as are otherHellenistic Jews like Philo. However, Tobin demonstrates how Paul not only appropriatesthis speculative tradition but transforms it in such a way that would have been consideredoffensive not only to Palestinian and Hellenistic Jews, but also to the larger Greco-Romanphilosophical traditions.
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  • 3
    Language: German
    Year of publication: 1943
    Titel der Quelle: Journal of Biblical Literature
    Angaben zur Quelle: 62,2 (1943) 73-87
    Keywords: Paul, ; Talmud Bavli Criticism, interpretation, etc. ; Jewish heretics ; Judaism Relations ; Christianity
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  • 4
    Language: English
    Pages: cxxxi, 1267 Seiten
    Edition: Erste Auflage
    Year of publication: 2023
    Abstract: Volume 7 of the Posen Library captures unprecedented transformations of Jewish culture amid mass migration, global capitalism, nationalism, revolution, and the birth of the secular self Between 1880 and 1918, traditions and regimes collapsed around the world, migration and imperialism remade the lives of millions, nationalism and secularization transformed selves and collectives, utopias beckoned, and new kinds of social conflict threatened as never before. Few communities experienced the pressures and possibilities of the era more profoundly than the world’s Jews. This volume, seventh in The Posen Library of Jewish Culture and Civilization, recaptures the vibrant Jewish cultural creativity, political striving, social experimentation, and fractious religious and secular thought that burst forth in the face of these challenges. Editors Israel Bartal and Kenneth B. Moss capture the full range of Jewish expression in a centrifugal age—from mystical visions to unabashedly antitraditional Jewish political thought, from cookbooks to literary criticism, from modernist poetry to vaudeville. They also highlight the most remarkable dimension of the 1880–1918 era: an audacious effort by newly secular Jews to replace Judaism itself with a new kind of Jewish culture centering on this-worldly, aesthetic creativity by a posited “Jewish nation” and the secular, modern, and “free” individuals who composed it. This volume is an essential starting point for anyone who wishes to understand the divided Jewish present.
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  • 5
    Article
    Article
    In:  Jewish translation - translating Jewishness (2018), S. 67 - 111
    Language: English
    Year of publication: 2018
    Titel der Quelle: Jewish translation - translating Jewishness
    Publ. der Quelle: Berlin, 2018
    Angaben zur Quelle: (2018), S. 67 - 111
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  • 6
    ISBN: 030011317X
    Language: English
    Pages: 316 Seiten , Illustrationen
    Year of publication: 2005
    Keywords: Spiegelman, Art ; Eisner, Will ; Comic ; Ausstellung ; USA
    Abstract: The Hammer Museum and The Museum of Contemporary Art jointly present Masters of American Comics, a large-scale exhibition comprising in-depth presentations of work by 15 artists who shaped the development of the American comic strip and comic book during the past century. With over 900 objects on view simultaneously at both museums, the exhibition provides understanding and insight into the medium of comics as an art form. Masters of American Comics endeavors to establish a canon of fifteen of the most influential artists working in the medium throughout the 20th century. American comics evolved in the latter half of the 19th century, and developed in numerous ways, primarily pushed in new directions by the artists who created them. This exhibition seeks to identify these significant contributors and to showcase the mastery and formal innovations they brought to bear on the tradition. Social, economic, and technological change also underlie many of the paths that comics have traveled during this period, from the mechanization of printing and distribution, to the commercial appeal of Sunday newspaper supplements, to the eventual contraction of space within newspapers that began in the 1930s and continued during World War II. The Cold War and the rise of the counterculture also had direct effects on comics, one of which was to drive many of the most innovative artists away from newspapers and towards the parallel universe of comic books and later, graphic novels, where their imaginations could run wild. As such, comics serve as a mirror in which we can view the central concerns of American life as they are unfolding through the eyes of artists who have given us new ways of looking. This exhibition has been founded on the premise that comics are a bonafide cultural and aesthetic practice with its own history, protagonists, and contribution to society, on par with music, film, and the visual arts, but still in need of the kind of historical clarification that has been afforded those other genres. The in-depth analysis of the chosen fifteen artists—Winsor McCay, Lyonel Feininger, George Herriman, E.C. Segar, Frank King, Chester Gould, Milton Caniff, and Charles M. Schulz at the Hammer Museum, and Will Eisner, Jack Kirby, Harvey Kurtzman, R. Crumb, Art Spiegelman, Gary Panter, and Chris Ware at MOCA—is meant to inspire the kind of concentrated viewing that will bring out the central contributions of each, as well as the formal innovations that make their work unique. Masters of American Comics is co-curated by scholars John Carlin and Brian Walker, and is coordinated by Hammer Museum deputy director of Collections and director of the Grunwald Center Cynthia Burlingham and MOCA assistant curator Michael Darling. The exhibition is accompanied by an extensive, fully-illustrated catalogue co-published by Yale University Press. It features an essay by John Carlin and contributions on the individual artists by a variety of novelists, historians, and artists. Contributors include Tom DeHaven on Winsor McCay, Brian Walker on Lyonel Feininger, Stanley Crouch on George Herriman, Jules Feiffer on E.C. Segar, Karal Ann Marling on Frank King, Robert Storr on Chester Gould, Pete Hamill on Milton Caniff, Patrick McDonnell on Charles Schulz, Raymond Pettibon on Will Eisner, Glen David Gold on Jack Kirby, J. Hoberman on Harvey Kurtzman, Françoise Mouly on R. Crumb, Jonathan Safran Foer on Art Spiegelman, Matt Groening on Gary Panter, and Dave Eggers on Chris Ware.
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  • 7
    ISBN: 9780812299571
    Language: English
    Pages: 1 Online-Ressource (464 p.) , 0
    Year of publication: 2021
    Series Statement: Jewish Culture and Contexts
    Keywords: HISTORY / Jewish ; European History ; History ; Jewish Studies ; Religion ; World History
    Abstract: The overwhelming majority of Jews who laid the foundations of the Israeli state during the first half of the twentieth century came from the Polish lands and the Russian Empire. This is a fact widely known, yet its implications for the history of Israel and the Middle East and, reciprocally, for the history of what was once the demographic heartland of the Jewish diaspora remain surprisingly ill-understood.Through fine-grained analyses of people, texts, movements, and worldviews in motion, the scholars assembled in From Europe's East to the Middle East—hailing from Europe, Israel, Japan, and the United States—rediscover a single transnational Jewish history of surprising connections, ideological cacophony, and entangled fates. Against the view of Israel as an outpost of the West, whether as a beacon of democracy or a creation of colonialism, this volume reveals how profoundly Zionism and Israel were shaped by the assumptions of Polish nationalism, Russian radicalism, and Soviet Communism; the unique ethos of the East European intelligentsia; and the political legacies of civil and national strife in the East European "shatter-zone." Against the view that Zionism effected a complete break from the diaspora that had birthed it, the book sheds new light on the East European sources of phenomena as diverse as Zionist military culture, kibbutz socialism, and ultra-Orthodox education for girls. Finally, it reshapes our understanding of East European Jewish life, from the Tsarist Empire, to independent Poland, to the late Soviet Union. Looking past siloed histories of both Zionism and its opponents in Eastern Europe, the authors reconstruct Zionism's transnational character, charting unexpected continuities across East European and Israeli Jewish life, and revealing how Jews in Eastern Europe grew ever more entangled with the changing realities of Jewish society in Palestine
    Note: Frontmatter , CONTENTS , Introduction , Part I. Imperial and National Crucibles , Chapter 1. “ Little Russia” in Palestine? Imperial Past, National Future (1860–1948) , Chapter 2. From Hyphenated Jews to Independent Jews: The Collapse of the Rus sian Empire and the Change in the Relationship Between Jews and Others , Chapter 3. Jewish Palestine and Eastern Eu rope: I Am in the East and My Heart Is in the West , Chapter 4. Stateless Nation: A Reciprocal Motif Between Polish Nationalism and Zionism , Part II. Groups and Institutions , Chapter 5. The Paradox of Soviet Influence: The Case of Kibbutz Ha- Shomer Ha-Tsa‘ir from the USSR , Chapter 6. Triumphs of Conservatism: Beit Yaakov and the Polish Origins of Haredi Girls’ Education in Israel , Chapter 7. Hasidic Leadership: From Charismatic to Hereditary and Back , Chapter 8. Connecting Poland and Palestine: The Organizational Model of He-Haluts , Part III. Formations of Political Culture , Chapter 9. Israel’s Polish Heritage , Chapter 10. Violenceas Political Experience Among Jewish Youth in Interwar Poland , Chapter 11. From Zionism as Ideology to the Yishuv as Fact: Polish Jewish Re orientations Toward Palestine Within and Beyond Zionism, 1927–1932 , Chapter 12. Hero Shtetls: Reading Civil War Self- Defense in the Yishuv , Part IV. Soviet Interludes , Chapter 13. American Jews and the Zionist Movements in the Soviet Union: The Joint and He- Haluts in Crimea in the 1920s , Chapter 14. Refuseniks and Rights Defenders: Jews and the Soviet Dissident Movement , List of Contributors , Index , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
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  • 8
    Language: French
    Year of publication: 2024
    Titel der Quelle: Early Christianity
    Angaben zur Quelle: 15,1 (2024) 99-123
    Keywords: Paul, Criticism and interpretation ; New Testament. Criticism, interpretation, etc. ; Christianity and other religions Judaism Early church, ca. 30-600 ; History
    Abstract: This article reviews a major issue in Lukan research: the political function of the church's relationship to Israel in the construction of social identity. The so-called »ancestral theme« (e. g., P.F. Esler; G. Sterling) is today widely accepted in Lukan studies. After a presentation of the current state of research, recently marked by critical voices, three aspects are reconsidered and examined: Luke's depiction of God, the Pauline portrait in Acts, and the Areopagus speech (Acts 17:16–34). These three elements lend credibility to Luke's political use of the cultural motif of ancientness.
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  • 9
    Language: English
    Year of publication: 2021
    Titel der Quelle: Journal of Greco-Roman Christianity and Judaism
    Angaben zur Quelle: 17 (2021) 118-146
    Keywords: Paul, Criticism and interpretation ; Josephus, Flavius. ; New Testament. Criticism, interpretation, etc. ; New Testament. Criticism, interpretation, etc. ; Christianity and other religions Judaism Early church, ca. 30-600 ; History
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