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Last 7 Days Catalog Additions

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  • Hebrew  (5)
  • 2000-2004  (5)
  • Israel  (5)
  • 1
    Book
    Book
    Modan Publishing House Ltd.
    Language: Hebrew
    Pages: 79 Seiten , Ill.
    Year of publication: 2003
    Keywords: Israel ; Comic ; Golem
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  • 2
    AV-Medium
    AV-Medium
    Paris : Aurora Films
    Language: Hebrew
    Pages: 52 Min.
    Year of publication: 2004
    Keywords: Israel ; Familienleben ; Ultraorthodoxes Judentum
    Abstract: Tourné à Tel-Aviv, le film a pour sujet ceux qui, venant de familles juives ultra-orthodoxes, ont fait le choix de devenir laïques. Pour la plupart, cette décision a entraîné une rupture avec la famille, les parents, la communauté, et impliqué la nécessité de se débrouiller tout seul dans une société nouvelle où tout reste à apprendre.
    Abstract: Shot in Tel-Aviv, this film is about Jews who were raised Ultra-Orthodox and then made the choice to become secular. For most of them, this decision meant severing ties with their families and the community and setting out alone to find their footing in an unfamiliar society where everything had to be relearned.
    Note: Nur für den internen Gebrauch
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  • 3
    AV-Medium
    AV-Medium
    New York, NY : Kino international
    Language: Hebrew
    Pages: 101 Minuten
    Year of publication: 2002
    Keywords: Israel ; Soldat ; Film ; Westjordanland
    Abstract: Menachem (Aki Avni) studies in a yeshiva on the West Bank led by the revered Rabbi Meltzer (Assi Dayan). He is a dedicated and highly respected army officer in a unit composed entirely of Orthodox members from the yeshiva. Rabbi Meltzer -- complex, profound and in harmony with his faith -- unfortunately is looked upon warily by the military officers as a fanatic that could lead the company to dangerous ground. He wants Pini (Edan Alterman), the prized pupil in his class and Menachem's best friend, to marry his daughter Michal (Tinkerbell). But as Pini courts Michal, Menachem, strong-willed and passionate, falls in love with her. With trepidation, Michal and Menachem come to grips with their feelings, leaving Pini feeling betrayed by both. As this hurtful love triangle evolves, a shocking scheme comes into play to resume control of the Arab holy sites on the Temple Mount in the center of Jerusalem -- through tunnels underneath the Mount. Pini, in an extreme act of vengeance, tells Itamar (Micha Selektar) one of Menachem's soldiers, that their leader is organizing a secret plan to destroy the Dome of the Rock, and blackmails him into stealing explosives from the company which they will plant in the tunnels. The Secret Service and army officials, highly suspicious of the Rabbi and of his students involved in the military unit, become aware of the plan and suddenly arrest Menachem. Charged with planning the bombings, Menachem is violently interrogated by the Secret Service about the missing explosives and accused of terrorism. While battling to prove his innocence, Menachem is forced to weigh his alliances, his conscience, and everything he has ever believed in.
    Note: Produktion: Israel 2000; englische Untertitel
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  • 4
    Language: Hebrew
    Pages: 131 Seiten , Illustrationen
    Year of publication: 2000
    Keywords: Israel ; Fotografie ; Fotograf ; Fotografin ; Ausstellung
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  • 5
    ISBN: 9652782610
    Language: Hebrew
    Pages: 127 Seiten , überw. Ill.
    Year of publication: 2000
    Series Statement: Israel Museum Catalogue = Katalog 436
    Series Statement: Israel Museum Catalogue
    Keywords: Israel ; Fotografie
    Abstract: The history of photography in the land of Israel spans a period of a hundred years, from the moment the first pioneers and colonizers arrived in Palestine towards the end of the 19th century. Besides their pioneering endeavor of resettling the ancestral land, they have also gained recognition as the pioneers of the local photography made from a Jewish Zionist point of view, and with a definite goal. In a limited selection of images, this volume aims at uncovering and reflecting the beauty of the early photographs, veiled mostly by their aura of nostalgia, and deals essentially with Jewish photography in the land of Israel from the early work of the first pioneers at the end of the 19th century and until the present, a topic which has not as yet been approached in a thorough study covering the entire period. Thus far, research on the history of photography in the land of Israel has been limited to a handful of publications and this book is only a preparation for a deeper and more thorough investigation of the subject and a detailed survey of the still uncharted territory which is photography in Eretz Israel.
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