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Last 7 Days Catalog Additions

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  • 1
    Book
    Book
    Shtetl life in Polish-Jewish art in exile in the 20th century : from the collections University Library, the Archives of Polish Emigration, the Society of Friends of the Archives of Polish Emigration in Toruń (2016)
    Toruń
    Details
    Language: Polish
    Pages: 189 Seiten , Illustrationen
    Year of publication: 2016
    Keywords: Adler, Jankel ; Bender, Stanislaus ; Benn, Bencjon ; Bernshṭayn, Mosheh ; Budko, Joseph ; Chagall, Marc ; Chwoles, Rafał ; Deutsch, Boris ; Fabian, Feliks ; Garfinkiel, Dawid ; Gueffen, Menachem ; Geller, Todros ; Glicenstein, Henryk ; Goldberg, Chaïm ; Gross, Chaim ; Grossman, Elias Mandel ; Gutmann, Natan ; Hercinger, Sam ; Karczmar, Szymon ; Kolnik, Arthur ; Lilien, Ephraim Mose ; Moskowitz, Ira ; Muszka, Adam ; Pan, Abel ; Pilichowski, Leopold ; Reiss, Lionel S. ; Roth, Lior ; Schor, Ilya ; Shṭainharṭ, Yaʿaḳov ; Struck, Hermann ; Szalit, Rahel ; Szampanier, Dora ; Tepler, Samuel ; Tuszynski, Devi ; Wodnicki, Szmul ; Zylberberg, Fiszel ; Cukier, Jakub ; Polen ; Kunst ; Exil ; Ausstellung ; Künstler
    URL: https://www.umk.pl/wiadomosci/?id=20160112130420
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  • 2
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    Book
    Dziennik (2015)
    Warszawa : Żydowski Instytut Historyczny
    Details
    ISBN: 9788365254108
    Language: Polish
    Pages: 401 Seiten , Ill.
    Year of publication: 2015
    Keywords: Tagebuch ; Ghetto Łódź
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  • 3
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    Book
    Boris Lurie - pop-art po holokauście (2019)
    Kraków
    Details
    Language: Polish
    Pages: 287 Seiten , Illustrationen , 27 cm
    Additional Material: Beilage
    Year of publication: 2019
    Keywords: No! Art ; Künstler ; Ausstellung
    Abstract: Boris Lurie (1924–2008) was an American artist, who was born into a Jewish family in Leningrad (today Saint Petersburg). He spent his childhood in Riga. In August 1941, the Germans began the deportation of the Jewish population to the ghetto. The artist’s mother, sister and grandmother as well as the artist’s teenage girlfriend were shot in the Rumbula forests on the outskirts of Riga in December 1941. The Rumbula massacre was one of the greatest atrocities to be carried out in the course of two days by the Einsatzkommandos, in which some 30,000 Jews were killed. Boris and his father found themselves in concentration camps in Stutthof, and then in Buchenwald, from which they were liberated in May 1945. Shortly after the war ended, they emigrated to the USA. Until the end of his life, the artist lived and worked in New York. Lurie’s creative output encompassed many fields: he was a visual artist – creating paintings, installation and objects – as well as a writer and poet. His activity as he saw it was a form of protest against pop art and abstract expressionism – prevalent in the USA at the time. He did not care whether his art gained acclaim on the artworld market. Together with Stanley Fisher and Sam Goodman, he founded the NO!Art movement. To Lurie, “‘NO’ means not accepting everything that you are told and thinking of yourself. And it is also an expression of dissatisfaction.” His was art that was politically engaged and called for social action, art that was spontaneous, anarchic and therapeutic. Boris Lurie was psychologically affected by the Holocaust and his art was irrevocably linked to that experience – a ceaseless attempt to work through the trauma of war. Lurie created a unique symbolic language, in which authenticity and emotional tension went beyond the accepted norms of what is deemed appropriate. The recurrent leitmotifs of his work are footage from concentration camps, the Star of David, snaps of pinup girls cut out from magazines and the word ‘NO’ – given prominence in many of his works. The artist’s legacy – the majority of his works and archival material – are the property of the Boris Lurie Art Foundation in New York. The mission of the Foundation is to preserve and bring before the public the art of Boris Lurie, while making the viewers aware of the complex issues that were the impetus of these works.
    URL: https://en.mocak.pl/pop-art-after-the-holocaust
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  • 4
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    Rok za drutem kolczastym : (na marginesie obwieszczeń Pana Prezesa Ch. Rumkowskiego) : obwieszczenia Przełożonego Starszeństwa Żydów z getta łódzkiego (1940-1944) (2019)
    Warszawa : Żydowski Instytut Historyczny im. Emanuela Ringelbluma
    Details
    ISBN: 9788365254535
    Language: Polish
    Pages: 575 Seiten , Illustrationen
    Year of publication: 2019
    Keywords: Rumkowski, Chaim M. ; Judenrat ; Ghetto Łódź ; Quelle
    Abstract: Od października 1939 r. żydowską administracją podlegającą Niemcom okupującym Łódź kierował Mordechaj Chaim Rumkowski. Obwieszczenia rozwieszane na murach łódzkiego getta były jedyną formą przekazywania wiadomości o decyzjach podejmowanych przez Przełożonego Starszeństwa Żydów – piszą autorzy publikacji Rok za drutem kolczastym. 8 lutego 1940 r. szef niemieckiej policji w okupowanej Łodzi, Johannes Schäfer, utworzył w mieście getto dla Żydów. Na obszarze Starego Miasta i dzielnicy Bałuty, obejmującym ok. 4 km kw., zamknięto ponad 160 tys. osób. Niemieckie władze cywilne zarządzały terenem dzielnicy za pośrednictwem tzw. Zarządu Getta (Gettoverwaltung) – jednego z wydziałów okupacyjnego urzędu miasta. Instytucji tej podlegała żydowska administracja getta, którą od października 1939 r. kierował Mordechaj Chaim Rumkowski. Ten przedwojenny działacz społeczny i członek partii syjonistycznej w dzielnicy żydowskiej objął funkcję Przełożonego Starszeństwa Żydów. Dzięki nadanym przez okupantów szerokim kompetencjom utworzył rozbudowany system administracji, regulujący najważniejsze aspekty życia w getcie. Rumkowski, przez mieszkańców dzielnicy nazywany Prezesem, komunikował się z nimi głównie przez obwieszczenia, zarządzenia i okólniki, wydawane od marca 1940 do sierpnia 1944 r.
    URL: https://www.jhi.pl/artykuly/wywiad-z-autorami-ksiazki-rok-za-drutem-kolczastym-getto-lodzkie,621
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