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Last 7 Days Catalog Additions

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  • 1
    Book
    Book
    Shtetl life in Polish-Jewish art in exile in the 20th century : from the collections University Library, the Archives of Polish Emigration, the Society of Friends of the Archives of Polish Emigration in Toruń (2016)
    Toruń
    Details
    Language: Polish
    Pages: 189 Seiten , Illustrationen
    Year of publication: 2016
    Keywords: Adler, Jankel ; Bender, Stanislaus ; Benn, Bencjon ; Bernshṭayn, Mosheh ; Budko, Joseph ; Chagall, Marc ; Chwoles, Rafał ; Deutsch, Boris ; Fabian, Feliks ; Garfinkiel, Dawid ; Gueffen, Menachem ; Geller, Todros ; Glicenstein, Henryk ; Goldberg, Chaïm ; Gross, Chaim ; Grossman, Elias Mandel ; Gutmann, Natan ; Hercinger, Sam ; Karczmar, Szymon ; Kolnik, Arthur ; Lilien, Ephraim Mose ; Moskowitz, Ira ; Muszka, Adam ; Pan, Abel ; Pilichowski, Leopold ; Reiss, Lionel S. ; Roth, Lior ; Schor, Ilya ; Shṭainharṭ, Yaʿaḳov ; Struck, Hermann ; Szalit, Rahel ; Szampanier, Dora ; Tepler, Samuel ; Tuszynski, Devi ; Wodnicki, Szmul ; Zylberberg, Fiszel ; Cukier, Jakub ; Polen ; Kunst ; Exil ; Ausstellung ; Künstler
    URL: https://www.umk.pl/wiadomosci/?id=20160112130420
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  • 2
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    Antysemityzm w Polsce roku 1968 : między partią a społeczeństwem (2018)
    Warszawa : Żydowski Instytut Historyczny
    Details
    Language: Polish
    Pages: 357 Seiten
    Year of publication: 2018
    Keywords: Polen ; Geschichte 1968 ; Antisemitismus
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  • 3
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    Obcy jako zagrożenie : obraz Żyda w Polsce od roku 1880 do czasów obecnych (2015)
    Warszawa
    Details
    ISBN: 9788361850632
    Language: Polish
    Pages: 392 Seiten
    Year of publication: 2015
    Uniform Title: Poland's threatening order - the image of the Jew from 1880 to the present pol
    Keywords: Polen ; Antisemitismus
    Abstract: In this provocative and insightful book, Joanna Beata Michlic interrogates the myth of the Jew as Poland's foremost internal “threatening other,” harmful to Poland, its people, and to all aspects of its national life. This is the first attempt to chart new theoretical directions in the study of Polish-Jewish relations in the wake of the controversy over Jan Gross’s book Neighbors. Michlic analyzes the nature and impact of anti-Jewish prejudices on modern Polish society and culture, tracing the history of the concept of the Jew as the threatening other and its role in the formation and development of modern Polish national identity based on the matrix of exclusivist ethnic nationalism. In the late nineteenth century and throughout the greater part of the twentieth, exclusivist ethnic nationalism predominated over inclusive civic nationalism in Polish political culture and society. Only in the aftermath of the political transformation of 1989 has Polish civic nationalism gradually gained predominance. As civic nationalism has become more assertive, Polish scholars have begun to unearth and critically examine the legacies of Polish anti-Semitism and other anti-minority prejudices. Michlic conducted extensive research in Polish, British, and Israeli archives for this book. Poland’s Threatening Other contributes to modern Jewish and Polish history, the study of nationalism, and to a new school of critical inquiry into the nature of anti-Jewish prejudices.
    URL: http://www.jhi.pl/publikacje/126
    URL: http://www.nebraskapress.unl.edu/product/Polands-Threatening-Other,671877.aspx
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  • 4
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    Boris Lurie - pop-art po holokauście (2019)
    Kraków
    Details
    Language: Polish
    Pages: 287 Seiten , Illustrationen , 27 cm
    Additional Material: Beilage
    Year of publication: 2019
    Keywords: No! Art ; Künstler ; Ausstellung
    Abstract: Boris Lurie (1924–2008) was an American artist, who was born into a Jewish family in Leningrad (today Saint Petersburg). He spent his childhood in Riga. In August 1941, the Germans began the deportation of the Jewish population to the ghetto. The artist’s mother, sister and grandmother as well as the artist’s teenage girlfriend were shot in the Rumbula forests on the outskirts of Riga in December 1941. The Rumbula massacre was one of the greatest atrocities to be carried out in the course of two days by the Einsatzkommandos, in which some 30,000 Jews were killed. Boris and his father found themselves in concentration camps in Stutthof, and then in Buchenwald, from which they were liberated in May 1945. Shortly after the war ended, they emigrated to the USA. Until the end of his life, the artist lived and worked in New York. Lurie’s creative output encompassed many fields: he was a visual artist – creating paintings, installation and objects – as well as a writer and poet. His activity as he saw it was a form of protest against pop art and abstract expressionism – prevalent in the USA at the time. He did not care whether his art gained acclaim on the artworld market. Together with Stanley Fisher and Sam Goodman, he founded the NO!Art movement. To Lurie, “‘NO’ means not accepting everything that you are told and thinking of yourself. And it is also an expression of dissatisfaction.” His was art that was politically engaged and called for social action, art that was spontaneous, anarchic and therapeutic. Boris Lurie was psychologically affected by the Holocaust and his art was irrevocably linked to that experience – a ceaseless attempt to work through the trauma of war. Lurie created a unique symbolic language, in which authenticity and emotional tension went beyond the accepted norms of what is deemed appropriate. The recurrent leitmotifs of his work are footage from concentration camps, the Star of David, snaps of pinup girls cut out from magazines and the word ‘NO’ – given prominence in many of his works. The artist’s legacy – the majority of his works and archival material – are the property of the Boris Lurie Art Foundation in New York. The mission of the Foundation is to preserve and bring before the public the art of Boris Lurie, while making the viewers aware of the complex issues that were the impetus of these works.
    URL: https://en.mocak.pl/pop-art-after-the-holocaust
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