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Last 7 Days Catalog Additions

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  • English  (5)
  • The Museum of Modern Art 〈New York, NY〉  (4)
  • Kreutzmüller, Christoph
  • Fotografie  (4)
  • Deutschland
  • Kunst
  • 1
    Book
    Book
    A personal view. Photography in the collection of Paul F. Walter (1981)
    New York, NY
    Details
    Language: English
    Pages: 133 Seiten , Fotografien
    Year of publication: 1981
    Keywords: Fotografie ; Sammlung ; Ausstellung
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  • 2
    Book
    Book
    Barry Frydlender - place and time : [Museum of Modern Art, New York, May 17 - September 3, 2007] (2007)
    New York, NY
    Details
    ISBN: 9780870707186
    Language: English
    Pages: [44] Seiten , überw. Ill.
    Year of publication: 2007
    Keywords: Israel ; Fotografie ; Ausstellung
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  • 3
    Book
    Book
    Art Israel : 26 painters and sculptors ; the Museum of Modern Art, New York (1964)
    New York : Doubleday & Company
    Details
    Language: English
    Pages: [43] Blatt , Illustrationen
    Year of publication: 1964
    Keywords: Aïka ; Agam, Yaacov ; Ardon, Mordekhay ; Arikha, Avigdor ; Bezem, Naftālî ; Castel, Moshe Elazar ; Danziger, Jizchak ; Roitenberg, Ephraim ; Grôs, Mîḵāʾēl ; Haber, Shamai ; Eloul, Kosso ; Krize, Yehiel ; Lan-Bar, David ; Laviʾ, Rafi ; Mairovich, Zvi ; Nikel, Lea ; Okashi, Avshalom ; Orion, Ezra ; Shemi, Yeḥi'el ; Stematsky, Avigdor ; Streichman, Yeheskel ; Tamir, Moshe ; Ticho, Anna ; Tûmarkîn, Yiggāʾēl ; Wexler, Yaacov ; Zaritsky, Yossef ; Israel ; Kunst ; Ausstellung
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  • 4
    Book
    Book
    The printed picture : [presented in The Edward Steichen Photography Galleries of the Museum of Modern Art, October 2008 through spring 2009] (2010)
    New York
    Details
    ISBN: 9780870707216 , 0870707213
    Language: English
    Pages: 338 Seiten , Fotografien
    Edition: 3. printing
    Year of publication: 2010
    Keywords: Ausstellung ; Bilddruck ; Druckgrafik ; Fotografie
    Abstract: The Printed Picture traces the changing technology of picture-making from the Renaissance to the present, focusing on the vital role of images in multiple copies. The book surveys printing techniques before the invention of photography; the photographic processes that began to appear in the early nineteenth century; the marriage of printing and photography; and the rapidly evolving digital inventions of our time. From woodblocks to chromolithographs, from engravings to bar codes, from daguerreotypes to contemporary color photographs, the book succinctly examines the full range of pictorial processes. Exploring how pictures look by describing how they are made, author Richard Benson reaches fascinating and original conclusions about what pictures can mean. Although many of the techniques he discusses have been used to create exceptional works of art, Benson concentrates on the typical, everyday pictures that have played and continue to play such a prominent role in our lives. In conjunction with the publication of the book, an educational installation of this material will be presented in the photography galleries at The Museum of Modern Art, New York in the fall of 2008. Presented as a series of one-page essays opposite the pictures they examine, the book retains the lively, engaging style of the informal lectures through which Benson developed his ideas over the course of 30 years at Yale University. Rooted in hands-on descriptions of practical techniques, The Printed Picture offers a rich and imaginative interpretation of the enormous cultural and social influence of multiple images.
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  • 5
    Book
    Book
    Crossing borders in the summer of 1935: Fritz Fürstenberg's photographs of persecution in National Socialist Germany
    Details
    Language: English
    Pages: 17 Seiten , Fotografien
    Keywords: Fürstenberg, Werner Fritz ; Fotografie ; Nationalsozialismus
    Abstract: While there are hundreds of written accounts of the Holocaust, there are only a few photographs known to document the fate of the persecuted from their own point of view. This article presents the case study of a photographic series taken inside Germany by Jewish businessman Fritz Fürstenberg in order to provide evidence of National Socialist persecution beyond its borders. After a close reading that reveals where and under which circumstances Fürstenberg took his photographs, the article broadens its scope to discuss how the images were eventually used in the Netherlands as a means of documenting National Socialist persecution. In the process, the article’s authors add another layer to the ‘integrated history’ famously advocated by Saul Friedländer, and call attention to the astonishing fact that research into such private photographs is still a desideratum—and as such a promising field for future research.
    Note: Kopie aus: Leo Baeck Institute Year Book, volume 64, Oxford University Press, 2019
    URL: https://academic.oup.com/leobaeck/article/64/1/73/5369181
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