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Last 7 Days Catalog Additions

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  • Article  (13)
  • English  (13)
  • 2015-2019  (13)
  • Holocaust survivors' writings History and criticism  (9)
  • Holocaust, Jewish (1939-1945)
  • Judenvernichtung
  • Jüdische Kunst
  • 1
    Article
    Article
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    In:  As the witnesses fall silent (2015), Seite 357-373 | year:2015 | pages:357-373
    ISBN: 3319154184
    Language: English
    Year of publication: 2015
    Titel der Quelle: As the witnesses fall silent
    Publ. der Quelle: Cham : Springer [u.a.], 2015
    Angaben zur Quelle: (2015), Seite 357-373
    Angaben zur Quelle: year:2015
    Angaben zur Quelle: pages:357-373
    Keywords: Geschichte 1945-1970 ; Nationalsozialismus ; Geschichtsunterricht ; Nationalsozialismus ; Judenverfolgung ; Judenvernichtung ; Schulbuch ; Deutschland ; Deutschland ; Aufsatz im Buch ; Deutschland ; Nationalsozialismus ; Judenvernichtung ; Geschichtsbewusstsein ; Geschichtsunterricht ; Schulbuch ; Geschichte 1960-1969
    Note: References: Seite 371-373
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  • 2
    ISBN: 3319154184
    Language: English
    Pages: 3 Diagramme
    Year of publication: 2015
    Titel der Quelle: As the witnesses fall silent
    Publ. der Quelle: Cham : Springer [u.a.], 2015
    Angaben zur Quelle: (2015), Seite 299-320
    Angaben zur Quelle: year:2015
    Angaben zur Quelle: pages:299-320
    Keywords: Geschichte 1970-2008 ; Nationalsozialismus ; Judenvernichtung ; Sozialkundeunterricht ; Schulbuch ; Aufsatz im Buch ; Judenvernichtung ; Menschenrecht ; Geschichtsunterricht ; Politischer Unterricht ; Sozialkundeunterricht ; Schulbuch ; Internationaler Vergleich ; Geschichte 1970-2008
    Note: References: Seite 318-320
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  • 3
    Article
    Article
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    In:  Images : journal of Jewish art and visual culture 9 (2016). [Rezension von:] Looking Jewish : visual culture and modern Diaspora / Carol Zemel, Seite 49 - 63
    Language: English
    Year of publication: 2016
    Titel der Quelle: Images : journal of Jewish art and visual culture
    Publ. der Quelle: Leiden [u.a.]
    Angaben zur Quelle: 9 (2016). [Rezension von:] Looking Jewish : visual culture and modern Diaspora / Carol Zemel, Seite 49 - 63
    Keywords: Jüdische Kunst
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  • 4
    Article
    Article
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    In:  Ars Judaica : the Bar-Ilan journal of Jewish art 14 (2018), Seite 7 - 26
    Language: English
    Pages: Illustrationen
    Year of publication: 2018
    Titel der Quelle: Ars Judaica : the Bar-Ilan journal of Jewish art
    Publ. der Quelle: Ramat-Gan
    Angaben zur Quelle: 14 (2018), Seite 7 - 26
    Keywords: Regenbogen (Motiv) ; Jüdische Kunst ; Islamische Kunst ; Byzantinisches Reich
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  • 5
    Language: English
    Year of publication: 2016
    Titel der Quelle: Interpreting Primo Levi
    Angaben zur Quelle: (2016) 7-20
    Keywords: Levi, Primo, Criticism and interpretation ; Améry, Jean Criticism and interpretation ; Holocaust survivors' writings History and criticism ; Holocaust, Jewish (1939-1945), in literature ; Holocaust survivors Psychology
    Abstract: Primo Levi was the twentieth century’s preeminent witness—preeminent both in general and, more specifically, among the voices that sought to draw attention to the shape of its central disfiguring tragedy. Levi attained this position because, as Philip Roth wrote of him shortly after his death, he had “the moral stamina and intellectual poise of a twentieth century Titan:”1 Levi’s name will forever be associated with Auschwitz, where he was imprisoned between February 1944 and January 1945. Indeed, he himself later said that but for his time there he would probably not have become a writer.2 I find this hard to credit in view of his exceptional wisdom about life and the world even as early as his mid-20s, when he composed his memoir of Auschwitz, If This Is a Man.3
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  • 6
    Article
    Article
    In:  Interpreting Primo Levi (2016) 83-96
    Language: English
    Year of publication: 2016
    Titel der Quelle: Interpreting Primo Levi
    Angaben zur Quelle: (2016) 83-96
    Keywords: Levi, Primo, ; Holocaust survivors' writings History and criticism ; Holocaust, Jewish (1939-1945) Moral and ethical aspects ; Animal experimentation Moral and ethical aspects
    Abstract: Scholars have often considered Primo Levi’s essay “Contro il dolore” (“Against Pain,” 1977) the principal point of entry into his inclusive ethics, capable of taking into account the suffering of each living creature, human and nonhuman animals alike. Ilona Klein, for instance, reads this essay as the expression of a possibly conciliatory position in one of the most controversial debates of the last decades, namely the comparison between the suffering of Jews during the Second World War and the suffering of animals in our time. According to Klein, “Contro il dolore” is in fact the clearest manifestation of a general approach to nonhuman animal life based on respect and compassion, which seems to stem “from Levi’s first-hand experience as a slave prisoner in Auschwitz.”
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  • 7
    Language: English
    Year of publication: 2016
    Titel der Quelle: Interpreting Primo Levi
    Angaben zur Quelle: (2016) 115-127
    Keywords: Levi, Primo, Criticism and interpretation ; Holocaust survivors' writings History and criticism ; Italian fiction Jewish authors ; History and criticism ; Smell in literature ; Smell Psychological aspects ; Memory in literature
    Abstract: Smell is a primary and primitive sense; it is our “chemical” sense, as the French geographer Jean-François Staszak states.1 The sense of smell begins with the contact between a molecule and a cell. The stimulus (a set of odorant molecules) is processed by the brain together with other information, both contextual (visual, tactile, and olfactory) and emotional.2 The brain, as the anthropologist Joël Candau explains, identifies, names and categorizes these pieces of information, creating an olfactory image.3 In this complex process, the data that an individual has stored during a lifetime produces olfactory traces. The social and cultural environment and the biography of the individual determine what these traces are. At the end of this “operation,” according to Candau, the stimulus “is codified in the long-term memory in the form of a new olfactory trace.”4 Therefore, individuals carry their own personal, subjective, and intimate olfactory cultures and memories. Two different persons can smell the same odor, but each one memorizes and collects different traces.
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  • 8
    Language: English
    Year of publication: 2016
    Titel der Quelle: Interpreting Primo Levi
    Angaben zur Quelle: (2016) 173-186
    Keywords: Levi, Primo, Literary style ; Holocaust survivors' writings History and criticism ; Jewish authors ; Holocaust, Jewish (1939-1945), in literature
    Abstract: Amoral urgency of testimony and an untiring scientific curiosity stand out as the distinguishing characteristics of Primo Levi’s works. His eminence as a witness, however, is not the only reason for his rhetorical effectiveness: Levi systematically deploys the ethical authority of literature in his writing, both as an institution and as a set of discursive practices, through a system of citations and representations modeled on canonic texts, from Homer to Shakespeare and Rabelais. His meditations on ethics and testimony are constantly in dialogue with literary tradition, from Dante in If This Is a Man, to Manzoni in The Drowned and the Saved.3
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  • 9
    Article
    Article
    In:  Interpreting Primo Levi (2016) 21-35
    Language: English
    Year of publication: 2016
    Titel der Quelle: Interpreting Primo Levi
    Angaben zur Quelle: (2016) 21-35
    Keywords: Levi, Primo, ; Holocaust survivors' writings History and criticism ; Holocaust, Jewish (1939-1945) Philosophy ; Holocaust, Jewish (1939-1945) Moral and ethical aspects
    Abstract: Primo Levi’s exact motives for writing his essay “The Grey Zone” (“La zona grigia,” 1986) are unknown. Although Levi gives us some indications as to his motivation when he writes “from many signs, it would seem that the time has come to explore the space which separates (and not only in the Nazi Lagers) the victims from the perpetrators, and to do so with a lighter hand, and with a less turbid spirit than has been done, for instance, in a number of films,”1 it is ultimately left up to Levi’s readers to examine his writings and to make a sensitive judgment as to the genesis of his concept of the “gray zone.” Following this method it becomes clear that Levi was uncomfortable with the reductiveness of the terms “good” and “evil.” It is true that Levi never rejected the absolute positions of good and evil and in fact makes use of them in recalling “the evil and insane SS men”2 or when describing the Italian laborer Lorenzo as a man with a “natural and plain manner of being good :”3 So to say that for Levi the notions of good and evil were reductive is not to say that they were redundant. What seems to have been dissatisfying for Levi was that the moral concepts of good and evil constituted the total linguistics and theoretical framework available for understanding the moral lives of the victims of Nazi rule.
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  • 10
    Language: English
    Year of publication: 2016
    Titel der Quelle: Interpreting Primo Levi
    Angaben zur Quelle: (2016) 67-81
    Keywords: Levi, Primo, Philosophy ; Holocaust survivors' writings History and criticism ; Holocaust, Jewish (1939-1945) Moral and ethical aspects
    Abstract: Since at least Socrates, reflection on human mortality has been central in philosophy. It has been taken as virtually axiomatic that death is the worst that can befall us and that if we are not to die ignominiously we must prepare ourselves for death. Hence it is that philosophy has long seen itself as telling us that we should seek to develop the kind of attitude toward death that allows us to do that. Indeed, philosophy has often seen itself as a form of this preparation: the act of philosophizing, so the thought goes, is itself a kind of dying, since it involves a withdrawal of the thinking self from world and body, and thus mirrors or models death in some way. At another level, philosophy might help with preparing us for death by offering concrete suggestions for thinking about it less fearfully. Socrates, Plato, Seneca, Lucretius, Montaigne, Spinoza, Heidegger, and countless others repeat this sense of the relation between philosophy and death, inflected in numerous different forms and styles.
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