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Last 7 Days Catalog Additions

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  • English  (99)
  • Serbian  (1)
  • 2015-2019  (100)
  • Ausstellung  (93)
  • Künstlerin  (15)
  • Jugoslawien
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  • 1
    Language: English
    Pages: 65 Seiten, [1] Blatt
    Year of publication: 2016
    Keywords: Israel ; Künstlervereinigung ; Ausstellung ; Kunstausstellung
    Abstract: Pinchas Abramovich, Kosso Eloul, Arie Aroch, Mordechai Arieli, Robert Baser, Yitzhak Danziger, Jacob Wexler, Joseph Zaritsky, Aaron Kahana, Yehiel Krize, Moshe Kupferman, Rafi Lavi, Uri Lifshitz, Avigdor Luisada, Zvi Mairovich, Avraham Naton, Avigdor Stematsky, Yohanan Simon, Yigal Tumarkin, Avshalom Okashi, Dov Feigin, Ruth Zarfati Shterenshus, Chaim Kiewe, Moshe Castel, , Shmuel Raayoni, Yehezkel Streichman, Moshe Sternschuss, Yehiel Shemi, Marcel Janco. Members: 1948 – the group’s founding; 1951-1955 – The first distinct appearance of abstraction (in Zaritsky’s “Yehiam” series); 1956-1958 – The rift within the group and the leaving of Marcel Janco, Aaron Kahana and Yohanan Simon; 1958-1960 – The triumph of abstraction; 1963 – The final exhibition at The Museum of Art, Ein Harod. Other parts of the exhibit will be devoted to late works by members of the group, representing both their evolution as individual artists and the mature stage of their art, and to works on paper – a medium that allowed for a more lyrical and intimate expression. A separate exhibition space will feature current Israeli artists who are searching in their work for local “fathers” and “mothers.” Their works – which include paintings, drawings, sculptures and installation art – are characterized by quotes and gestures of homage, by an interpretive and sometimes critical perspective on the New Horizons artists. By presenting the works side by side, the existence of this cross-generational dialogue in Israeli art can be explored. The present exhibition coincides with the publication of a revised and annotated edition of Professor Gila Balas’ New Horizons: The Birth of Abstraction in Israeli Art, which tells the story of the group, reconstructs its exhibitions, documents its internal disputes and its battles with powerful forces in the Israeli artistic establishment (museums, The Israel Painters and Sculptors Association) and with other artistic approaches and movements of the time.
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  • 2
    Language: English
    Pages: 263 Seiten , Illustrationen
    Year of publication: 2017
    Keywords: Ausstellung ; Jerusalem
    Abstract: Churches, mosques, and other places of religious significance shape our image of Jerusalem. The »Holy City« is an important center of faith for Jews, Christians, and Muslims from all over the world. Simultaneously, Jerusalem is home to extraordinary political tensions, claimed as the capital city by both Israelis and Palestinians. From the age of the second temple to the Roman conquest, from Ottoman rule and the British mandate until the present day, the exhibition Welcome to Jerusalem investigates the history of a city where daily life, religion, and politics are inextricably interwoven. It includes precious objects and models that are on display for the first time in Berlin. They are complemented by media installations developed especially for the exhibition. Works by Yael Bartana, Mona Hatoum, Gustav Metzger, Fazal Sheikh and other international artists respond to historical events and political standpoints. Interviews from the documentary 24h Jerusalem introduce visitors to a city that is remarkable and vibrant in every respect. Welcome to Jerusalem!
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  • 3
    Language: English
    Pages: 21 S.
    Year of publication: 2017
    Keywords: Ausstellung
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  • 4
    Language: English
    Pages: 484 Seiten , Illustrationen
    Year of publication: 2017
    Keywords: Kunst ; Ausstellung
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  • 5
    Language: English
    Pages: 346 Seiten , Illustrationen
    Year of publication: 2017
    Keywords: Exhibition Code Name Żegota. The Hidden Aid (2017 - 2018 : Kraków) ; Widerstand ; Ausstellung ; Schoa ; Krakau
    Abstract: The exhibition Code Name Żegota – the Hidden Aid is devoted to one of the most tragic events in the 20th century history – the Holocaust, precisely planned and performed by the Germans, taking advantage of police and military formations, as well as an extensive clerical system and industrial potential of the Third Reich. The crime of an unprecedented scope was committed within the areas of Central-Eastern European countries occupied by Germany, in which within the area of the pre-war Republic of Poland. It is uncertain when and in what circumstances the decision on murdering the majority of the European Jews was taken, since no document on that matter has been preserved. The mass extermination of the Jewish population inhabiting towns and cities of the eastern area of the Second Republic and the Soviet Union was commenced in summer and autumn 1941 by the pacification divisions, so called Einsatzgruppen which consisted of individual Einsatzkommandos, following the Wehrmacht units. The exhibition raises the topic of the support provided to the Jews by the Poles, still relevant and arousing many emotions, both the support provided in an organised manner, as well as individual one. The title refers to the code name used by the “Żegota” secret Council to Aid Jews. Its responsibility was to save possibly the greatest number of Jews, both hiding ones and imprisoned in various camps, doomed to slow death as a result of malnutrition, the ambient conditions, and often as a result of physically strenuous labour for German industry. The underground Council to Aid Jews was founded in Warsaw in late 1942 as a unit at the Government Delegation for Poland, in place of Konrad Żegota Provisional Committee to Aid Jews, active from September. In spring 1943 the subsidiaries of the Council to Aid Jews were established in Krakow and Lvov. The exhibition currently presented in the MHK branch of Oskar Schindler’s Factory unfolds the story lines present in permanent exhibition Kraków under Nazi Occupation 1939–1945. It is not limited to present the organisational structures of “Żegota”, operation methods and cases of aid, but it also presents a wider context of rescuing Jews. The purpose of the exhibition is to familiarise the visitors with various attitudes of the Polish society towards the Holocaust, mostly all the dilemmas faced by those who sought shelter and those who decided to provide support risking their own lives. It also attempts to answer a question crucial from the present day point of view: what were the conditions of providing the aid? Who provided it? What was the attitude of the society to the rescuers and the rescued? What did the everyday life in the shadows look like? The exhibition draws the attention of the visitor to certain cases, stories of individuals through which it presents the complex reality of the German occupation period. The exhibition is based mainly on the coverage of the survivors and witnesses, as well as on the preserved documents.
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  • 6
    Language: English
    Pages: 322 Seiten, [3] Blatt , Illustrationen
    Year of publication: 2016
    Series Statement: [Tel Aviv Museum of Art] Catalogue = Katalog / Muze'on Tel Aviv la-Omanut 1/2016
    Series Statement: Catalogue
    Keywords: Künstler ; Ausstellung
    Abstract: Roee Rosen’s wild world is exposed in the first comprehensive exhibition of this fascinating artist. Active since the 1980s, Rosen has exhibited worldwide using various media: painting, video, installation, multimedia, artist books and writing. The works examine major themes in contemporary art and, as befits a group exhibition, present works by other figures - Justine Frank and Maxim Komar-Mishkin - created by Rosen, as well as a virtual journey through Eva Braun’s eyes. Catalogue and exhibition supported by the Friends of the Tel Aviv Museum of Art in Israel; Vivian Ostrovsky and the Ostrovsky Family Fund; Israel National Lottery Council for the Arts; Beit Berl College; Bezalel Academy of Arts and Design, Jerusalem; and Rosenfeld Gallery, Tel Aviv.
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  • 7
    Language: English
    Pages: 132 Seiten, [2] Blatt, 80 Seiten , Illustrationen
    Year of publication: 2018
    Keywords: Installation ; Künstlerin ; Ausstellung
    Abstract: Regardless of her chosen media – wood, metal or fabric – Dina Recanati’s art remains steadily dedicated to the abstract. The great advantage of abstract art is the freedom it gives creators, and the room for interpretation it allows for viewers. Dina Recanati works within this boundless freedom and invites viewers to enter a world that combines colors and forms, dream and reality. Glimpses of Dina Recanati’s memories, which feed into her works, appear in both early and recent works. The memories, in shapes and colors, are tucked into the fabric folds, hidden behind arches and gates, and sketched in the pages of wordless books. The works’ colors – light desert tones, sky blues, and more recently, white – are the colors of memories. Some are very clear, others have blurred over time. The female figures in Passage (2000) are covered from head to toe, reminiscent of the “unidentifiable” women who populated the streets of Cairo in the 1940s, and who have in recent years returned to the streets of many cities worldwide. These figures’ colors and material makeup joins the artist’s earlier large abstract paintings, Untitled (1992). As if a landscape seen from the window of a fast train, memory acquires blurred colors and a checkered interpretation in the abstract paintings, which stress the free use of color in a way that leaves much room for coincidence. Although the appearance is based on concrete sights it is blurred, leaving behind more a sense of the colors than visual images. The fluidity of the colors and the amorphic stains emphasize the free movement of the colors on the canvas. Lacking perspective and center, the color stains all have the same value as they merge with each other. The form becomes secondary in these large colorful paintings that seem limited only by the size of the canvas. The Open Museum Tefen is honored to host the exhibition and its accompanying book, which together enfold 60 years of Dina Recanati’s creation. Ruthi Ofek
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  • 8
    Language: English
    Pages: 111 Seiten , Illustrationen
    Year of publication: 2017
    Keywords: Jüdische Gemeinde ; Ausstellung ; Provenienz: Voolen, Edward van Donator ; Tschechoslowakei ; Prag
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  • 9
    Language: English
    Pages: 538 Seiten , 83 farbige Abbildungen
    Year of publication: 2015
    Keywords: Rothschild, Henry ; Großbritannien ; Sammlung ; Ausstellung ; Jüdisches Kunsthandwerk
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  • 10
    Language: English
    Year of publication: 2015
    Series Statement: Israel Museum Catalogue = Katalog 616
    Series Statement: Israel Museum Catalogue
    Keywords: Sammlung ; Museum ; Ausstellung ; Jerusalem
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