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Last 7 Days Catalog Additions

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  • English  (238)
  • Polish  (23)
  • 2015-2019  (261)
  • 1945 - 1949
  • 2017  (261)
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  • 1
    Journal/Serial
    Journal/Serial
    Liverpool : Univ. Press. | Cheverly, Md. : Soc. ; 5.Ser. 10.2000 -
    ISSN: 1528-0748 , 1757-2274
    Language: English
    Year of publication: 2000-
    Dates of Publication: 5.Ser. 10.2000 -
    Parallel Title: Erscheint auch als Romani studies
    Former Title: Vorg.: Gypsy Lore Society Journal of the Gypsy Lore Society
    Keywords: Zeitschrift
    Note: Index 1/10.1991/2000 in: 10.2000,2
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  • 2
    Book
    Book
    Stanford, California : Stanford University Press
    ISBN: 9781503603165 , 9781503602496 , 1503602494 , 1503603164
    Language: English
    Pages: xi, 268 Seiten , Illustrationen , 23 cm
    Year of publication: 2017
    Series Statement: Stanford studies in Middle Eastern and Islamic societies and cultures
    Parallel Title: Erscheint auch als Nassar, Maha, author Brothers apart
    DDC: 305.89927405694
    RVK:
    RVK:
    Keywords: Munaẓẓamat at-Taḥrīr al-Filasṭīnīya ; Palestinian Arabs Intellectual life ; 20th century ; Israel ; Palestinian Arabs Ethnic identity ; History ; 20th century ; Israel ; Politics and literature History ; 20th century ; Palestine ; International relations ; Palestinian Arabs Ethnic identity ; Palestinian Arabs Intellectual life ; Politics and literature ; Palestinian Arabs Intellectual life 20th century ; Palestinian Arabs Ethnic identity 20th century ; History ; Politics and literature History 20th century ; Ethnische Gruppe ; Minderheit ; Palästinenser ; Autor ; Kulturelle Identität ; Antikolonialismus ; Befreiung ; Nation ; Unabhängigkeitsbewegung ; Widerstand ; Unterdrückung ; Diskriminierung ; Marginalität ; Palestine Relations ; Arab countries ; Arab countries Relations ; Palestine ; Israel History ; 1948-1967 ; Arab countries ; Israel ; Middle East ; Palestine ; Palestine Relations ; Arab countries Relations ; Israel History 1948-1967 ; Israel ; Arabische Staaten
    Abstract: When the state of Israel was established in 1948, not all Palestinians became refugees: some stayed behind and were soon granted citizenship. Those who remained, however, were relegated to second-class status in this new country, controlled by a military regime that restricted their movement and political expression. For two decades, Palestinian citizens of Israel were cut off from friends and relatives on the other side of the Green Line, as well as from the broader Arab world. Yet they were not passive in the face of this profound isolation. Palestinian intellectuals, party organizers, and cultural producers in Israel turned to the written word. Through writers like Mahmoud Darwish and Samih al-Qasim, poetry, journalism, fiction, and nonfiction became sites of resistance and connection alike. With this book, Maha Nassar examines their well-known poetry and uncovers prose works that have, until now, been largely overlooked. The writings of Palestinians in Israel played a key role in fostering a shared national consciousness and would become a central means of alerting Arabs in the region to the conditions and to the defiance of these isolated Palestinians. Brothers Apart is the first book to reveal how Palestinian intellectuals forged transnational connections through written texts and engaged with contemporaneous decolonization movements throughout the Arab world, challenging both Israeli policies and their own cultural isolation. Maha Nassar reexamines these intellectuals as the subjects, not objects, of their own history, and brings to life their perspectives on a fraught political environment. Her readings not only deprovincialize the Palestinians of Israel, but write them back into Palestinian, Arab, and global history.--
    Abstract: Strategies of resistance -- Competing narratives -- Debates on decolonization -- Palestinian spokesmen -- Complicated heroes
    Description / Table of Contents: Strategies of resistance -- Competing narratives -- Debates on decolonization -- Palestinian spokesmen -- Complicated heroes
    Note: Includes bibliographical references (pages 191-255) and index
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  • 3
    ISBN: 9781618115485
    Language: English
    Pages: 1 Online-Ressource (540 p)
    Edition: [Online-Ausgabe]
    Year of publication: 2017
    Series Statement: Perspectives in Jewish Intellectual Life
    Keywords: Genocide Sociological aspects ; Holocaust, Jewish (1939-1945) Historiography ; Holocaust, Jewish (1939-1945) Influence ; National socialism and sociology ; Sociologists Attitudes ; SOCIAL SCIENCE / Jewish Studies
    Abstract: Filled with new elements that challenge common scholarly theses, this book acquaints the reader with the “Jewish problem” of sociology and provides what this academic discipline urgently needs: a one-volume history of the Sociology of the Holocaust. The story of why and how sociologists as well as the schools of sociological thought came to confront the Holocaust has never been entirely told. The volume offers original insights on the nature of American sociology with implications for the post-Holocaust sociology development
    Abstract: Frontmatter -- Contents -- Acknowledgments -- Preface -- Introduction -- 1. Sociological Thinking about the Holocaust in the Postwar Years, 1945–1960s -- 2. The Destruction of the Jews in a Sociological Perspective during the 1970s -- 3. Toward a Sociology of Genocide, 1980–1989 -- 4. The Problem of the Holocaust after 1989 -- Conclusions: The Alleged Delay -- Bibliography -- Index
    Note: restricted access online access with authorization star , Mode of access: Internet via World Wide Web. , In English
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 4
    Language: English
    Pages: 134 Seiten, [1] Blatt , Illustrationen
    Year of publication: 2017
    Abstract: Westwood Gallery NYC in collaboration with Boris Lurie Art Foundation presents an exhibition of paintings, collage and sculpture by Boris Lurie (1924-2008), co-founder of the NO!art movement. In 2010 the gallery exhibited Boris’ early work, the first solo exhibition after the artist’s death. The current exhibition comprises a curated selection by James Cavello of over 50 works of art from the 1950s to 1970s. Each decade of Boris Lurie’s life as an artist represented hard-hitting expression and a creative cathartic journey. After surviving the horrors of the holocaust, including four different concentration camps from 1941-45 as well as the murder of his mother, sister and grandmother, Boris and his father immigrated to New York City in 1946. The 22 year-old Boris immersed himself in his art and became a disruptor of norms. Boris’ early 1950s paintings on dark backgrounds are reminiscent of German Expressionism with disproportionate, sometimes deformed fading images of women. On exhibit are four large paintings with groupings of two and three women. The female image was symbolic of life, family, death, sexuality and objectification. Boris’ collages using pin-ups from ‘girlie’ magazines were startlingly incorporated into Holocaust photographs. The shock of the combination of images stemmed from Boris’ malevolence and art purge of crimes against humanity. As his frustration with the art world grew due to the focus on Abstract Expressionists and later Pop art, Boris co-founded the underground NO!art movement in 1959 with fellow artists Sam Goodman (1919-1967) and Stanley Fisher (1926-1980). In the exhibition are paintings and collage reflecting the anti-establishment attitude and Boris’ free form expression without commercial motivation. They encompass the artist’s views on politics, society, art, personal experiences and visceral expression. At the time, NO!art was largely rejected by art critics, museums and collectors, until the artists and artwork of NO!art became more understood in the historical context. Also included in the exhibition are a series of 1963 collages fixated on altered images of the establishment male in a tie with faces painted over and a grouping of 1970s assemblages of bras, corset and Israeli flag, symbolic of Boris’ intrinsic language. In 1970 Boris wrote a statement for an exhibition in Germany: “The time for Yes-art is not at all at hand. Who knows? Maybe NO!art’s time is yet to come.”
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  • 5
    Language: English
    Pages: Fotografie
    Year of publication: 2017
    Titel der Quelle: Year book - 62
    Publ. der Quelle: 2017
    Angaben zur Quelle: (2017), Seite [285] - 293
    Keywords: Mischehe
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  • 6
    Article
    Article
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    In:  The German-Hebrew dialogue : studies of encounter and exchange (2017), Seite [77] - 103
    Language: English
    Year of publication: 2017
    Titel der Quelle: The German-Hebrew dialogue : studies of encounter and exchange
    Publ. der Quelle: 2017
    Angaben zur Quelle: (2017), Seite [77] - 103
    Keywords: Ribner, Toviyah
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  • 7
    Article
    Article
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    In:  The German-Hebrew dialogue : studies of encounter and exchange (2017), Seite [159] - 176
    Language: English
    Year of publication: 2017
    Titel der Quelle: The German-Hebrew dialogue : studies of encounter and exchange
    Publ. der Quelle: 2017
    Angaben zur Quelle: (2017), Seite [159] - 176
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  • 8
    Article
    Article
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    In:  The German-Hebrew dialogue : studies of encounter and exchange (2017), Seite [241] - 251
    Language: English
    Year of publication: 2017
    Titel der Quelle: The German-Hebrew dialogue : studies of encounter and exchange
    Publ. der Quelle: 2017
    Angaben zur Quelle: (2017), Seite [241] - 251
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  • 9
    Article
    Article
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    In:  Exilforschung : ein internationales Jahrbuch - 35. Passagen des Exils (2017), Seite 126 - 140
    Language: English
    Year of publication: 2017
    Titel der Quelle: Exilforschung : ein internationales Jahrbuch - 35. Passagen des Exils
    Publ. der Quelle: [2017]
    Angaben zur Quelle: (2017), Seite 126 - 140
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  • 10
    Book
    Book
    Bloomington ; Indianapolis : Indiana University Press
    ISBN: 9780253022806 , 9780253023087
    Language: English
    Pages: IX, 292 Seiten , Illustrationen
    Year of publication: 2017
    Keywords: Israel ; Stickerei ; Aufkleber ; Protestbewegung
    Abstract: The brilliant kaleidoscope of everyday creativity in Israel is thrown into relief in this study, which teases out the abiding national tensions and contradictions at work in the expressive acts of ordinary people. Hagar Salamon examines creativity in Israel's public sphere through the lively discourse of bumper stickers, which have become a potent medium for identity and commentary on national and religious issues. Exploring the more private expressive sphere of women's embroidery, she profiles a group of Jerusalem women who meet regularly and create "folk embroidery." Salamon also considers the significance of folk expressions at the intersections of the public and private that rework change and embrace transformation. Far ranging and insightful, Israel in the Making captures the complex creative essence of a nation state and vividly demonstrates how its citizens go about defining themselves, others, and their country every day
    Note: Includes bibliographical references and index , Erscheint auch als Online-Ausgabe 978-0-253-02328-5 (ISBN)
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