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Last 7 Days Catalog Additions

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  • 1
    Book
    Book
    Munich [u.a.] : Prestel Verlag
    Language: English
    Pages: 255 Seiten , Illustrationen
    Year of publication: 2006
    Keywords: Künstlerin ; Provenienz: Voolen, Edward van Donator
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  • 2
    Language: English
    Edition: 1. Auflage
    Year of publication: 1
    Dates of Publication: 1 - 4
    Keywords: Künstlerin ; Werkverzeichnis
    Abstract: The work of Eva Hesse (1936–1970) has been the focus of growing attention over the past few decades. With recent major exhibitions in San Francisco, London, and Wiesbaden, Hesse’s tremendous contribution to the art world of the 1960s and '70s is now recognized by scholars and the general public alike. These two lavishly produced volumes are the first in a major new publishing initiative: a four-volume catalogue raisonné of Hesse’s known artwork in all media: painting, sculpture, and works on paper. During her career, Hesse created 135 paintings and 176 sculptures, objects, and test pieces. As her paintings are less well known than her sculptures, Volume I will be a revelation to many. Revealed here are 28 previously unknown paintings, including works that date from her time as an art student at Yale University. Hesse’s sculpture is more widely known but is presented here anew with many recently commissioned photographs and fascinating archival images. Twenty-one previously unknown sculptures are presented in Volume II, including two painted wooden boxes presumably made in New York in 1964, in which the first signs of Hesse’s shift from painting to sculpture occurred, and numerous previously unknown test pieces.
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  • 3
    Book
    Book
    New Haven [u.a.] : Yale University Press
    Language: English
    Pages: 215 Seiten , Ill.
    Additional Material: 2 Faks.
    Edition: 1. Aufl.
    Year of publication: 2006
    Keywords: Künstlerin
    Abstract: In 1964-65, Eva Hesse lived with her husband, sculptor Tom Doyle, in Kettwig-on-the-Ruhr, Germany, at the invitation of a European art collector. During this time, as she did throughout most of her life, Hesse kept diaries and made extensive notations in datebook calendars. These two datebooks, published for the first time as facsimile editions, are accompanied by a third volume that includes an essay on their significance in the artist’s career as well as full transcriptions and annotations. The 1964/65 datebooks impart astonishingly rich personal details about the artist’s life: whom she met and where she traveled, which books she read, and which films and exhibitions she saw and what impression they made on her. Hesse’s notations also reveal invaluable insights into the German art scene of the mid-1960s, her transition from a painter to a sculptor and her often conflicted artistic ambitions, the stresses of her marriage, and the difficulties of returning to Germany, the country that in 1938 she fled with her family to escape Nazi persecution.
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  • 4
    ISBN: 0300114184
    Language: English
    Pages: XIII, 174 Seiten , Illustrationen
    Year of publication: 2006
    Keywords: Plastik ; Künstlerin ; Ausstellung
    Abstract: Although Hesse's revolutionary and enduringly influential sculptures--elegantly fluid abstractions made of latex, rope, and fiberglass that wed the organic with the industrial, the kinetic with the frozen--are always included in modern art surveys, this is the first comprehensive critical study and catalog of her work. Curator Sussman has assembled a strong cast of her peers to discuss various aspects of Hesse's daring oeuvre, from her high-voltage drawings to her use of unconventional materials, "love of line and collapsing form," and self-described "weird humor." Biographical observations are kept succinct, but there's no escaping the poignancy of Hesse's short and "extreme" life. Born in Hamburg in 1936, she fled the Holocaust as a child; her divorced mother committed suicide; her own marriage was unhappy; and she died of cancer at age 34. But her devotion to art was fierce, her talent precocious, and she accomplished in her last five feverish years what others couldn't achieve in decades. Unfortunately, her experimental sculptures are deteriorating, a loss that makes this gorgeously illustrated volume all the more precious. Donna Seaman
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