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Last 7 Days Catalog Additions

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  • English  (296)
  • Latin
  • Exil  (152)
  • Jüdische Kunst  (144)
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  • 1
    ISBN: 9789004233249 , 9789004252196 , 9004252193 , 9004233245
    Language: English
    Pages: Online-Ressource ( 318 S. )
    Edition: Online-Ausg.
    Year of publication: 2013
    Series Statement: Jewish and Christian perspectives series volume 25
    Series Statement: Brill online books and journals: E-books
    Series Statement: Jewish and Christian perspectives series
    Parallel Title: Erscheint auch als Laderman, Shulamit Images of cosmology in Jewish and Byzantine art
    RVK:
    Keywords: Jewish art and symbolism Themes, motives ; Art, Byzantine Themes, motives ; Judaism Relations ; Christianity ; Christianity and other religions Judaism ; Cosmology in art ; Jewish art and symbolism Themes, motives ; Art, Byzantine Themes, motives ; Judaism Relations ; Christianity ; Christianity and other religions Judaism ; ART / Subjects & Themes / Religious ; Cosmology in art ; Jewish art and symbolism ; Themes, motives ; Art, Byzantine ; Themes, motives ; Judaism ; Relations ; Christianity ; Christianity and other religions ; Judaism ; Byzantinisches Reich ; Christliche Kunst ; Kosmologie ; Jüdische Kunst ; Kosmologie
    Abstract: Preliminary Material -- Introduction -- 1. Jewish and Christian Reciprocal Influences -- 2. The Blueprint of Creation in the Bible and Its Allegorical Interpretations -- 3. Creation in Christian Works -- 4. Creation as Interpreted in Jewish Art -- 5. Visualizing Creation in a Fourteenth-Century Jewish Manuscript -- 6. The Tabernacle and the Ark of the Covenant -- 7. The Temple: History and Ideology -- 8. The Synagogue as a Minor Temple -- 9. Schematic Models: Forms of Visual Interpretation -- 10. Perspective Imaging of the Tabernacle -- 11. The Art of Memory: The Sanctuary, Its Sacrifices, and Its Cosmic Import -- 12. Christian Supersession of Jewish Ideas -- Epilogue -- Addendum -- Glossary -- Bibliography -- Index -- Illustrations.
    Abstract: Does the design of the Tabernacle in the wilderness correspond to God’s blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the “pattern” revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements “after their pattern, which is being shown thee on the Mount.” (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: DOI
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  • 2
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030540692 , 9783030540722
    Language: English
    Pages: v, 171 Seiten , 21 cm
    Year of publication: 2020
    Parallel Title: Erscheint auch als Zakai, Avihu Jewish Exiles’ Psychological Interpretations of Nazism
    Parallel Title: Erscheint auch als Zakhai, Avihu, 1945 - Jewish Exiles' Psychological Interpretations of Nazism
    DDC: 943.086
    RVK:
    Keywords: Reich, Wilhelm ; Fromm, Erich ; Kracauer, Siegfried ; Neumann, Erich ; Nazis Psychology ; National socialism Psychological aspects ; Reich, Wilhelm 1897-1957 ; Fromm, Erich 1900-1980 ; Kracauer, Siegfried 1889-1966 ; Neumann, Erich 1905-1960 ; Exil ; Einfluss ; Geschichte 1933-1945 ; Deutschland ; Juden ; Intellektueller ; Exil ; Geschichte 1933-1945
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  • 3
    ISBN: 9789004395091
    Language: English
    Pages: XV, 253 Seiten , Illustrationen
    Year of publication: 2019
    Series Statement: The yearbook of the Research Centre for German and Austrian Exile Studies vol. 19 (2018)
    Parallel Title: Erscheint auch als Applied arts in British exile from 1933
    DDC: 709.41/0904
    RVK:
    Keywords: Arts History 20th century ; Expatriate artists ; Aufsatzsammlung ; Großbritannien ; Exil ; Kunst ; Architektur ; Geschichte 1933 - 1945
    Abstract: "Yearbook Volume 19 continues an investigation which began with Arts in Exile in Britain 1933-45 (Volume 6, 2004). Twelve chapters, ten in English and two in German, address and analyse the significant contribution of émigrés across the applied arts, embracing mainstream practices such as photography, architecture, advertising, graphics, printing, textiles and illustration, alongside less well known fields of animation, typography and puppetry. New research adds to narratives surrounding familiar émigré names such as Oskar Kokoschka and Wolf Suschitzky, while revealing previously hidden contributions from lesser known practitioners. Overall, the volume provides a valuable addition to the understanding of the applied arts in Britain from the 1930s onwards, particularly highlighting difficulties faced by refugees attempting to continue fractured careers in a new homeland. Contributors are: Rachel Dickson, Burcu Dogramaci, Deirdre Fernand, Fran Lloyd, David Low, John March, Sarah MacDougall, Anna Nyburg, Pauline Paucker, Ines Schlenker, Wilfried Weinke, and Julia Winckler"--
    Note: Includes bibliographical references and index , Text in Englisch, ein Beitrag in Deutsch
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  • 4
    ISBN: 9781108483636
    Language: English
    Pages: xvi, 313 Seiten , Illustrationen
    Year of publication: 2020
    Series Statement: Cambridge studies in European law and policy
    Parallel Title: Erscheint auch als Tuori, Kaius, 1974 - Empire of law
    DDC: 342.4308/73
    RVK:
    Keywords: Jurisprudence History 20th century ; National socialism ; Europa ; Recht ; Geschichte ; Europa ; Rechtsgeschichtsschreibung ; Geschichte 1930-1950 ; Deutschland ; Jurist ; Exil ; Geschichte 1930-1945
    Abstract: "Introduction In a letter to Max Radin on April 2, 1933, Hermann Kantorowicz writes how the situation in Germany took a turn for the worse after the Nazis took power: What is happening there is even more terrible than American newspapers report and if our Nazis proclaim these reports a justification for their "reprisals", this is a mere pretext. Everything now going on is according to the Nazi party programme of February 25, 1920, especially to article 4, only no one believed such barbarism possible, myself excepted as you probably remember. The letters now written by thousands of German Jews denying every atrocity are, of course, written under the threat of still worse treatment. My own family has been severely stricken. Dozens of my cousins, in great part well-known lawyers and doctors, have lost their jobs and every means of subsistence, my brother, Professor in Bonn, is hiding I don't know where; his daughter, a girl of 21 years, has been imprisoned as a hostage; the Nazi-police tried to compel my mother, 74 years old, to give away the address of my brother; my late wife's cousin, the director of a theatre in Silesia, has been kidnapped by a Nazi auto during a rehearsal, conducted out of town, stripped naked, beaten and then forced to walk home in this state. One of my best friends in Kiel,the lawyer Spiegel, has been murdered and of course I myself cannot venture to show myself again in the present Germany (...)1 As this example shows, the Nazi revolution upended many of the things considered self-evident in Europe at the time: it appeared that the ideals of humanity, equality, rights and security were abandoned. Compounding the sense of crisis was the notion that truth and falsehood had lost their meanings, becoming dependent on the vagaries of the powers that be. A mere decade and a half after the carnage of the First World War had ended, a new barbarism had risen in Germany, the land that had previously been considered the centre of European civilization. The Nazi repression was a direct attack on the European tradition of justice and the rule of law. A jurist like Kantorowicz felt this acutely because among the main targets of Nazi repression after the takeover of power were the forces of law and order, meaning the police, the judiciary and lawyers, in order to bring down the German Rechtstaat"--
    Note: Literaturverzeichnis: Seite 273-306
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  • 5
    Language: English
    Pages: getr. Zaehlung , Kt
    Year of publication: 1936
    Keywords: Verzeichnis ; Deutschland ; Hochschullehrer ; Entlassung ; Geschichte 1933-1936 ; Deutsche ; Hochschullehrer ; Exil ; Geschichte 1933-1936
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  • 6
    Book
    Book
    Lincoln [u.a.] : University of Nebraska Press
    ISBN: 0803272812
    Language: English
    Pages: XVI, 193 Seiten , Illustrationen
    Year of publication: 1995
    Keywords: Schanghai ; Exil
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  • 7
    Book
    Book
    Oxford [u.a.] : Oxford University Press
    ISBN: 9780199270583
    Language: English
    Pages: XVI, 850 Seiten , Ill.
    Edition: Reprinted
    Year of publication: 2007
    Keywords: Großbritannien ; Rechtsanwalt ; Exil ; Rechtswissenschaft
    Abstract: Recent years have seen a growing body of literature on the contribution of scientists, historians, and literary and artistic figures who were forced to leave Germany and Austria after Adolf Hitler came to power. This book is the first study of the important contribution of refugee and émigré legal scholars to the development of English law. Those considered in the book are: Ernst Joseph Cohn, David Daube, Rudolf Graupner, Max Grünhut, Hermann Kantorowicz, Otto Kahn-Freund, Hersch Lauterpacht, Gerhard Leibholz, Kurt Lipstein, Francis A. Mann, Hermann Mannheim, Lassa Oppenheim, Otto Prausnitz, Fritz Robert Pringsheim, Gustav Radbruch, Clive Schmitthoff, Fritz Heinrich Schulz, Georg Schwarzenberger, Walter Ullmann, Martin Wolff, and Wolfgang Friedmann. The scene is set by two introductory chapters which explore the general background to the exodus of the émigré scholars from Germany, and their arrival in the United Kingdom. The volume then moves on to analyse the scholars' backgrounds, histories, and intellectual bent as individuals, evaluating their work and its impact on legal scholarship in both England and Germany. In those subjects where the influence of these lawyers was particularly strong ̶ public and private international law, Roman law, and comparative law ̶ it considers how far, collectively, these German- and Austrian-educated refugees and émigrés shaped the development of the law. There are also a number of personal memoirs, including one by the surviving member of the group, Kurt Lipstein.
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  • 8
    Language: English
    Pages: 24 Seiten , Illustrationen
    Year of publication: 1962
    Keywords: Jüdische Kunst ; Ausstellung
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  • 9
    Language: English
    Pages: Seiten [701] - 740, [54] Blatt , Illustrationen
    Year of publication: 2012
    Keywords: Jüdische Kunst
    Note: 1. print: Washington, 1908
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  • 10
    Language: English
    Pages: 110 Seiten , überw. Ill.
    Year of publication: 1973
    Keywords: Jüdische Kunst ; Ausstellung ; Jüdisches Kunsthandwerk
    Note: Jüdisches Erscheinungsjahr: 5733
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