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Last 7 Days Catalog Additions

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  • Book  (61)
  • English  (59)
  • Italian  (2)
  • 2010-2014  (59)
  • 1925-1929  (2)
  • Israel  (39)
  • Künstlerin  (23)
Material
Language
Years
Year
Subjects(RVK)
  • 1
    Language: English
    Pages: 431 S. , 24 cm
    Year of publication: 2014
    Series Statement: Judaism and Jewish life
    Uniform Title: Im ta 'iru vee-'im te 'oreru: 'Ortodoksiyah bi-mezare ha-le-'umiyut hebr
    Parallel Title: Erscheint auch als Śalmon, Yosef, 1939 - Do not provoke providence
    Keywords: Orthodoxes Judentum ; Zionismus ; Israel ; Geschichte 1800-1970
    Abstract: Includes bibliographical references (pages 382-415) and index
    Abstract: "Deals with the whole complex of relations between the land of Israel, the Jewish Torah and the people of Israel from the Pre-Zionist period until the establishment of the State of Israel. The book examines the dynamics of those relations through the modernization of Jewish society, and the problem of Jewish Identity vis-a-vis modernity. The discussion follows historical events in both philosophy and everyday life. It explores the anti-Zionist sphere and also discusses the attitudes towards the conflict of Religion and Nationalism in the world of Religious Zionism. The dispute between advocates of a religious concept of the community and proponents of a secular nation revolved primarily around perceptions of the ideal relationship between the religious and national entities. One group sought to make religion a tool of the nation; the other sought to make the nation a tool of religion." --Publisher provided
    Description / Table of Contents: Orthodoxy in the grip of nationalism -- pt. 1. The land of Israel in Orthodox Jewish thought: i. The land of Israel in nineteenth-century Orthodox Jewish thought -- ii. Orthodox Judaism in Eastern Europe -- iii. The land of Israel in the philosophy of Y.M. Pines -- iv. The Corfu Citron Controversy (1875-1891) --
    Description / Table of Contents: v. Zionism and anti-Zionism in traditional Eastern European Jewry -- vi. Y.M. Pines: leader of Palestine Jewry -- vii. AH̱ad Ha-Am and Benei Moshe: an 'unsuccessful experiment'? -- viii. Hasidism, the land of Israel, and Zionism --
    Description / Table of Contents: ix. Theodor Herzl and Orthodox Jewry -- x. The establishment of the Mizrachi movement in America -- xi. The Lida Yeshivah: a unique institution of higher learning --
    Description / Table of Contents: xii. Messianism and normalization in secular Zionist thought -- xiii. 'Renew our days as of old': a Zionist myth -- xiv. Religion and secularism in the Zionist national movement --
    Description / Table of Contents: a general perspective: xv. The 'new Jew' in religion Zionist thought -- Bibliography -- Index
    Note: "Translated from edition: Yosef Salmon. 'Im ta 'iru vee-'im te 'oreru: 'Ortodoksiyah bi-mezare ha-le-'umiyut. Jerusalem: Zalman Shazar Center for Jewish History, 2006" -title page verso , Aus dem Hebr. übers.
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  • 2
    Book
    Book
    New York : Boni & Liveright
    Language: English
    Pages: 279 Seiten
    Year of publication: 1925
    Keywords: Israel
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  • 3
    Language: English
    Pages: 159 Seiten , Illustrationen
    Year of publication: 2014
    Keywords: Eardley, Joan ; Fell, Sheila ; Frankfurther, Eva ; Herman, Josef ; Lowry, L. S. ; Künstler ; Künstlerin ; Malerei ; Ausstellung
    Abstract: This exhibition examines the work of five figurative artists working in Britain in the 1950s, who each had a strong identification with the place in which they chose to live and work and which formed, for a significant part of their careers, the primary focus of their practice. Each associated themselves with a particular place: Eardley - Townhead in Glasgow; Fell, the mining community and landscape of her native Aspatria, Cumbria; Frankfurther - London's East End and its multi-cultural working-class communities; Herman - Ystradgynlais in South Wales with its indigenous mining community; and Lowry - his hometown of Manchester and its industrial, multi-peopled cityscape. This exhibition links these five seemingly disparate artists by uncovering a network of relationships, both personal and professional, and their shared exploration of particular artistic concerns and motifs. This exhibition is one of the outcomes of the Eva Frankfurther Research and Curatorial Fellowship for the Study of Emigré Artists.
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  • 4
    Language: English
    Pages: [12] Blatt , Illustrationen
    Year of publication: 2014
    Keywords: Künstlerin ; Malerei ; Fotografie ; Ausstellung
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  • 5
    Language: English
    Pages: 81 Seiten , Illustrationen
    Year of publication: 2014
    Keywords: Performance ; Gedenken ; Künstlerin ; Köln
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  • 6
    Book
    Book
    London ; New York, NY : Phaidon Press Limited
    Language: English
    Pages: 223 Seiten , Fotografien
    Edition: 1. Auflage
    Year of publication: 2014
    Keywords: Israel ; Bildband ; Ausstellung ; Wanderausstellung
    Abstract: Stephen Shore is a pioneering photographer and influential teacher. From Galilee to the Negev is an intimate portrait of a multi-faceted place, exploring the landscape of Israel and the West Bank; its complexities and its contradictions. Shore travelled the length and breadth of the region, questioning and revealing through his camera lens. His visual inquiry explores the landscape itself and the people who live in it - the daily lives and the narratives that combine to create this fascinating place - at once beautiful and ugly, safe and hostile. A selection of texts by a diverse range of writers - who have each selected one photograph as a spring board - will be interspersed amongst the photographs, offering a gathering of voices and perspectives. "From Galilee to the Negev" is part of a project entitled "This place".
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  • 7
    Book
    Book
    Tel Aviv
    Language: Italian
    Pages: 127 Seiten , Illustrationen
    Year of publication: 2014
    Keywords: Künstlerin
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  • 8
    Language: English
    Pages: 171, 69 Seiten , Illustrationen
    Year of publication: 2014
    Keywords: Israel ; Kunst ; Textilien ; Ausstellung
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  • 9
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9780292743991
    Language: English
    Pages: XVII, 373 Seiten , Illustrationen
    Year of publication: 2011
    Series Statement: Jewish history, life and culture
    Series Statement: Jewish history, life and culture
    Keywords: Israel ; Filmwissenschaft
    Abstract: With top billing at many film forums around the world, as well as a string of prestigious prizes, including consecutive nominations for the Best Foreign Film Oscar, Israeli films have become one of the most visible and promising cinemas in the first decade of the twenty-first century, an intriguing and vibrant site for the representation of Israeli realities. Yet two decades have passed since the last wide-ranging scholarly overview of Israeli cinema, creating a need for a new, state-of-the-art analysis of this exciting cinematic oeuvre. The first anthology of its kind in English, Israeli Cinema: Identities in Motion presents a collection of specially commissioned articles in which leading Israeli film scholars examine Israeli cinema as a prism that refracts collective Israeli identities through the medium and art of motion pictures. The contributors address several broad themes: the nation imagined on film; war, conflict, and trauma; gender, sexuality, and ethnicity; religion and Judaism; discourses of place in the age of globalism; filming the Palestinian Other; and new cinematic discourses. The authors' illuminating readings of Israeli films reveal that Israeli cinema offers rare visual and narrative insights into the complex national, social, and multicultural Israeli universe, transcending the partial and superficial images of this culture in world media.
    Abstract: Introduction Part One. The Nation Imagined on Film 1. Filming the Homeland: Cinema in Eretz Israel and the Zionist Movement, 1917-1939 / Ariel L. Feldestein 2. Helmar Lerski in Israel / Jan-Christopher Horak 3. Ecce Homo: The Transfiguration of Israeli Manhood in Israeli Films / Yaron Peleg Part Two. War and Its Aftermath 4. From Hill to Hill: A Brief History of the Representation of War in Israeli Cinema / Uri S. Cohen 5. From Hero to Victim: The Changing Image of the Soldier on the Israeli Screen / Eran Kaplan 6. The Lady and the Death Mask / Judd Ne'eman 7. Coping with the Legacy of Death: The War Widow in Israeli Films / Yael Zerubavel 8. The Privatization of War Memory in Recent Israeli Cinema / Yael Munk Part Three. An Ethno-Cultural Kaleidoscope 9. Disjointed Narratives in Contemporary Israeli Films / Nitzan Ben Shaul 10. Trajectories of Mizrahi Cinema / Yaron Shemer 11. Immigrant Cinema: Russian Israelis on Screens and behind the Cameras / Olga Gershenson Part Four. Holocaust and Trauma 12. The Holocaust in Israeli Cinema as a Conflict between Survival and Morality / Ilan Avisar 13. Near and Far: The Representation of Holocaust Survivors in Israeli Feature Films, 1945-2010 / Liat Steir-Livny 14. Homonational Desires: Masculinity and Sexuality in the Cinema of Eytan Fox / Raz Yosef Part Five. Jewish Orthodoxy Revisited 15. Negotiating Judaism in Contemporary Israeli Cinema: The Spiritual Style of My Father, My Lord / Dan Chyutin 16. Seeking the Local, Engaging the Global: Women and Religious Oppression in a Minor Film / Nava Dushi 17. Beaufort and My Father, My Lord: Traces of the Binding Myth and the Mother's Voice / Anat Zanger Part Six. Filming the Palestinian Other 18. The Foreigner Within and the Question of Identity in Fictitious Marriage and Streets of Yesterday / Sandra Meiri 19. A Rave against the Occupation?: Speaking for the Self and Excluding the Other in Contemporary Israeli Political Cinema / Dorit Naaman 20. Borders in Motion: The Evolution of the Portrayal of the Israeli-Palestinian Conflict in Contemporary Israeli Cinema / Yael Ben-Zvi-Morad 21. Smashing Up the Face of History: Trauma and Subversion in Kedma and Atash / Nurith Gertz and Gal Hermoni Part Seven. New Cinematic Discourses 22. Discursive Identities in the (R)evolution of the New Israeli Queer Cinema /Gilad Padva 23. Kibbutz Films in Transition: From Morality to Ethics / Eldad Kedem 24. The End of a World, the Beginning of a New World: The New Discourse of Authenticity and New Versions of Collective Memory in Israeli Cinema / Miri Talmon List of Contributors Index
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  • 10
    Language: English
    Pages: XII, 458 Seiten , Illustrationen
    Edition: 2. Auflage
    Year of publication: 2012
    Series Statement: Raphael Patai series in Jewish folklore and anthropology
    Series Statement: Raphael Patai series in Jewish folklore and anthropology
    Keywords: Israel ; Tanz ; Juden
    Abstract: In Seeing Israeli and Jewish Dance, choreographer, dancer, and dance scholar Judith Brin Ingber collects wide-ranging essays and many remarkable photographs to explore the evolution of Jewish dance through two thousand years of Diaspora, in communities of amazing variety and amid changing traditions. Ingber and other eminent scholars consider dancers individually and in community, defining Jewish dance broadly to encompass religious ritual, community folk dance, and choreographed performance. Taken together, this wide range of expression illustrates the vitality, necessity, and continuity of dance in Judaism. This volume combines dancers̷ own views of their art with scholarly examinations of Jewish dance conducted in Europe, Israel, other Middle East areas, Africa, and the Americas. In seven parts, Seeing Israeli and Jewish Dance considers Jewish dance artists of the twentieth and twenty-first centuries; the dance of different Jewish communities, including Hasidic, Yemenite, Kurdish, Ethiopian, and European Jews in many epochs; historical and current Israeli folk dance; and the contrast between Israeli and American modern and post-modern theater dance. Along the way, contributors see dance in ancient texts like the Song of Songs, the Talmud, and Renaissance-era illuminated manuscripts, and plumb oral histories, Holocaust sources, and their own unique views of the subject. A selection of 182 illustrations, including photos, paintings, and film stills, round out this lively volume. Many of the illustrations come from private collections and have never before been published, and they represent such varied sources as a program booklet from the 1893 Chicago World̷s Fair and archival photos from the Israel Government Press Office. Seeing Israeli and Jewish Dance threads together unique source material and scholarly examinations by authors from Europe, Israel, and America trained in sociology, anthropology, history, cultural studies, Jewish studies, dance studies, as well as art, theater, and dance criticism. Enthusiasts of dance and performance art and a wide range of university students will enjoy this significant volume.
    Note: Includes bibliographical references and index
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