Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Last 7 Days Catalog Additions

Export
Filter
  • Dutch  (40)
  • Italian  (12)
  • 2005-2009  (38)
  • 1960-1964  (15)
Region
Material
Language
Years
Year
Subjects(RVK)
  • 1
    Book
    Book
    Hagae Comitis : Curis Societatis Spinozanae
    Show associated volumes/articles
    Language: Dutch
    Pages:
    Year of publication: 1921-
    RVK:
    Keywords: Spinoza, Benedictus de 1632-1677 ; Theoretische Philosophie
    Note: Teilw. dt., teilw. niederl., teilw. engl., teilw. franz.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Language: Italian
    Pages: 119 Seiten
    Year of publication: 2007
    Keywords: Audioführung
    Note: Transkript
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Language: Italian
    Pages: 303 Seiten, [2] Blatt , Illustrationen
    Year of publication: 2006
    Keywords: Israel ; Kunst ; Ausstellung
    Abstract: Arte israeliana: sintesi di cultura Dall'apertura dell'Accademia d'Arte Bezalel a Gerusalemme nel 1906, l'arte israeliana, alla ricerca di una sua identità, è andata incontro al mondo diventando uno dei centri del dibattito artistico internazionale. Israele oggi è un laboratorio di sintesi fra culture di tutto il mondo alla continua ricerca di un equilibrio tra l'Occidente e il Medio Oriente, oltre che tra le molteplici tensioni creative interne e la continua immigrazione che ha dato vita al Paese. In un secolo di vita, tuttavia, l'arte israeliana, pur nella varietà d'ispirazione, ha trovato la propria essenza, dando alle proprie produzioni un'impronta originale e un carattere comune. Questo spesso racconta i luoghi, la società, la storia politica e religiosa del Paese, dimostrando come le difficoltà possano incrementare la creatività, ma in molti casi rappresenta semplicemente lo sforzo creativo di esprimere le grandi tematiche dell'arte e dell'uomo. Israele è terra di luce, di profumi, di passioni. È culla della storia e trampolino del futuro, catalizzatore di energie, concentrato di spiritualità e pragmatismo, tradizione e innovazione. Custode della memoria, propulsore di idee. Non solo Terra Promessa, non solo Terra Santa e nemmeno solo terra di guerre, scontri e conflitti. Israele è un Paese reale e reale è la sua arte.
    Abstract: Art in Israel: synthesis of cultures Since the foundation - in 1906 - of the Bezalel Academy of Art and Crafts in Jerusalem, Israeli art has sought its identity and is now one of the centers of international debate towards the world. Israel today is a laboratory of synthesis between worldwide cultures, continuosly looking for a west and middle-east balance, and between the local creative expressions and the immigration bias, the most important influence in Israel. Israel art however succeded during its lifetime to find its own essence, with originality. Israeli art often tells about sites, society, political and religious history of the country, proving that difficulties can often increase creativity. But Israeli art more often just represents the creative effort of the artists in front of the big art and human topics. Israel is a land of light, flavours, passions. Crucible of history, languages, religions, cultures, ways of living and thinking. Cradle of history, spring-board of the future. Catalyst of energies, a concentration of spirituality and pragmatism, of tradition and innovation. Guardian of the memory, propeller of ideas. Not just the Promised Land. Not only the Holy Land. Not just the land of milk and honey. Not just biblical landscapes. Neither it is just a land of war, struggles and conflicts. Israel is a real country. And so is its art.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Book
    Book
    Sneek : Trivium Uitgeverij
    Language: Dutch
    Pages: 115 Seiten
    Year of publication: 2005
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
  • 6
    Language: Dutch
    Pages: [8] Blatt , Illustrationen , 23 x 29,8 cm
    Year of publication: 2006
    Keywords: Kunstraub
    Abstract: Geroofd, maar van wie? is een expositie over kunstvoorwerpen, die in de Tweede Wereldoorlog door nazi's werden geroofd of onder dwang verkocht moesten worden door joodse eigenaren. Na de oorlog werden zoveel mogelijk objecten teruggehaald naar Nederland met de bedoeling de eigenaren ervan te achterhalen en teruggave aan eventuele rechthebbenden te realiseren. Met een groot aantal voorwerpen van deze zogenaamde "Nederlands Kunstbezit Collectie" is dit destijds niet gelukt. Sinds Bureau Herkomst Gezocht in 1998 begon aan een hernieuwde zoektocht naar de rechtmatige eigenaren van de resterende voorwerpen, zijn zo'n 500 objecten alsnog toegekend. Maar nog steeds zijn de oorspronkelijke eigenaren van enige honderden stukken uit van de NK-collectie niet gevonden. De vijftig kunstvoorwerpen die in Geroofd, maar van wie? worden getoond, zijn gekozen als exemplarische illustraties van de zoektocht van Bureau Herkomst Gezocht. Een goed voorbeeld is het verhaal van het landschapje (zie afbeelding), dat Martin Heidemann, een Pools-joodse kunstverzamelaar, in WO II bij de Duitse roofbank Lippmann-Rosenthal (Liro) in Amsterdam moest inleveren. Heidemann werd in 1945 omgebracht in Bergen-Belsen. Na de oorlog kon hij als de eigenaar van dit werk worden erkend, omdat de archieven hem vermelden. De zoektocht naar zijn zoon, die de oorlog wel overleefde, liep echter spaak in Argentinië. Waar zijn de erfgenamen? Veel van het onderzoek van het projectbureau heeft een dergelijk open einde, omdat cruciale informatie over de eigenaren ontbreekt. Nog een maal wordt het Nederlandse publiek betrokken bij de pogingen om te komen tot teruggave van de resterende kunstobjecten in de NK-collectie, aangezien inmiddels de uiterste termijn voor claims tot teruggave van cultuurgoederen in zicht komt: nog tot 4 april 2007 kunnen deze ingediend worden. Geroofd maar van wie? is samengesteld door de Hollandsche Schouwburg (beheerd door het Joods Historisch Museum) in samenwerking met Bureau Herkomst Gezocht. De tentoonstelling komt tot stand met dank aan het Ministerie van OCW en Instituut Collectie Nederland. Looted, but from whom? is an exhibition about art objects which were either acquired by forced sale or stolen from their Jewish owners by the Nazis during the Second World War. After the war, as many objects as possible were brought back to the Netherlands with the intention of identifying the owners and returning the property to any rightful claimants. For a great number of objects in this so-called "Netherlands Art Property Collection" (NK Collection - Nederlands Kunstbezit Collectie), this was not achieved at the time. Since Origins Unknown Agency began a renewed search in 1998 for the rightful owners of the remaining objects, some 500 have been returned. However, the original owners of a few hundreds pieces in the NK collection have not been found. The fifty art objects on display in the Looted, but from whom? exhibition were chosen to illustrate the efforts of the Origins Unknown Agency. A good example is the story of the landscape (see image) which Martin Heidemann, a Polish-Jewish art collector had to surrender to the German Lippmann-Rosenthal (Liro) looting bank in Amsterdam during the Second World War. Heidemann was killed in Bergen-Belsen in 1945. After the war, he could be identified as the owner of this work because his name was listed in the archives. However, the search for his son, who survived the war, hit a snag in Argentina. Where are the heirs? Many of the agency's research is similarly open-ended because crucial information about the owners is missing. Once again, the Dutch public is being involved in the attempt to return the remaining art objects in the NK collection, as the final deadline for cultural goods restitution claims is fast approaching. Claims can be submitted until 4 April 2007. The Looted, but from whom? exhibition was put together by Hollandsche Schouwburg (which is managed by the Jewish Historical Museum) in collaboration with the Origins Unknown Agency. Thanks are also due to the Ministry of Education, Culture and Science and the Netherlands Institute for Cultural Heritage for their part in making the exhibition possible.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    ISBN: 9789057305412
    Language: Dutch
    Pages: 95 Seiten , Fotografien
    Year of publication: 2008
    Keywords: Fotograf ; Ausstellung
    Abstract: The Jewish Historical Museum is organising an exhibition of photographs by Kurt Lubinski (1899-1969). Although this German émigré photographer is now relatively unknown, he gained a significant reputation as a successful photojournalist for his travel reportages in the 1920s and 1930s, initially in Germany and later in the Netherlands. Lubinski began his career at the end of the 1920s as a photographer at the Ullstein Verlag in Berlin. In 1933 he fled Nazi Germany and emigrated to the Netherlands. He received commissions from Dutch illustrated weeklies and was one of the first photojournalists to travel through the remote areas of the Soviet Union (Siberia and Central Asia), Africa and the American Deep South. He also travelled extensively in Europe, from Gibraltar to the Shetland Islands. In the 1930s Lubinski̷s photographs were among the first to acquaint the general public with images of strange cultures and exotic peoples. Lubinski̷s countless reportages, the texts for which he wrote himself, speak of his great empathy for the underprivileged such as poor Russian peasants, nomads in Kazakhstan, dispossessed Native Americans and black street sweepers in the USA. People are always central to his photography. He observed how, throughout the world, the authenticity of age-old cultures was threatened by modernisation, industrialisation, urbanisation and political developments. His photographs remain, in our age of globalisation, a silent witness to a world that has largely disappeared. Lubinski escaped to England before the outbreak of the Second World War and in 1943 he emigrated to the United States. There he abandoned photography, his archive was lost and his name fell into obscurity. The JHM hopes that this exhibition will restore him to his rightful place in the history of Dutch photography. It is the first time that his work will be exhibited. The majority of the photographs in the exhibition are vintage prints from the collection of Spaarnestad Photo.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    AV-Medium
    AV-Medium
    Berlin : Radio Televisione Italiana
    Language: Italian
    Pages: [ca. 2 Min. ]
    Year of publication: 2007
    Series Statement: [Presseabteilung des Jüdischen Museums Berlin] Pressearchiv digital 070127
    Series Statement: Pressearchiv digital
    Keywords: Exil ; Heimat
    Note: Fernsehmitschnitt vom 27.01.2007. , Nur für den internen Gebrauch.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    AV-Medium
    AV-Medium
    Ripley's Home Video
    Language: Italian
    Pages: 2 DVD
    Additional Material: Beiheftt (33 Seiten)
    Year of publication: 2005
    Parallel Title: A futura memoria
    Keywords: Palästina ; Dokumentarfilm
    Note: Produktion: Italien, 1964; beigefügtes Werk: Italien, 1986
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    Book
    Book
    Drunen : Vereniging Documentatie Prentbriefkaarten
    Language: Dutch
    Pages: 52 Seiten , zahlr. Ill.
    Year of publication: 2007
    Keywords: Druckgrafik ; Bildpostkarte ; Jugendstil ; Zionismus
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...