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  • English  (32)
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  • 1
    ISBN: 148750814X , 9781487508142
    Language: English
    Pages: xiii, 194 Seiten , Illustrationen , 24 cm
    Year of publication: 2021
    Series Statement: Latinoamericana
    Parallel Title: Erscheint auch als Pridgeon, Stephanie, 1986- Revolutionary vision
    Parallel Title: Erscheint auch als Pridgeon, Stephanie, 1986 - Revolutionary visions
    DDC: 791.43/65299240809046
    Keywords: Jews in motion pictures ; Motion pictures History ; Jews History 20th century ; Revolutions History 20th century ; Jews ; Jews in motion pictures ; Motion pictures ; Revolutions ; Jews ; Political activity ; Latin America ; Jews ; Latin America ; Migrations ; History ; 20th century ; Revolutions ; Latin America ; History ; 20th century ; Motion pictures ; Latin America ; History ; 20th century ; Jewish motion picture producers and directors ; Latin America ; Jews in motion pictures ; Jews ; Latin America ; History ; 20th century ; Christianity and other religions ; Judaism ; Judaism ; Relations ; Christianity ; History ; Latin America History 20th century ; Latin America ; Latin America ; Lateinamerika ; Film ; Juden
    Abstract: Introduction: "A place in the economy of being": revolutionary visions -- 1. Saintly politics: Christianity, revolution, and Jews -- 2. Here we are to build a nation: Jewish nation: Jewish immigrants to early twentieth-century Latin America -- 3. Poner el cuerpo femenino judío: Jewish women's bodies and revolutionary movement -- 4. Lost embraces: Jewish parent-child relationships and 1970s politics -- Epilogue: what sort of affinity? Conclusions and areas for future study.
    Abstract: "Revolutionary Visions examines recent cinematic depictions of Jewish involvement in 1960s and 1970s revolutionary movements in Latin America. In order to explore the topic, the book bridges critical theory on religion, politics, and hegemony from regional Latin American, national, and global perspectives. Placing these theories in dialogue with recent films, the author asks the following questions: How did revolutionary commitment change Jewish community and families in twentieth-century Latin America? How did Jews contribute to revolutionary causes and what is the place of Jews in the legacies of revolutionary movements? How is film used to project self-representations of Jewish communities in the national project for a mainstream audience? Jewish involvement in revolutionary movements is rife with contradictions. On the one hand, it was a natural progression of patterns of political participation, based on the ideological affinities shared between Socialist movements and Marxist revolutionary politics. On the other hand, involvement in revolutionary politics would also upset the status quo of Jewish communities due to the extreme nature of revolutionary practices (e.g. guerrilla warfare), revolutionary groups' alignment with Palestine, and the assimilation into non-Jewish culture that revolutionary involvement often entailed. These contradictions between Jewish self-identification and revolutionary activity continue to confound cultural understandings of the points of contact between identities and political affinities. In this way, Revolutionary Visions contributes to timely debates within cultural studies surrounding identities and politics."--
    Note: Includes bibliographical references (pages 175-188) and index
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  • 2
    Book
    Book
    New York, NY [u.a.] : Bloomsbury Academic
    ISBN: 9781501310973
    Language: English
    Pages: XIII, 335 S , Ill
    Year of publication: 2016
    Series Statement: Thinking media
    Parallel Title: Erscheint auch als Schmerheim, Philipp, 1979 - Skepticism films
    DDC: 791.4301
    RVK:
    Keywords: Skepticism in motion pictures ; Knowledge, Theory of, in motion pictures ; Motion pictures Philosophy ; Film ; Realitätsbezug ; Täuschung
    Abstract: "A study of how contemporary cinema and film-philosophers explore radical skepticism about our knowledge of the world"--
    Abstract: "A study of how contemporary cinema and film-philosophers explore radical skepticism about our knowledge of the world"--
    Description / Table of Contents: Machine generated contents note:List of figuresAcknowledgements1. Introduction: Skepticism Films. A Certain Tendency in Contemporary CinemaPart I: Thinking Through Cinema2. Films as Configurations of Philosophical Thought3. Remediating Philosophy, or: The Media of Philosophical ThoughtPart II: Skepticism in Film Philosophy4. Varieties of Philosophical Skepticism: Knowledge, Acknowledgement, and Trust5. A Moving Image of Skepticism? Philosophy's Acknowledgement of Film6. A Cinema for Believers. Trust, Belief, and the Expulsion from the Paradise of ChildhoodPart III: Skepticism Films7. Varieties of Skepticism Films8. Tools for Philosophical Film Analysis9. (Not) Knowing My World: External World Skepticism Films10. Not Knowing My Self, or: Being One's Own Evil Deceiver11. Coda. From Doubt to Acknowledgement, or: The Philosophical Significance of Skepticism Films revisitedBibliography and FilmographyIndex.
    Note: Includes bibliographical references and index
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  • 3
    Book
    Book
    London [u.a.] : Associated University Presses
    ISBN: 083863074X
    Language: English
    Pages: 171 Seiten , Ill.
    Year of publication: 1983
    Series Statement: Sara F. Yoseloff memorial publications
    Series Statement: Sara F. Yoseloff memorial publications
    Keywords: Film ; Jiddisch
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  • 4
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  • 5
    ISBN: 0275983277
    Language: English
    Pages: XXXVIII, 449 Seiten , Illustrationen
    Year of publication: 2004
    Keywords: Film ; Schoa
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  • 6
    Language: English
    Pages: 52 Seiten , Fotografien
    Year of publication: 2015
    Keywords: Standphotographie ; Film ; Künstlerin ; Ausstellung
    Abstract: In Inferno, Yael Bartana films the inauguration of a grand temple, the destruction of it, and the worship of its debris. The starting point is the construction of a replica of Solomon’s Temple in São Paulo by an evangelical neo-Pentecostal church called the Universal Church of the Kingdom of God (UCKG). The temple is built with stones imported from Israel as the UCKG intends to bring part of the Holy Land to São Paulo, thus inverting the traditional path taken by pilgrims who would leave Brazil for the Holy Land. The film’s conflation of place, history, and belief allows Bartana to weave connections between the complex realities of São Paulo and Jerusalem. Shot and edited with stylistic references to Hollywood action epics, her film employs what she refers to as “historical pre-enactment”, a methodology that commingles fact and fiction, and prophesies and histories. Using this powerful cinematic language, Inferno combines histories of antiquity in the Middle East with Brazil’s contemporary hybrid culture. The film addresses the grandiose temple project through a vision of its future destruction.
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  • 7
    ISBN: 9783082779
    Language: English
    Pages: 50 Seiten
    Year of publication: 2006
    Series Statement: Search and research : lectures and papers 9
    Series Statement: Search and research
    Keywords: Nürnberger Prozesse ; Kollektives Gedächtnis ; Film ; Schoa
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  • 8
    Article
    Article
    In:  The Jew in the text : modernity and the construction of identity (1995), Seite 238 - 252
    Language: English
    Year of publication: 1995
    Titel der Quelle: The Jew in the text : modernity and the construction of identity
    Publ. der Quelle: London, 1995
    Angaben zur Quelle: (1995), Seite 238 - 252
    Keywords: Einwanderung ; Film ; Juden ; USA ; Los Angeles- Hollywood
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  • 9
    Article
    Article
    Show associated volumes/articles
    In:  Jewish artists and central-eastern Europe, art centers, identity, heritage from the 19th century to the Second World War : [the first congress of Jewish art in Poland] (2010), Seite [63] - 74
    Language: English
    Year of publication: 2010
    Titel der Quelle: Jewish artists and central-eastern Europe, art centers, identity, heritage from the 19th century to the Second World War : [the first congress of Jewish art in Poland]
    Publ. der Quelle: 2010
    Angaben zur Quelle: (2010), Seite [63] - 74
    Keywords: Polen ; Film
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  • 10
    ISBN: 0894300040
    Language: English
    Pages: [5] Blatt, 198 Seiten , zahlr. Ill.
    Year of publication: 1977
    Keywords: Kohner, Paul ; Film ; Exil ; Los Angeles- Hollywood
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