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  • Jewish Museum Berlin  (2)
  • 2005-2009  (2)
  • Judah L. Magnes Memorial Museum 〈Berkeley, Calif.〉
  • Ausstellung  (2)
  • Jews History 1945-
  • 1
    Language: English
    Pages: 89 Seiten , Illustrationen
    Year of publication: 2005
    Keywords: Suprematismus ; Künstler ; Ausstellung
    Abstract: Includes and interview with Lazar Khidekel's son and daughter-in-law Mark and Regina Khidekel conducted by Alla Efimova. Khidekel, though practically unknown, was a central figure in the Russian art movement Suprematism. He was at Vitebsk under Marc Chagall, but aligned himself with Kasimir Malevich when he came to teach at Vitebsk. Khidekel was a member of Unovis and later Inkhuk. As Suprematism split Khidekel followed Malevich, Chashnik and Suetin. Malevich remained a painter. Chashnik and Sutin went toward the decorative arts. Only Khidekel became an architect. He was able to build a few projects before the Soviet system turned away from the avant garde. He managed to continue on as a successful architect throughout the Soviet period, but he had to keep to his Suprematist ideas in a covert way only. He became an important thinker for entire field of Soviet Architecture and inspired what was best within that period and into the post-Soviet era. This catalog accompanies an exhibit held at the Magnes Muesum in Berkeley between November 15th, 2004 and March 20, 2005. This exhibition is only the second exhibit ever devoted to Khidekel's architectural drawings and fine art.
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  • 2
    ISBN: 9780520249615
    Language: English
    Pages: 409 Seiten , Illustrationen
    Year of publication: 2007
    Keywords: Polen ; Kind ; Alltag ; Ausstellung
    Abstract: Intimate, humorous, and refreshingly candid, this extraordinary work is a remarkable record - in both words and images - of Jewish life in a Polish town before World War II as seen through the eyes of an inquisitive boy. Mayer Kirshenblatt, who was born in 1916 and left Poland for Canada in 1934, taught himself to paint at age 73. Since then, he has made it his mission to remember the world of his childhood in living color, "lest future generations know more about how Jews died than how they lived." This volume presents his lively paintings woven together with a marvelous narrative created from interviews that took place over forty years between Mayer and his daughter, Barbara Kirshenblatt-Gimblett. Together, father and daughter draw readers into a lost world - we roam the streets and courtyards of the town of Apt, witness details of daily life, and meet those who lived and worked there: the pregnant hunchback, who stood under the wedding canopy just hours before giving birth; the khayder teacher caught in bed with the drummer's wife; the cobbler's son, who was dressed in white pajamas all his life to fool the angel of death; the corpse that was shaved; and the couple who held a "black wedding" in the cemetery during a cholera epidemic. This moving collaboration - a unique blend of memoir, oral history, and artistic interpretation - is at once a labor of love, a tribute to a distinctive imagination, and a brilliant portrait of life in one Jewish home town.
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