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Last 7 Days Catalog Additions

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  • Jewish Museum Berlin  (62)
  • English  (62)
  • 2010-2014  (62)
  • Kunst  (36)
  • Fotografie  (28)
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  • Jewish Museum Berlin  (62)
Region
Material
Language
Year
  • 1
    E-Resource
    E-Resource
    Tel Aviv
    Language: English
    Pages: 28 Blatt , farbige Illustrationen
    Additional Material: 1 CD-Rom
    Year of publication: 2012
    Keywords: Israel ; Kunst
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  • 2
    Book
    Book
    Paris : Editions Letzalem
    Language: English
    Pages: ungez. , überw. Ill.
    Year of publication: 2012
    Keywords: Fotografie ; Fotograf ; Jerusalem Tempel ; Klagemauer
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  • 3
    Book
    Book
    London : MACK Books Ltd.
    ISBN: 9781910164013
    Language: English
    Pages: [72] Blatt , Fotografien
    Year of publication: 2013
    Keywords: Israel ; Fotografie ; Westjordanland
    Abstract: Rosalind Fox Solomon spent five months in Israel and the West Bank during 2010–11, working in Jerusalem, Tel Aviv, Nahariya, Bethlehem and Jenin. Travelling by local bus along with commuter workers, she photographed Jewish teenagers at Purim, Christians at the Church of the Holy Sepulchre, and Ghanaian pilgrims at the Mount of Olives. "Them" is part of a project entitled "This place", which explores the complexity of Israel and the West Bank through the eyes of twelve internationally acclaimed photographers. (...) "This place" consists of a travelling exhibition, companion publications and a program of live events.
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  • 4
    ISBN: 9780815346630
    Language: English
    Pages: XIII, 266 Seiten
    Year of publication: 2014
    Keywords: Fotografie ; Museum
    Abstract: Almost all museums hold photographs in their collections, and museum professionals and their audiences engage with photographs in a myriad of ways. Yet despite some three decades of critical museology and photographic theory, and an extensive debate on the politics of representation, outside art museums, almost no critical attention has been given specifically to the roles, purposes and lives of these photographs within museums. This book brings into focus the ubiquitous yet entirely unconsidered work that photographs are put to in museums. The authors' argument is that there is an economy of photographs in museums which is integral to the processes of the museum, and integral to the understanding of museums. The international contributors, drawn from curators and academics, reflect a range of visual and museological expertise. After an introduction setting out the range of questions and problems, the first part addresses broad curatorial strategies and ways of thinking about photographs in museums. Shifting the emphasis from curatorial practices and anxieties to the space of the gallery, this is followed by a series of case studies of exhibitionary practices and the museum strategies that support them. The third section focuses on the role of photographs in the museum articulation of ’difficult histories’. A final section addresses photograph collections in a digital environment. New technologies and new media have transformed the management, address and purposing in photographs in museums, from cataloguing practices to streaming on social media. These growing practices challenge both traditional hierarchies of knowledge in museums and the location of authority about photographs. The volume emerges from PhotoCLEC, a HERA funded project on museums and the photographic legacy of the colonial past in a postcolonial and multicultural Europe.
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  • 5
    Book
    Book
    New York, NY : Columbia University Press
    ISBN: 9780231156530
    Language: English
    Pages: VIII, 305 Seiten , Illustrationen , 23 cm
    Year of publication: 2012
    Series Statement: Gender and culture
    Series Statement: Gender and culture
    Keywords: Kunst ; Literatur ; Rezeption ; Schoa (Motiv)
    Abstract: Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories--multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W. G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.
    Note: Literaturangaben
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  • 6
    Book
    Book
    London : Jonathan Cape
    Language: English
    Pages: 240 Seiten, [4] Blatt , Ill.
    Year of publication: 2013
    Keywords: Fotografie ; Fotografin ; Fotograf
    Abstract: Paris im Jahre 1934: Aus der jungen, schönen jüdischen Emigrantin Gerda Pohorylles und dem ungarischen Exilanten André Friedmann werden die Fotografen Gerda Taro und Robert Capa - und er würde der wichtigste Fotojournalist seiner Generation werden. Als Gerda im spanischen Bürgerkrieg im Alter von nur 26 Jahren getötet wird, wird sie eine Heldin der politischen Linken. Trotz der Legende, die um sie herum gebaut wurde, war sie anschließend eine bloße Fußnote in Capas Geschichte. Siebzig Jahre nach ihrem Tod wurde ein lange verlorener Koffer in Mexiko entdeckt, mit Tausenden von Negativen von Capa und Taro. Die Sensation: Viele der Fotos, die zuvor Capa zugeschrieben worden waren, sind in Wirklichkeit die Arbeit von Gerda Taro. Jane Rogoyskas Buch beschreibt Taros Leben und zeigt die Tiefe ihrer Beziehung zu Robert Capa. Charismatisch und außergewöhnlich, verkörperte sie eine der turbulentesten Zeiten des 20. Jahrhunderts.
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  • 7
    Language: English
    Pages: Illustrationen
    Year of publication: 2011
    Keywords: Kunst
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  • 8
    Language: English
    Pages: 376 Seiten , Illustrationen
    Year of publication: 2012
    Keywords: Konzentrationslager Auschwitz ; Erinnerung ; Kunst ; Gedenken
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  • 9
    Language: English
    Pages: 90 Seiten , Ill.
    Year of publication: 2011
    Series Statement: [Tel Aviv Museum of Art] Catalogue = Katalog / Muze'on Tel Aviv la-Omanut 2011/20
    Series Statement: Catalogue
    Keywords: Israel ; Fotografie ; Ausstellung
    Abstract: The photographs of Gaston Zvi Ickowicz (b. Buenos Aires, 1974) excel in attentive observation of "place" and conduct a unique dialogue with modern and contemporary photography. His precise, introverted gaze captures signs and remnants of occurrences, often facing down, to the ground. His focusing on the layered surface exposes an esthetic, political and emotional complexity and crystallizes into a typological poetic definition of the place.
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  • 10
    Language: English
    Pages: 216 Seiten , überw. Ill.
    Year of publication: 2012
    Keywords: Ausstellung ; Glas ; Kunst
    Abstract: 'Louis C. Tiffany and the Art of Devotion' is the first volume to explore the vast assortment of church decorations and memorials produced by Louis C. Tiffany (1848-1933) and the Tiffany Studios. For over 50 years Tiffany oversaw the production and marketing of a multitude of decorative elements for numerous chapels, churches and synagogues, afforded by the late 19th century American boom in. 'Louis C. Tiffany and the Art of Devotion' is the first volume to explore the vast assortment of church decorations and memorials produced by Louis C. Tiffany (1848-1933) and the Tiffany Studios. For over 50 years Tiffany oversaw the production and marketing of a multitude of decorative elements for numerous chapels, churches and synagogues, afforded by the late 19th century American boom in religious building. Although an important part of the ecclesiastical business consisted of the vibrantly coloured leaded-glass windows most famously associated with his name, Tiffany was interested in the bigger picture and employed designers, draftsmen, and craftspeople to produce a complete interior design, including mosaics, windows, floors, lighting, furniture, altarpieces, pulpits, candlesticks, headstones and mausolea, vestments and jewellery. This beautifully illustrated volume includes preliminary designs, cartoons, watercolour sketches and archival photographs designs and products, many never published before. In numerous cases these are the only surviving remnants of buildings which have long since been demolished.
    Note: Includes bibliogr. references
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