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  • Jüdisches Museum Berlin  (164)
  • Englisch  (164)
  • 2010-2014  (164)
  • Ausstellung  (164)
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  • 1
    ISBN: 9789659240609
    Sprache: Englisch
    Seiten: 67 Seiten, [1] Blatt , überw. Ill.
    Erscheinungsjahr: 2014
    Schlagwort(e): Malerei ; Ausstellung
    Kurzfassung: Warum beichten Menschen? Was ist der Beweggrund hinter der menschlichen Sehnsucht nach persönlichem Exorzismus? In diesem neuen Projekt des israelischen Künstlers Roey Heifetz wird man einige der Gründe vielleicht herausfinden. Heifetz ist für seine außergewöhnlichen, überlebensgroßen Porträtzeichnungen von Figuren, teils reale Darstellungen, teils geschundene Vorstellungen, bekannt. Durch die einzigartige Installation in der St. Johannes Evangelist Kirche, werden die Arbeiten absichtlich an einem Ort traditioneller Beichten gezeigt, gleichzeitig spiegelt die Installation die alte, achteckige Form eines Baptisteriums wieder – einem Ort des Anfangs und der Offenheit. “Confessions” beginnt in den Öffnungszeiten der Ausstellung eine Diskussion, in dem der Künstler Beichtgespräche mit Besuchern führt. Diese anonymen Gespräche zeichnet er auf und im Anschluss entsteht eine Zeichnung, die sich aus den Inhalten der gegebenen Interviews ergeben. Diese neuentstehenden Zeichnungen werden dem Muster einer künstlerischen Interpretation und Meinung folgen, die von der aktuellen Situation und den Erfahrungen der Beichtenden stammen. Mark Gisbourne
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    ISBN: 9781910164136
    Sprache: Englisch
    Seiten: 191 Seiten , Fotografien
    Ausgabe: 1. edition
    Erscheinungsjahr: 2014
    Schlagwort(e): Palästina ; Israel ; Interview ; Bildband ; Ausstellung ; Wanderausstellung
    Kurzfassung: Touring exhibition: DOX, Centre for Contemporary Art, Prague, 24.10.2014 - 03.03.2015 Tel Aviv Museum of Art, 14.05.2015 - 06.09.2015 Norton Museum of Art, Florida, 15.10.2015 - 15.01.2016 Brooklyn Museum of Art, 12.02.2016 - 05.06.2016 THIS PLACE unveils twelve contemporary photographic vantage points upon Israel and the West Bank, created primarily between 2009 and 2012 by Frédéric Brenner, Wendy Ewald, Martin Kollar, Josef Koudelka, Jungjin Lee, Gilles Peress, Fazal Sheikh, Stephen Shore, Rosalind Fox Solomon, Thomas Struth, Jeff Wall and Nick Waplington. Together, they act as a heterogeneous narrative of a conflicted, paradoxical and deeply resonant place, drawn from the combination of these individual photographic sensibilities and approaches. The conception of THIS PLACE began for its initiator Frédéric Brenner in 2005. As his afterword to this catalogue attests, Brenner was driven by a desire to facilitate a visual counter-argument to the prevailing, often polarised, representations of Israel and the West Bank in both national and international news media. Whilst on the one hand acknowledging and paying heed to the region’s ongoing conflicts, THIS PLACE also asks that we look beyond this – that we widen and multiply our lens. From the outset, Brenner acknowledged to himself that no single vantage point – including his own – could speak of the complexity of this historic and contested place and its shaping of contemporary lives; to begin to comprehend the radical dissonance of this place would require a multiplicity of practices and perspectives. Charlotte Cotton, project curator
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Sprache: Englisch
    Erscheinungsjahr: 2014
    Schlagwort(e): Flüchtling ; Weltkrieg ; Ausstellung ; Juden ; Böhmen
    Kurzfassung: From 28. 08. 2014 to 01. 02. 2015 A new exhibition by the Jewish Museum in Prague focuses on the fate of refugees during the First World War and reflects on the centenary of the outbreak of this conflict. During the First World War, hundreds of thousands of people fled from destroyed and occupied towns to the inner regions of the Habsburg monarchy out of fear of violence in the Front areas. “Although they were the first large group of refugees in the modern history of the Bohemian lands, their fate has been overlooked. By holding this exhibition, the Jewish Museum in Prague seeks not only to commemorate the centenary of the outbreak of the First World War, but also to emphasize the importance of refugees and refugee policy in Czech and Czechoslovak history of the 20th century. For the Jewish population in particular, the flight of these refugees and their loss of rights was part of their journey through what was to be a century of refugees,” says Michal Frankl, the author of the exhibition. This exhibition follows the fate of Jewish refugees in Bohemia and Moravia in the broader context of refugees and refugee policy throughout the Habsburg Monarchy. In addition to highlighting the immediate fate of the refugees, however, it also explores the response of society. It examines the extent to which the then widespread division of people along ethnic lines influenced the attitude towards refugees, the extent to which the response to Jewish refugees was affected by prejudices, and the reason why Jewish refugees were targeted in unscrupulous anti-Semitic campaigns in the post-war period after the founding of an independent Czechoslovakia. On display are photographs that have never before been shown in the Czech Republic. These images not only document the life of the refugees and refugee camps, but also point to a fascination with the difference of “Eastern Jews” whose clothing, piety and unusual language attracted great attention at the time. Narrated excerpts from period chronicles and newspapers illustrate how the local population dealt with this difference and reveal the prejudices against Jewish refugees. The exhibition also features items from the Jewish Museum's visual arts collection, which further document the response to the Jewish refugees living in Bohemia. The voices, experiences and attitudes of the refugees appear to have vanished among the heaps of documents and dozens of photographs that have been preserved in archives in the Czech Republic and other countries. This is why the exhibition features the unique audiovisual testimonies of Jewish refugees and draws attention to their opinions and everyday life as reconstructed from newspapers and from fragmentary materials relating to aid organizations. Visitors will also have an opportunity to study the response of the Jewish press in dealing with the “Eastern” Jews and their difference from the more integrated Jews in the Bohemian lands. For the most part, the only physical traces of the refugees' stay in Bohemia during the First World War are their graves in Jewish cemeteries. One of these, a unique wooden tombstone on loan from Horažďovice, will be on view at the exhibition from October. The exhibition has been put together by Michal Frankl, Jan Wittenberg and Wolfgang Schellenbacher. The partner of the exhibition is the Jewish Museum in Berlin. The project was implemented with the kind support of the German-Czech Future Fund and the Foundation of the Jewish Museum in Prague.
    Anmerkung: Kein Katalog erschienen.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Sprache: Englisch
    Seiten: 152 Seiten , Ill.
    Erscheinungsjahr: 2012
    Serie: Israel Museum Catalogue = Katalog 586
    Serie: Israel Museum Catalogue
    Schlagwort(e): Porträtfotografie ; Ausstellung ; Nordafrika
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Sprache: Englisch
    Seiten: 47 Seiten , Illustrationen
    Zusätzliches Material: Einladungskarte
    Erscheinungsjahr: 2014
    Schlagwort(e): Künstlerin ; Malerei ; Bildnis ; Ausstellung ; London
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Sprache: Englisch
    Seiten: 120 Seiten , Ill.
    Erscheinungsjahr: 2012
    Serie: R. S. Johnson Fine Art 161
    Serie: R. S. Johnson Fine Art
    Schlagwort(e): Künstler ; Malerei ; Zeichnung ; Ausstellung
    Kurzfassung: The dynamic, rapidly changing nature of socio-cultural developments in the last century would not justify attempts to establish narrow or restricted categories in which to place a modern artists and his or her accomplishments. In the case of Béla Czóbel, his works have to be compared with those of his Hungaqrian contemporaries, but also with those of other Euorpean artists with related creative paths. Czóbel exerted a profound influence on the development of twentiteht-century Hungarian art. However, he could not be categorized simply as an important elemnt of the Hungarian School. Just as Brancusi, Pascin and Soutine, for example, made significant contributions to art movements in the countries of their origins, ti would not be logical to classify them principally as members of the Romanian, Bulgarian, and Lithuanian Schools. Their individual accomplishments, as those of Czóbel, must be considered in broader European terms, no longer limited by traditional artistic and geographic borders. Includes an 84 page, full color catalogue of Béla Czóbel's work.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Buch
    Buch
    New Haven : Yale University Press
    Sprache: Englisch
    Seiten: 133 Seiten , Illustrationen
    Erscheinungsjahr: 2014
    Schlagwort(e): Sprache ; Malerei ; Ausstellung
    Kurzfassung: An engaging exploration of the use of language in a complex and colorful series of paintings Mel Bochner (b. 1940) is celebrated as a key Conceptual artist of the 1960s. Less well-known are his paintings made after that period: complex works based on an exploration of language, often crowded with typography in lush, contrasting hues that both embrace and challenge the painterly tradition. Mel Bochner: Strong Language focuses on this important body of work, in which Bochner investigates the lines between text and image. Ranging from bold admonishments and witty emoticons to provocative floods of words, these works demonstrate conceptual seriousness, as well as delight in the playful potential of language. Norman L. Kleeblatt discusses the evolution of Bochner's art from his early word experiments through his return to painting, while Bochner offers a personal perspective. Both Kleeblatt and Bochner address the question of Jewishness in Bochner's work, particularly the ways in which the Jewish intellectual tradition embraces language as a visual expressive form. Norman L. Kleeblatt is the Susan and Elihu Rose Chief Curator at the Jewish Museum. Mel Bochner is a New York-based artist. The Jewish Museum, New York (05/02/14–09/21/14)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Buch
    Buch
    Tel Aviv
    Sprache: Englisch
    Seiten: ungez. , überw. Ill. (farb.)
    Erscheinungsjahr: 2012
    Schlagwort(e): Künstler ; Collage ; Ausstellung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Buch
    Buch
    Warschau : Żydowski Instytut Historyczny im. Emanuela Ringelbluma
    ISBN: 9788361850571
    Sprache: Englisch
    Seiten: 100 Seiten, [12] Blatt , Illustrationen
    Zusätzliches Material: 2 Karten
    Erscheinungsjahr: 2012
    Schlagwort(e): Polen ; Rabbiner ; Ausstellung
    Kurzfassung: The book is a catalogue of an exhibition which showed religious objects, paintings, old prints and photographs of rabbis, all from the collections of the Jewish Historical Institute. There are single portraits, of married couples or with families, of those who survived the Holocaust thanks to the fact that they had emigrated to Palestine between 1936 and 1939. You can familiarize yourself with the iconography of the rabbis, observe the changes, and see what remained constant. Dominant on the exhibition images of rabbis refer to the depth of their spiritual heritage, which for centuries had an influence on religious and cultural character of Poland.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 10
    Sprache: Englisch
    Seiten: XVIII, 147 Seiten , Illustrationen
    Ausgabe: 1. Auflage
    Erscheinungsjahr: 2010
    Schlagwort(e): Konzentrationslager Theresienstadt ; Künstlerin ; Kind ; Kinderzeichnung ; Ausstellung ; Schoa
    Kurzfassung: Not long after the end of World War II, two suitcases from Terezín, the so-called model ghetto designed by the Nazi propaganda machine to showcase creative endeavors, were delivered to members of what remained of the Jewish community of Prague. The contents of the suitcases included children's drawings, paintings, and collages made at Terezín thanks to the efforts of a teacher interned there. Rediscovered in the 1950s, the pictures, by then housed at the Jewish Museum in Prague, were exhibited, and over time some were published. Friedl Dicker-Brandeis was the remarkable woman who taught art to many of Terezín's children before she was killed at Auschwitz. While she has been valorized for her heroic efforts as a teacher, her approach to teaching art has remained unexamined. This book and the accompanying exhibition, curated by Linney Wix at the University of New Mexico Art Museum, offer a closer look at the methods and philosophy of Dicker-Brandeis's teaching, the history behind her approach, and its possible psychological effects on the children she taught. The book includes biographical and art historical information on Dicker-Brandeis, and sheds light on her roles as an artist, teacher, and heroine behind Nazi lines in the Second World War. Published in cooperation with the University of New Mexico Art Museum.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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