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  • 2010-2014  (2)
  • Exhibition Josef Herman - Warsaw, Brussels, Glasgow, London, 1938-44 〈2011 : London〉  (1)
  • Halter, Roman  (1)
  • London  (2)
  • 1
    Language: English
    Pages: 159 Seiten , Illustrationen
    Year of publication: 2011
    Keywords: Malerei ; Grafik ; Ausstellung
    Abstract: Unseen works by Herman It is a chance to see rare artworks from Josef Herman, and brings together for the first time much of Herman's surviving work from this formative period, when his art was at its most experimental and his use of colour strikingly imaginative. Most works are held in private collections, so have rarely been seen or previously gathered together on such a comparable scale. Included are the few remaining works from Brussels, a series of powerfully expressionist figurative works in oil, gouache and tempera, striking designs for a politically-themed ballet, and many works on paper from the series known as the 'Memory of Memories'. These vivid, often poignant, sketches fired by memory and imagination, carried out in Glasgow between 1940 and 1943, bring the memory of Herman's family (who perished in the Warsaw Ghetto), as well as his lost Warsaw years, back to life. The Glasgow art scene The exhibition also includes examples of work by Herman's contemporaries in Glasgow: fellow Polish émigré Jankel Adler, Estonian-born sculptor Benno Schotz and Scottish colourist J D Fergusson, alongside whom Herman briefly made a considerable contribution to the Glasgow arts scene. At the Ohel Centre in North London (1943-4), Herman mixed with fellow artists Martin Bloch, David Bomberg, Jacob Epstein and Ludwig Meidner (whose work is also included), as well as with the poets Itzik Manger and Avrom Stencl. Ystradgynlais and Herman The exhibition concludes in mid-1944, when Herman's momentous discovery of the Welsh mining town of Ystradgynlais in South Wales changed the direction of his life and work forever. The catalogue includes contributions from Herman's biographer, Monica Bohm-Duchen, as well as Professor Jerzy Malinowski (President of the Polish Institute of World Art Studies and Head of Modern and Oriental Art, Nicolaus Copernicus University, Torun, Poland), Nanny Schrijvers (curator and researcher, the Royal Museum, Antwerp), Douglas Hall (former first Keeper of the Scottish Gallery of Modern Art in Edinburgh), the artist's son, David Herman, Ben Uri's Head of Curatorial Services, Rachel Dickson and the curator Sarah MacDougall, the inaugural Ben Uri Eva Frankfurther Research and Curatorial Fellow for the study of émigré artists.
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  • 2
    Language: English
    Pages: 115 Seiten , Illustrationen
    Year of publication: 2014
    Keywords: Glasmalerei ; Künstler ; Ausstellung
    Abstract: ‘Life and Art Through Stained Glass’ examines the artistic career of architect, painter, designer and stained glass innovator Roman Halter. His near 50-year career as an artist would, had circumstances been different, have been much more widely recognised, as his command of many crafts was significant and distinctive. Stained glass is an exact, technical, complicated, architectural art-form that merges engineered structures, on one hand, with both depth and balance of colour appropriate to its space, on the other. Like many architects, Halter could ably address the technical requirements, but it was his innate creativity and his talent as a visual artist that allowed him to move between disciplines and to join a select group of practitioners who are today recognised as pre-eminent in this field. His stained glass windows can be found in synagogues across London. In The Room of Prayer at Leo Baeck College he designed a series of small, brilliantly coloured squares of stained glass to decorate each window and designed and made part heart-shaped, part Menorah-shaped glass and aluminium windows for the ark containing the Torah. At the New North London Synagogue two tall, vertical, primary-coloured windows are inscribed in Hebrew, and at the North Western Reform Synagogue, eighteen monumental designs are intricately decorated with the theme of Life “Chai”, the Hebrew letters for the number 18. In The Central Synagogue an azure panorama of an idealised Jerusalem illuminates the stairwell mezzanine, whilst his commanding, prismatic Jacob Wrestling with the Angel stretches the capacity of stained glass design to new and near-abstract limits. In 1978 when this work was received it was considered an artistic step too far, but it has come to be recognised as a virtuoso work within this medium. After only seven years working in the discipline, in 1983 Halter began his three-year collaboration with Henry Moore, working on a blue stained glass window, Reclining Figure, which is one of the centrepieces of this exhibition.
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