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Last 7 Days Catalog Additions

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  • 1
    Language: Hebrew
    Pages: XV, 199 Seiten , Illustrationen
    Year of publication: 1998
    Series Statement: Israel Museum Catalogue = Katalog 404
    Series Statement: Israel Museum Catalogue
    Keywords: Israel ; Orientalismus ; Ausstellung
    Abstract: Identification with the East has been central to evolution of modern Israeli culture from the beginning of the 20th century until today. The exhibition To the East - Orientalism in the Arts in Israel presented more than 300 works by 120 Israeli artists in a wide range of media, describing how differing notions of the East are articulated in the artists' works.
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  • 2
    Language: English
    Pages: 190 Seiten, [3] Blatt , zahlr. Ill. , 24 x 22 cm
    Year of publication: 1982
    Series Statement: Israel Museum Catalogue = Katalog 231
    Series Statement: Israel Museum Catalogue
    Keywords: Israel ; Kunst
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  • 3
    ISBN: 9652783196
    Language: Hebrew
    Pages: 148, 36 Seiten , Illustrationen
    Year of publication: 2006
    Series Statement: Israel Museum Catalogue = Katalog 503
    Series Statement: Israel Museum Catalogue
    Keywords: Israel ; Bezalel Academy of Arts and Design ; Bet ha-nekhot ha-leʾumi Betsalel ; Kunst ; Ausstellung
    Abstract: Vilna - Warsaw - Paris Boris Schatz and Antokolsky A Cultural Hero in Sofia Memories of the Shtetl The Way to Palestine A Temple in the Wilderness: Bezalel in Jerusalem Dark Times The Bezalel Style New Winds in Palestine Epilogue The Balfour Declaration
    Abstract: Visionary and man of action, the Russian-born Jewish sculptor Boris Schatz (1867-1932) was responsible for the realization of the early Zionist movement's most ambitious cultural project: in 1906 he founded the Bezalel School of Arts and Crafts in Jerusalem, today the Bezalel Academy of Art and Design, and laid the basis for the Bezalel National Museum, the forerunner of the Israel Museum. The exhibition, which inaugurates the celebration of Bezalel's Centenary, presents paintings and sculptures by Schatz: works he created while serving as court artist to the Prince of Bulgaria at the turn of the century, on display in Israel for the first time; depictions of scriptural heroes and of contemporary Jewish life; and portraits of prominent figures. It also highlights some of the most important works created in the Bezalel workshops during Schatz's time. A retrospective exhibition of the work of Boris's son, the painter, sculptor, and graphic designer Bezalel Schatz, who made a seminal contribution to the decorative arts in Israel, will open at the Jerusalem Artists' House on January 28, 2006.
    Note: Summary in English
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  • 4
    Article
    Article
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    In:  Ariel : the Israel review of arts and letters (1988), Heft 73, Seite 51 - 62
    Language: English
    Year of publication: 1988
    Titel der Quelle: Ariel : the Israel review of arts and letters
    Publ. der Quelle: Jerusalem
    Angaben zur Quelle: (1988), Heft 73, Seite 51 - 62
    Keywords: Israel ; Kunst
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  • 5
    Book
    Book
    Farnham ; London : Lund Humphries Publishers
    ISBN: 9781848221277
    Language: English
    Pages: XIII, 498 Seiten , Illustrationen
    Year of publication: 2013
    Keywords: Israel ; Kunst
    Abstract: A Century of Israeli Art presents the story of modern Israel's visual culture, beginning with the pre-state years of Zionist art in the early 20th century and extending to the present day, as a new generation of Israeli artists rises to international prominence in the 21st century. Framing artistic developments in the context of successive periods, author Yigal Zalmona describes the many ways in which Israel's art has been influenced by its social and political history. This look at the wider picture goes hand-in-hand with detailed, enlightening analyses of seminal artworks from every period. Zalmona surveys the early days of the Bezalel School, founded in 1906 in the spirit of the Arts and Crafts movement; Land-of-Israel art during an era of nation-building; the pre-eminence of international modernism and Lyrical Abstraction after 1948; social-activist and conceptual art in the 1970s; and the recent embrace of photography and video. Throughout its evolution, Israeli art has reflected a complex cultural discourse revolving around questions of identity - Western versus Eastern, local versus universal, national and ethnic, collective and personal. Drawing on the author's decades of accumulated knowledge and activity in the field of Israeli art - as historian, critic, teacher, and curator - and aimed at a broad audience, this book will be fascinating reading for art-lovers and for all those with an interest in Israel's cultural history, offering a compelling example of the interaction between visual art and a dynamic, multifaceted society.
    Note: Buchpräsentation im JMB
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