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  • 1
    Language: English
    Year of publication: 2020
    Titel der Quelle: S: I. M. O. N.
    Angaben zur Quelle: 7,1 (2020) 26-44
    Keywords: Mauthausen (Concentration camp) ; Holocaust, Jewish (1939-1945) Commemoration ; Collective memory ; Music History and criticism
    Abstract: This article reconstructs the role of heroisation in the context of coming to terms with the Holocaust. It does so by looking at verbal discourse and music in the context of Holocaust remembrance in the years around the turn of the millennium. It focusses on two compositions that were premiered during the annual liberation celebrations at the Mauthausen concentration camp memorial site: Helmut Rogl’s Memento (1995) and Helmut Schmidinger’s Drei Momente – über Motive aus dem Lied ‘Die Moorsoldaten’ (2005). The focus on musical works results from the fact that music – sound events, texts set to music, explanations in programme notes, and its performance contexts – is well suited for researching heroic ideas. This is so because, since the Baroque period, music has served as ‘accompaniment’ for events with a heroic character, and listeners ascribe a ‘heroic expression’ to some musical styles. On this basis, the article shows that heroic thinking has always played a complex role in the Holocaust, ranging from auto-psychotherapy to the formation of moral identity to the propaganda of political ideologies, albeit the latter is to be distinguished from the actual confrontation with the murder of the European Jews.
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  • 2
    Article
    Article
    In:  S: I. M. O. N. 1 (2017) 109-120
    Language: English
    Year of publication: 2017
    Titel der Quelle: S: I. M. O. N.
    Angaben zur Quelle: 1 (2017) 109-120
    Keywords: Holocaust, Jewish (1939-1945) Commemoration ; Collective memory
    Abstract: From the perspective of the past two (almost three) years, it seems that the significant anniversary of 2014 went down in the annals of history as a remarkable fiasco of Hungarian memory politics. Controversial Monument, Divided Hungarians, Angered Jewish Community- these newspaper headlines are still fresh in our minds. Over the course of the year, the Hungarian Holocaust Memorial Year turned to become somewhat infamous, and scandal followed upon scandal not only in domestic media but also in foreign newspapers. However, everything had started off well in the beginning. This essay will first briefly introduce the broader context of this fiasco, discussing the main differences between Eastern and Western European memory politics before and after 1989. It will then distinguish some milestones of the Hungarian ambiguity and delay in coping with the European tendencies in Holocaust remembrance. After that, it will turn to its central subject, analysing the main events of the Hungarian Holocaust Memorial Year 2014. Toward the end, the essay will map the different initiatives between the coordinates of memory politics and show some unintended consequences of the unsuccessful governmental intentions.
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  • 3
    Language: English
    Year of publication: 2023
    Titel der Quelle: S: I. M. O. N.
    Angaben zur Quelle: 10,2 (2023) 111-132
    Keywords: Kadar, Janos, ; Magyar Auschwitz Alapitvany ; Holokauszt Emlekkozpont (Budapest, Hungary) ; Holocaust, Jewish (1939-1945) Commemoration ; Holocaust, Jewish (1939-1945) Archival resources ; Holocaust, Jewish (1939-1945) Historiography ; Hungary Politics and government 1945-1989
    Abstract: The ambivalent attitude of socialist memory politics towards the Holocaust during János Kádár’s regime (1956–1989) is reflected in the history of personal collections. Although museums did collect Holocaust memorabilia, this was not encouraged or publicised. Because of such delayed and restrained collection, the objects relating to persecution are mostly to be found in family homes. Since the end of socialism did not change this attitude, the contemporary memorial landscape of the Holocaust covers not only the institutions dedicated to the history of persecution but also the (second- and third-generation) survivors’ homes. On the other hand, the public collection of the victims’ documents – albeit in an incomplete, unprofessional, and politically motivated manner – had already been established during the Kádár era, and within the framework of a non-Jewish, party organisation. In this paper, we will attempt to describe the activity of the Committee for Persons Persecuted by the Nazis (Nácizmus Üldözötteinek Bizottsága, NÜB), the first organisation to specifically collect Holocaust memorabilia. Through examples, we will show the extent to which privately owned personal material traces contributed to the building of public collections in the post-communist period. The study particularly focusses on the collecting strategies and practices of the post-1990 Hungarian Auschwitz Foundation (Magyar Auschwitz Alapítvány) and the state-run Holocaust Memorial Center (Holokauszt Emlékközpont, HE), thus completing the institutionalisation process of Holocaust-related materials. We argue that the post-war era’s memory politics and memory processes, mainly in the 1960s and 1980s, influenced both the biography of the objects and the histories of the world around them. Therefore, through the stories of the objects, we can better understand the relationship between institutional and personal memory. We seek to answer the question of what happened to the tangible heritage of the Holocaust during the Kádár era and how the survivors related to their preserved objects in the 2010s.
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  • 4
    Language: English
    Year of publication: 2016
    Titel der Quelle: S: I. M. O. N.
    Angaben zur Quelle: 1 (2016) 35-52
    Keywords: Jews Correspondence ; Holocaust, Jewish (1939-1945) Commemoration ; Jewish ghettos
    Abstract: After examining thousands of letters written between 1940 and 1944 by Polish Jews in ghettos on the verge of starvation, the author approached a visual artist to assist with processing the emotional aspect of the letters. The goal was to reflect the voices of their senders and addressees. Between October 2008 and spring 2010, two sample letters, reproduced from originals in the archive, were sent together with an explanatory letter to 3,000 randomly selected Varsovians. The Hunger Letters Project, the "letter in a bottle", had repercussions that exceeded all expectations. Finally, the specific understanding of this public intervention is elaborated upon in the context of its ethnographic results.
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  • 5
    Article
    Article
    In:  S: I. M. O. N. 1 (2014) 13 pp.
    Language: German
    Year of publication: 2014
    Titel der Quelle: S: I. M. O. N.
    Angaben zur Quelle: 1 (2014) 13 pp.
    Keywords: Holocaust, Jewish (1939-1945) Influence ; Holocaust, Jewish (1939-1945) Commemoration ; Collective memory
    Abstract: Holocaust and Genocide Studies emerged as a new discipline during the 1990s, particularly so in the Anglo-Saxon world. This development also established a new culture of remembrance and treatment of the collective past and public apologies for historical crimes. Since then, several countries have institutionalized Holocaust memorial days and similar institutions in a range of formats, several governments have apologized for historical injustices in various manners. Yet, there remains the question of a precise definition of a genocide – and in what way the term is connected to the Holocaust, the murder of the European Jews. How are these two related? What is the social function of such official or semi-official remembrances, and what is their role in society? In his lecture, Dirk Moses endeavoured to clarify whether the insights gained from the history of the Holocaust and other genocides in general – namely, the imperative of ‚tolerance‘ – really does provide an adequate answer to this challenge.
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