feed icon rss

Ihre E-Mail wurde erfolgreich gesendet. Bitte prüfen Sie Ihren Maileingang.

Leider ist ein Fehler beim E-Mail-Versand aufgetreten. Bitte versuchen Sie es erneut.

Vorgang fortführen?

Exportieren
  • 1
    Artikel
    Artikel
    In:  Imagined Israel(s) (2023) 79-94
    Sprache: Englisch
    Erscheinungsjahr: 2023
    Titel der Quelle: Imagined Israel(s)
    Angaben zur Quelle: (2023) 79-94
    Schlagwort(e): Theater History 21st century ; American drama History and criticism ; Jews, American Attitudes toward Israel ; Holocaust, Jewish (1939-1945), in literature ; Arab-Israeli conflict Literature and the conflict ; Israel In literature
    Kurzfassung: Many liberal Jewish Americans wrestle with their apparently competing value systems; without the personal experience of the Holocaust, many do not identify with the need for Israel as a refuge. This “new” Jewish American, according to Andrea Most, has adopted a liberal Protestant ethos and loosened communal bonds that tied them together with other Jews. Many young, liberal American Jews, with incomplete knowledge of the history or politics of Israel and an identity filtered through progressive American ideals, are becoming disenchanted with the Jewish state. This chapter examines contemporary plays performed on American stages and how they shape and reshape Jewish Americans’ relationships with Israel. The plays are explored through their substance and the dialogue that emerges through their performance. There is a particular focus on generational divides in attachment to Israel, such as between a father who witnessed the horrors of Dachau and a son who asserts that the Holocaust is marketed and exploited to garner support for Israel in If I Forget. It then examines how the “theater of the real” influences reality, in the case of My Name Is Rachel Corrie, and sparks significant media controversy. The controversy generated by Seven Jewish Children includes damning reviews and two complementary plays in dialogue, Seven Palestinian Children and The 8th Jewish Child. Three of the plays discussed in this chapter had canceled performances, which caused a backlash against censorship. Finally, this chapter examines how the guilt and shame of Israeli Jews are portrayed and how they deal with questions of obligation and moral perplexity.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Sprache: Englisch
    Erscheinungsjahr: 2023
    Titel der Quelle: Imagined Israel(s)
    Angaben zur Quelle: (2023) 161-175
    Schlagwort(e): Rechter, Zeev, ; Weinstein, Gal, Criticism and interpretation ; Biennale di Venezia. ; Architecture, Israeli ; Art, Israeli ; Nation-building
    Kurzfassung: In 1946, two years prior to the founding of Israel, an initial query about the construction of an Israeli Pavilion was submitted to the mayor of Venice. Five years later, Zeev Rechter was appointed as the architect for the Biennale project. Built in a style characterizing pre-state construction in Israel and completed in 1952, the Pavilion and its architecture played an important symbolic role in the construction of national identity at a time when the “newly founded Israeli state faced the challenge of uniting its heterogeneous population into a national community.” The Pavilion was to represent Israel on an international platform, and Rechter’s modernist design reflected the state’s longing to promote the country as part of the West. Over the years, several artists representing Israel at the Venice Biennale have transformed the Pavilion through architectural interventions. Most recently, Gal Weinstein visibly “aged” the Pavilion by growing layers of mold on the walls and floors of the space in his 2017 exhibition Sun Stand Still. This chapter takes the exhibition as a case study, examining how Weinstein uses materiality and installations disrupting the modernist architecture and functionalist aesthetic of the Pavilion as a means of critiquing how the nation forged its image on a global stage while simultaneously reflecting on the current state of the country. The centerpiece of the exhibition—an installation of molding growths spread throughout the building that actively age and decay the interior of the structure—serves as an allegory for the nation, Weinstein’s manipulation of the interior of the Pavilion functioning as a metaphorical critique of the state.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
Schließen ⊗
Diese Webseite nutzt Cookies und das Analyse-Tool Matomo. Weitere Informationen finden Sie hier...