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  • Online Resource  (3)
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  • 1
    Language: English
    Pages: Getr. Zählung
    Edition: [Repr. der Ausgaben 1904 und 1886]
    Edition: Frankfurt am Main Univ.-Bibliothek 2014 Online-Ressource [Online-Ausg.]
    Year of publication: 1969
    DDC: 296.09
    RVK:
    RVK:
    RVK:
    Keywords: Jew's College ; Hebräisch ; Handschrift ; Katalog
    Note: Enth.: Descriptive catalogue of the Hebrew mss. of the Montefiore Library / comp. by Hartwig Hirschfeld. Catalogue of the Hebrew manuscripts in the Jews' College, London / comp. by Ad. Neubauer , Online-Ausg.: , Text teilw. hebr.
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  • 2
    Online Resource
    Online Resource
    Stanford, CA : Stanford University Press
    ISBN: 9781503628281
    Language: English
    Pages: 1 Online-Ressource (272 p.)
    Year of publication: 2021
    Series Statement: Stanford Studies in Jewish History and C
    Parallel Title: Erscheint auch als
    DDC: 700/.4145
    Keywords: Jewish aesthetics 20th century ; Jewish art Themes, motives 20th century ; Jewish arts 20th century ; Jewish literature Themes, motives 20th century ; Primitivism in art History 20th century ; Primitivism in literature History 20th century ; LITERARY CRITICISM / Jewish ; Franz Kafka ; German-Jewish literature ; Jewish culture ; Jewish identity ; S. An-sky ; Y. L. Peretz ; Yiddish literature ; ethnography ; folklore ; photography ; primitivism
    Abstract: Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism, Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized
    Note: Frontmatter , CONTENTS , ILLUSTRATIONS , ACKNOWLEDGMENTS , Introduction , Chapter 1 THE BEGINNINGS OF JEWISH PRIMITIVISM Folklorism and Peretz , Chapter 2 THE PLAUSIBILITY OF JEWISH PRIMITIVISM Fictions and Travels in An- sky, Döblin, and Roth , Chapter 3 THE POSSIBILITY OF JEWISH PRIMITIVISM Kafka’s Self and Kafka’s Other , Chapter 4 THE POLITICS OF JEWISH PRIMITIVISM Else Lasker- Schüler and Uri Zvi Grinberg , Chapter 5 THE AESTHETICS OF JEWISH PRIMITIVISM I Der Nister’s Literary Abstraction , Chapter 6 THE AESTHETICS OF JEWISH PRIMITIVISM II Moyshe Vorobeichic’s Avant- Garde Photography , Conclusion THE END OF JEWISH PRIMITIVISM , NOTES , BIBLIOGRAPHY , INDEX , In English
    URL: Cover
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  • 3
    Online Resource
    Online Resource
    London [England] : AVA Academia | London [England] : Bloomsbury Publishing
    ISBN: 9781350172326 , 1350172278
    Language: English
    Pages: 1 Online-Ressource (272 pages) , illustrations
    Edition: First edition
    Edition: Also published in print
    Year of publication: 2021
    Parallel Title: Erscheint auch als
    DDC: 720.943
    Keywords: Architecture and society History 20th century ; Modern movement (Architecture) ; Jewish architects ; Jewish artists ; Art & design styles: Modernist design & Bauhaus ; Electronic books
    Abstract: Acknowledgements -- List of Figures -- Contributors -- Introduction: Jews and Cultural Identity in Central European Modernism, Elana Shapira (University of Applied Arts Vienna, Austria) -- Part I: Designing Their Homes in Central Europe -- 1. The 'Bauhaus Shtetl': Opposing Conservatism in New Leopold Town in Budapest, Rudolf Klein (Óbuda University, Hungary) -- 2. Shaping Modern Bratislava: The Role of Architect Friedrich Weinwurm and his Jewish Clients in Designing the Slovak Capital, Henrieta Moravciková (Slovak University of Technology in Bratislava, Slovakia) -- 3. Adolf Sommerfeld Co-Producing Modern Architecture and Urban Design in Berlin, Celina Kress (Technical University of Berlin, Germany) -- 4. Entangled Histories: The Contribution of Jewish Architects to Modernism in Croatia, Jasna Galjer (University of Zagreb, Croatia) -- 5. An International Style Synagogue in Brno: Otto Eisler's Synagogue Agudas Achim (1936), Zuzana Güllendi-Cimprichová (University of Bamberg, Germany) -- 6. Identity and Gender as Obstacles? A Comparison of Two Biographies of Jewish Architects from Krakow, Kamila Twardowska (Jagiellonian University in Krakow, Poland) -- Part II: Outsiders/Insiders - Cultural Authorship and Strategies of Inclusion -- 7. Lajos Kozma, 'Judapest,' and Central European Modernism, Juliet Kinchin (Independent Design Historian, Scotland) -- 8. Refuge and Respite: Oskar Wlach, Max Eisler, and the Culture of the Modern Jewish Interior, Christopher Long (University of Texas at Austin, USA) -- 9. The Art and Design of Anna Lesznai: Adaptation and Transformation, Rebecca Houze (Northern Illinois University, USA) -- 10. The Art of Survival: Friedl Dicker-Brandeis and Children's Art at the Theresienstadt Ghetto, Megan Brandow-Faller (City University of New York, Kingsborough, USA) -- Part III: Survival Through Design - Projecting Transformative Designs onto the Future -- 11. Flights of Fancy: Willy de Majo and the Youthful Foundations of a Lifelong Design Practice, Lesley Whitworth (University of Brighton, UK) -- 12. Sustaining Independence: Marie Frommer's Networks and Architectural Practices in Berlin and in New York, Tanja Poppelreuter (University of Salford, UK) -- 13. 'Memory's instruments and its very medium': the Archival Practices of Émigr ̌Designers, Sue Breakell (University of Brighton, UK) -- 14. Climate, Health, and Nation Building: German-Speaking Immigrants and the Origins of Israeli Bioclimatic Building Design, Or Aleksandrowicz (Technion - Israel Institute of Technology, Haifa) -- Bibliography -- Index.
    Abstract: "Jewish designers and architects played a key role in shaping the interwar architecture of Central Europe, and in the respective countries where they settled following the Nazi's rise to power. This book explores how Jewish architects and patrons influenced and reformed the design of towns and cities through commercial buildings, urban landscaping and other material culture. It also examines how modern identities evolved in the context of migration, commercial and professional networks, and in relation to the conflict between nationalist ideologies and international aspirations in Central Europe and beyond. Pointing to the production within cultural platforms shared by Jews and Christians, the book's research sheds new light on the importance of integrating Jews into Central European design and aesthetic history. Leading historians, curators, archivists and architects present their critical analyses further to 'design' the past and push forward a transformation in the historical consciousness of Central Europe. By reconsidering the seminal role of Central European m̌igr ̌and exiled architects and designers in shaping today's global design cultures, this book further strengthens humanistic, progressive and pluralistic cultural trends in Europe today."--
    Note: Includes bibliographical references and index , Also published in print. , Mode of access: World Wide Web.
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