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  • 1
    Buch
    Buch
    Evanston, Illinois : Northwestern University Press
    ISBN: 9780810132825 , 9780810132832 , 9780810132849
    Sprache: Englisch
    Seiten: VII, 284 Seiten
    Erscheinungsjahr: 2016
    Serie: Cultural expressions of World War II
    Serie: Jewish Studies/Film Studies
    DDC: 791.436529924041
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Gesellschaft ; Jews in motion pictures ; Jews on television ; Jews in popular culture ; Motion pictures, British Social aspects ; Television programs Social aspects ; Großbritannien ; Aufsatzsammlung ; Großbritannien ; Film ; Fernsehsendung ; Juden ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    London [England] : Bloomsbury Academic USA | London [England] : Bloomsbury Publishing
    ISBN: 9781501343643 , 9781501373954 , 1501343645 , 1501343629 , 9781501343629 , 9781501343650 , 1501343653
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Ausgabe: First edition
    Ausgabe: Also published in print
    Erscheinungsjahr: 2021
    Paralleltitel: Erscheint auch als
    DDC: 791.4302/33092
    Schlagwort(e): Kubrick, Stanley Criticism and interpretation ; Motion picture producers and directors ; Motion pictures History ; Individual film directors, film-makers ; Electronic books
    Kurzfassung: Part one: Industry introduction. Chapter 1. Kubrick and production / James Fenwick (Sheffield Hallam University, UK) ; Chapter 2. Kubrick and authorship / Rod Munday (Aberystwyth University, UK) ; Chapter 3. Kubrick and adaptation / Graham Allen (University College Cork, Ireland) ; Chapter 4. Kubrick and collaboration / Manca Perko (University of East Anglia, UK) ; Chapter 5. Kubrick and Britain / Matthew Melia (Kingston University, UK) ; Chapter 6. Kubrick and translation / Serenella Zanotti (Roma Tre University, Italy) ; Chapter 7. Kubrick and the critics / Gregory Frame (Bangor University, UK) -- Part two: Sound and image. Introduction ; Chapter 8. Kubrick and photography / Philippe Mather (University of Regina, Canada) ; Chapter 9. Kubrick and framing / Robert P. Kolker (University of Maryland, USA) ; Chapter 10. Kubrick and formalism / Rodney F. Hill (Hofstra University, USA) ; Chapter 11. Kubrick and acting / Ernesto R. Acevedo-Muǫz (University of Colorado in Boulder, USA) ; Chapter 12. Kubrick and art / Dijana Metlic (University of Novi Sad, Serbia) ; Chapter 13. Kubrick and composing / Kate McQuiston (University of Hawai'i at Manoa, USA) ; Chapter 14. Kubrick and music / Christine Lee Gengaro (Los Angeles City College, USA) -- Part three. Gender and identity. Introduction ; Chapter 15. Kubrick and feminism / Karen A. Ritzenhoff (Central Connecticut State University, USA) ; Chapter 16. Kubrick, gender, and sexuality / Mick Broderick (Murdoch University, Australia) ; Chapter 17. Kubrick, marriage, and family / Joy McEntee (University of Adelaide, Australia) ; Chapter 18. Kubrick and Jewishness / Marat Grinberg (Reed College, USA) ; Chapter 19. Kubrick and the Holocaust / Geoffrey Cocks (Albion College, USA) -- Part four. Thematic approaches. Introduction ; Chapter 20. Kubrick, optimism, and pessimism / Dominic Lash (King's College London, UK) ; Chapter 21. Kubrick and philosophy / Jerold J. Abrams (Creighton University, USA) ; Chapter 22. Kubrick and time / Elisa Pezzotta (University of Bergamo, Italy) ; Chapter 23. Kubrick and madness / Lawrence Ratna (Barnet Enfield and Haringey Mental Health Trust, UK) ; Chapter 24. Kubrick and psychoanalysis / Nathan Abrams (Bangor University, UK) and I.Q. Hunter (De Montfort University, UK) ; Chapter 25. Kubrick and childhood / Nathan Abrams (Bangor University, UK) ; Chapter 26. Kubrick and genre / Jeremi Szaniawski (University of Massachusetts, Amherst, USA) -- Part five. Researching Kubrick. Introduction ; Chapter 27. Kubrick and the archive / Georgina Orgill and Richard Daniels (University of the Arts London, UK) ; Chapter 28. Kubrick's research and reading / Catriona McAvoy (University of the Arts London, UK) ; Chapter 29. Kubrick and the unmade / Peter Krm̃er (De Montfort University, UK) and Filippo Ulivieri (screenwriter, Italy).
    Kurzfassung: "Stanley Kubrick is one of the most revered directors in cinema history. His 13 films, including classics such as Paths of Glory, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining , attracted controversy, acclaim, a devoted cult following, and enormous critical interest. With this comprehensive guide to the key contexts - industrial and cultural, as well as aesthetic and critical - the themes of Kubrick's films sum up the current vibrant state of Kubrick studies. Bringing together an international team of leading scholars and emergent voices, this Companion provides comprehensive coverage of Stanley Kubrick's contribution to cinema. After a substantial introduction outlining Kubrick's life and career and the film's production and reception contexts, the volume consists of 39 contributions on key themes that both summarise previous work and offer new, often archive-based, state-of-the-art research. In addition, it is specifically tailored to the needs of students wanting an authoritative, accessible overview of academic work on Kubrick."--
    Anmerkung: Includes bibliographical references and index , Also published in print. , Mode of access: World Wide Web.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    London [England] : I.B. Tauris & Co. Ltd | [London, England] : Bloomsbury Publishing
    ISBN: 0857720910 , 1848855753 , 1848855745 , 9780857720917 , 9781848855748 , 9781848855755 , 9780755698318 , 9780857720917
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 258 pages) , illustrations
    Ausgabe: First edition
    Ausgabe: Also available in print
    Erscheinungsjahr: 2019
    Paralleltitel: Erscheint auch als Abrams, Nathan New Jew in film
    DDC: 791.4368296
    Schlagwort(e): Jews in motion pictures ; Films, cinema ; Electronic books
    Kurzfassung: Introduction -- The Jew -- The Jewess -- Sex -- Passivity -- Agency -- Religion -- Food -- Bathrooms -- Conclusion.
    Kurzfassung: With a new generation of Jewish filmmakers, writers and actors at work, the cinematic depictions of Jews, Jewishness and Judaism are changing. Grounded in a study of over 300 films, this book explores the issues surrounding masculinity, femininity, passivity, agency and religion
    Anmerkung: Includes bibliographical references (pages 219-236) and index -- Includes filmography (pages 237-245) , Also available in print. , Mode of access: World Wide Web.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    New Brunswick : Rutgers University Press
    ISBN: 9780813587103 , 9780813587110
    Sprache: Englisch
    Seiten: vii, 328 Seiten , Illustrationen , 24 cm
    Erscheinungsjahr: 2018
    DDC: 791.430233092
    RVK:
    Schlagwort(e): Kubrick, Stanley Kubrick, Stanley ; Kubrick, Stanley ; Motion picture producers and directors Biography ; United States ; Motion picture producers and directors United States ; Motion picture producers and directors Biography ; Motion picture producers and directors ; Motion picture producers and directors ; Kubrick, Stanley ; Kubrick, Stanley ; United States ; Biographies ; Biography ; Biografie ; Biographie ; Kubrick, Stanley 1928-1999 ; Kubrick, Stanley 1928-1999
    Kurzfassung: "Stanley Kubrick: New York Jewish Intellectual locates Kubrick in the intellectual milieu of New York, considering how his origins and ethnicity impacted his work. Although Kubrick was not defined as a New York Intellectual, a member of that group of self-defined American writers and literary critics based in New York City in the mid-twentieth century, he was still a part of their company. There were many similarities between Kubrick and the Jewish New York Intellectuals: Kubrick's films engaged with the same dilemmas and explored the same paradoxes as they did. In many ways his lifelong commitments mirrored theirs, and he took part in many of the same debates through his work, reflecting the concerns of the post-Holocaust world. Stanley Kubrick argues that in his films, Kubrick manifested a New York Jewish sensibility. Although Kubrick said very little about his religion or ethnicity, its impact is apparent in his films where the Holocaust is approached obliquely. His films were clearly involved in the search for meaning, much of which can be attributed to a Jewish upbringing that influenced him, consciously or otherwise. Thus his films did engage with Jewish texts and his secular identity was much more complex than the labels of atheism and agnosticism suggest. Kubrick demonstrated a commitment to the dynamics of ethics and ethnicity that also informed his craft, like working with identifiably Jewish actors and actresses"--
    Anmerkung: Formerly CIP. - Includes bibliographical references and index , Looking to killing , The macho mensch , Kubrick's double , Banality and the bomb , Kubrick and Kabbalah , A mechanical mensch , A spatial odyssey , Interpretation of dreams , Men as meat , Kubrick's Coda
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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