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  • 1
    Language: English
    Year of publication: 2022
    Titel der Quelle: Vetus Testamentum
    Angaben zur Quelle: 72,4-5 (2022) 769-820
    Keywords: Samson ; Bible. Criticism, interpretation, etc. ; Lions in the Bible ; Lions in art ; Art, Middle Eastern Antiquities
    Abstract: This essay addresses the composition of Samson’s lion encounter (Judg 14:5–6) in two parts. First, the narrative of the lion encounter is considered in its literary context (Judg 14:5–6), with particular attention to three difficulties or ambiguities in the narrative arrangement: the presence/absence of the parents, verbal repetition, and the meaning of the חידה. The incongruity of these details indicates redactional seams that, as the present essay argues, might be explained with reference to a Persian period compositional setting of Judg 14:3–6. Second, as supporting evidence for this hypothesis, the essay contextualizes Samson’s lion encounter with reference to Persian period leonine iconography. Two major iconographic motifs are considered—the “heroic encounter” and Herakles depictions—both in their broader settings (the ancient Near East and Greece respectively) and in specific Levantine examples. These artifacts serve to fill out Samson’s heroic characterization and to provide tantalizing material evidence for a possible Persian period setting of this episode in the Samson narrative.
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  • 2
    Language: English
    Year of publication: 2022
    Titel der Quelle: Vetus Testamentum
    Angaben zur Quelle: 72,2 (2022) 214-236
    Keywords: Samson ; Bible. Criticism, interpretation, etc. ; Holy Spirit Biblical teaching ; Anger Biblical teaching ; War in the Bible ; Leitmotif
    Abstract: In Judg 14–15, the source of Samson’s strength is not his uncut hair, but the רוח־יהוה. A Leitmotif of the biblical warrior tradition, the רוח־יהוה is a corporealized metaphor of fiery anger that envelops Samson and grants him great power. This motif was adapted from early biblical poetry, in which Yhwh’s wrath erupted as a fiery breath (רוח) against his cosmic foes. This study explores how the historical context of Judg 14–15 informs the use of this motif, comparing the רוח־יהוה with similar concepts of martial anger in Near Eastern and Greek warrior traditions. Like Mesopotamian melammu and Greek μηνις, the רוח־יהוה was part of a corporeal code that enabled ancient minds to think about the relations between mortals and divine beings in the context of battle.
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