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  • 1990-1994  (2)
  • Kaes, Anton  (1)
  • Lanzmann, Claude.  (1)
  • 1
    Article
    Article
    In:  History and Memory; Studies in Representation of the Past 2,1 (1990) 111-129
    Language: English
    Year of publication: 1990
    Titel der Quelle: History and Memory; Studies in Representation of the Past
    Angaben zur Quelle: 2,1 (1990) 111-129
    Keywords: Holocaust, Jewish (1939-1945), in motion pictures
    Abstract: States that films dealing with history represent a complex balance between two referents: one appealing to the historical knowledge or memory of the viewer, the other taking liberties with historical facts for the sake of inventive storytelling. Discusses the iconography of the Nazi era which has evolved, producing the same images time and again. Expresses the fear that distinctions between object and representation are breaking down - history is cut loose from experience and memory. Discusses the American TV film "Holocaust" as an example of "history made in Hollywood", but also gives three examples of alternative, more acceptable, ways of presenting history on film - Claude Lanzmann's "Shoah", Alexander Kluge's "Die Patriotin", and Hans Jürgen Syberberg's "Hitler".
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  • 2
    Language: English
    Year of publication: 1991
    Titel der Quelle: History and Memory; Studies in Representation of the Past
    Angaben zur Quelle: 3,1 (1991) 119-134
    Keywords: Lanzmann, Claude. ; Holocaust, Jewish (1939-1945), in motion pictures
    Abstract: Contends that forgotten memories may be retrieved through their representations in an aesthetic form. The film "Shoah" evokes the facticity of the Holocaust through a construct of that reality. Lanzmann follows Sartre's conception of trauma as an event (rather than Freud's understanding of it as an experience), and even goes a step further in rejecting the attempts to find a retrospective meaning for genocide. Trauma, in the case of the Holocaust, is a black box of extermination that divides time into before and after the event. Lanzmann stages a recurrence of experiences or situations where the authentic reactions of the participants (e.g. gestures) resurface rather than call on their conscious memory.
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