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  • 1
    Article
    Article
    In:  Journal of Jewish Identities 15,2 (2022) 181-200
    Language: English
    Year of publication: 2022
    Titel der Quelle: Journal of Jewish Identities
    Angaben zur Quelle: 15,2 (2022) 181-200
    Keywords: Irony in literature ; Hungarian literature Jewish authors 20th century ; History and criticism ; Suicide in literature ; Hungary Civilization 20th century
    Abstract: This article examines secular Hungarian Jewish writing about suicide in the first third of the twentieth century. In nineteenth- and twentieth-century Hungary, suicide was a culturally respected and prevalent societal occurrence. Hungarian Jewish writers created a countercultural narrative that criticized suicide through mockery, satire, and irony. I argue that in the diverse political climate of the period, Hungarian Jewish literature was in dialogue with Hungarian suicide culture and formed part of a careful negotiation of Jewish presence in Hungarian society. Both Hungarian suicide culture and the Jewish response to it were cultural trends unaffected by political upheavals. Literature allowed Jewish writers to explore their place in society and to engage with Hungarian culture via the diverse dynamics of mockery expressed in their stories of suicide. They chose satire, their modern literary specialty, as a safe way to articulate secular social criticism. It shielded them from both antisemitism and moralizing religious critiques. To this end, they engaged with their surroundings through narratives of death as a joke.
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  • 2
    Language: English
    Year of publication: 2023
    Titel der Quelle: Journal of Jewish Identities
    Angaben zur Quelle: 16,1-2 (2023) 125-147
    Keywords: Chabon, Michael. ; Zelitch, Simone. ; American fiction Jewish authors ; History and criticism ; Holocaust, Jewish (1939-1945) Influence ; Jews Identity ; Yiddish language in literature ; Alternative histories (Fiction) History and criticism
    Abstract: In this article, I explore negotiations of alternative Jewish identities as a response to the Holocaust in two alternative histories by the Jewish American writers Michael Chabon and Simone Zelitch. Both engage in very different ways with the destruction of a physical Yiddishland in central and eastern Europe and explore notions of Jewish guilt and the projection of Jewish identities into the future. In The Yiddish Policemen’s Union (2007), Chabon explores the imaginary persistence of Yiddish language and culture in a Yiddishland that, after a mitigated Holocaust, has been transferred to Alaska. The Yiddishland in Zelitch’s Judenstaat (2016) is divested of its Yiddishness. Jewish statehood after the Holocaust is conceived in her novel in retributive guilt and relies upon a potent imaginary of Jewish Germanness which, extends to culture, language, and territory in an illusory continuation of a mythical Ashkenaz and eventually ends in the dissolution of Jewish sovereignty.
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