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  • 1
    Book
    Book
    New York : Abbeville Press
    ISBN: 0789210541 , 0789210568 , 9780789210548 , 9780789210562
    Language: English
    Pages: 211 S. , zahlr. Ill., Kt. , 29 cm
    Edition: 1st Abbeville Press ed.
    Year of publication: 2010
    Uniform Title: Humanisme et expressionnisme. 〈engl.〉
    DDC: 704.9/42
    Keywords: Human beings in art Exhibitions ; Judaism and art Exhibitions ; Jewish art Exhibitions ; Art, Modern Exhibitions 20th century
    Description / Table of Contents: The Jewish experience -- The human figure before the Enlightenment -- Human expressionisms in the early twentieth century -- The human figure after the Holocaust.
    Note: Translation and revision of: Humanisme et expressionnisme : la représentation de la figure humaine et l'expérience juive, published in France in 2008, accompanying the exhibition Human Expressionism at the Musée Tavet-Delacour in Pontoise , Includes bibliographical references and indexes
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  • 2
    ISBN: 9782757201534
    Language: French
    Pages: 191 S. , zahlr. Ill.
    Year of publication: 2008
    Keywords: Ausstellungskatalog 2008 ; Kunst ; Mensch ; Geschichte 1910-2000 ; Kunst ; Juden ; Geschichte 1910-2000 ; Kunst ; Judentum ; Geschichte 1910-2000
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  • 3
    ISBN: 9782757201701
    Language: English
    Pages: 191 S. , zahlr. Ill. , 28 cm
    Year of publication: 2008
    RVK:
    Keywords: Ausstellungskatalog 2008 ; Judentum ; Mensch ; Malerei
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  • 4
    Book
    Book
    New York [u.a.] : Abbeville Press Publishers
    ISBN: 9780789210548 , 9780789210562
    Language: English
    Pages: 211 Seiten , Illustrationen, Karte
    Edition: 1. edition
    Year of publication: 2010
    Keywords: Bildnis ; Kunst ; Juden
    Abstract: In the twentieth century, the avant-garde movements promoted abstraction and formal experimentation in the visual arts, often dispensing with the human form altogether. Yet many artists of Jewish descent resisted this trend and continued to depict the human figure with sympathy and understanding. Few of them portrayed overtly Jewish themes, but̶as Eliane Strosberg argues in this thought-provoking volume̶their persistent devotion to the human figure was itself a reflection of their Jewishness. Though their individual styles were diverse, they all used the human figure as a means of communicating, in secular terms, aspects of their Jewish intellectual heritage, such as their humanistic values, passion for social justice, and opposition to the nihilism that underlay so much of modern culture. For this reason, their work may be said to constitute an ethical, if not an aesthetic, art movement, which Strosberg aptly dubs "Human Expressionism." Strosberg begins her highly readable text with an overview of Jewish tradition that illuminates the mindset of many Jewish artists. She also provides a concise history of Jewish art from Genesis to the Enlightenment, in which she demonstrates that figurative art has actually had a place in Judaism for thousands of years, despite the Second Commandment̷s prohibition of graven images. However, Strosberg devotes the greater part of her study to a comparative analysis of those artists who fall under the rubric of Human Expressionism. Though her scope is impressively broad, ranging from Camille Pissarro to George Segal, she pays particular attention to the immigrant painters of the École de Paris, like Soutine and Modigliani; the American social realists, like Ben Shahn and Raphael Soyer; and the masters of the postwar School of London, like Lucian Freud and R. B. Kitaj.
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