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    Article
    Article
    In:  Exemplaria; a Journal of Theory in Medieval and Renaissance Studies 12,2 (2000) 359-383
    Language: English
    Year of publication: 2000
    Titel der Quelle: Exemplaria; a Journal of Theory in Medieval and Renaissance Studies
    Angaben zur Quelle: 12,2 (2000) 359-383
    Keywords: Shakespeare, William, ; Antisemitism History 1500-1800 ; Antisemitism in literature
    Abstract: Examines the treatment of religion and gender in Shakespeare's play, considering in particular how these subjects provide insight into coded and cryptic subtexts of identity. Discusses Shylock as a scapegoat for the unresolved conflicts of his Christian oppressors, and focuses on the perceived danger posed by Jews and women. Shylock's daughter Jessica, a double threat, is disarmed as she converts to Christianity and, after once disguising herself as a male, submits to a Christian husband. At the end of the play, Shylock is ordered to convert, but it is not clear if he does so. In any case, a forced conversion would be problematic: the Jew would only be performing the role of a Christian. Thus, the ideological dilemma of distinguishing between Christian and Jewish identities is not solved. Ultimately, the authority of the ruling hierarchy is reaffirmed, but Christianity has failed to exhibit its self-proclaimed "mercy" and the victory of Venice's Christian society merely reinstates bigotry and brutality.
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