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  • Deutschland  (3)
  • Comedy films / Political aspects / Germany / History / 20th century  (2)
  • Antisemitism History 1800-2000  (1)
  • 1
    Book
    Book
    New York : Berghahn Books
    ISBN: 9781789208726 , 9781800739482 , 1789208726
    Language: English
    Pages: viii, 355 Seiten , Illustrationen , 24 cm
    Year of publication: 2021
    Series Statement: Film Europa Vol. 24
    Series Statement: Berghahn on film
    Parallel Title: Erscheint auch als
    DDC: 791.43094309042
    Keywords: Geschichte 1918-1933 ; Geschichte 1918-1933 ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Weimarer Republik ; Film ; Filmwirtschaft ; Juden ; Geschichte 1918-1933 ; Deutschland ; Weimarer Republik ; Film ; Juden ; Geschichte 1918-1933
    Abstract: Zusammenfassung: "The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness - as religion, ethnicity, social role, cultural code, or text - these studies offer a wide-ranging exploration of an often overlooked aspect of German film history"--(Provided by publisher.)
    Note: Enthält Literaturangaben
    URL: Rezension  (H-Soz-Kult)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253040718 , 9780253040701
    Language: English
    Pages: xi, 281 Seiten , Illustrationen
    Year of publication: 2019
    Parallel Title: Erscheint auch als
    DDC: 791.436529924
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1933-1945 ; Antisemitismus ; Filmkomödie ; Deutschland ; Comedy films / Germany / History / 20th century ; Comedy films / Social aspects / Germany / History / 20th century ; Comedy films / Political aspects / Germany / History / 20th century ; PERFORMING ARTS / Reference ; HISTORY / Holocaust ; Electronic books ; Electronic books ; Deutschland ; Filmkomödie ; Antisemitismus ; Geschichte 1933-1945
    Abstract: Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans," physically, economically, and artistically
    Note: Inhalt: Overt and inferential antisemitism in Nazi writings and the film trade press, Overt antisemitism, Jewish difference, and colonial whiteness in early Third Reich film comedy: Nur nicht weich werden, Susanne! and Die Blume von Hawaii, Comic Ersatz: Viktor und Viktoria and Glückskinder, Wenn wir alle Engel wären as the model of a racialized german humor, Capitalism, colonialism, and the white Jew in April! April" and Donogoo Tonka, Mistaken identity and the masked Jew in Robert und Bertram, Jewish absence, epistemic murk, and the aesthetics of cremation in Münchhausen and Die Feuerzangenbowle
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Language: English
    Year of publication: 2006
    Titel der Quelle: German Life and Letters
    Angaben zur Quelle: 59,1 (2006) 101-121
    Keywords: Lubitsch, Ernst, ; Lubitsch, Ernst, ; Antisemitism in motion pictures ; Antisemitism History 1800-2000
    Abstract: Discusses two of Lubitsch's early Berlin films that feature Jewish stereotypes. Claims that these works, and others in the series of "milieu comedies" ("Jewish" comedies set in the milieu of the Berlin garment industry), use stereotypes and humor in ways that not only copy negative stereotypes about Jews in World War I Germany but also criticize these stereotypes. Nevertheless, agrees in part with the view that, at various times and for some viewers, the stereotypes have been or can be perceived as antisemitic and/or self-hating.
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253040718 , 9780253040701
    Language: English
    Pages: ix, 281 Seiten
    Year of publication: 2019
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Keywords: Comedy films / Germany / History / 20th century ; Comedy films / Social aspects / Germany / History / 20th century ; Comedy films / Political aspects / Germany / History / 20th century ; PERFORMING ARTS / Reference ; HISTORY / Holocaust ; Electronic books ; Electronic books ; Nationalsozialismus ; Filmkomödie ; Deutschland ; Humor ; Geschichte 1933-1945
    Abstract: Today many Germans remain nostalgic about ""classic"" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate ""Jews"" from ""Germans,"" physically, economically, and artistically
    Note: Inhalt: Overt and inferential antisemitism in Nazi writings and the film trade press, Overt antisemitism, Jewish difference, and colonial whiteness in early Third Reich film comedy: Nur nicht weich werden, Susanne! and Die Blume von Hawaii, Comic Ersatz: Viktor und Viktoria and Glückskinder, Wenn wir alle Engel wären as the model of a racialized german humor, Capitalism, colonialism, and the white Jew in April! April" and Donogoo Tonka, Mistaken identity and the masked Jew in Robert und Bertram, Jewish absence, epistemic murk, and the aesthetics of cremation in Münchhausen and Die Feuerzangenbowle , Enthält Literaturverzeichnis auf Seite 255-273
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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