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  • Hamburg  (2)
  • 2015-2019  (2)
  • Cârstocea, Raul  (1)
  • Simon Wiesenthal Conference Partituren der Erinnerung. Der Holocaust in der Musik 2011 Wien  (1)
  • 1
    ISBN: 9783700320746 , 3700320744
    Language: German
    Pages: 464 Seiten , 22.5 cm x 15.5 cm
    Year of publication: 2019
    Series Statement: Beiträge des VWI zur Holocaustforschung Band 6
    Series Statement: Beiträge zur Holocaustforschung des Wiener Wiesenthal Instituts für Holocaust-Studien (VWI)
    DDC: 943
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    Keywords: Konferenzschrift 2015 ; Europa ; Kolonie ; Kolonialismus ; Antisemitismus ; Geschichte 1880-1945
    Abstract: Studies of modern antisemitism have focussed primarily on Germany, as both the country where the phenomenon is seen to have originated and where it reached its genocidal culmination in the Holocaust. This has obscured to a certain extent the multiplicity of forms antisemitism took in spaces considered ‘peripheral’ to the European ‘centre’. This volume, the outcome of the Simon Wiesenthal Conference 2015, seeks to nuance such narratives by bringing to the discussion views from the peripheries.The chapters cover a broad methodological, geographical and temporal scope, showing how a plurality of modern antisemitisms became prominent in Europe’s ‘peripheries’ – East and South, as well as in Europe’s colonies – reflecting both transfers and imports of concepts developed in the European ‘centre’ and specificities related to distinct developmental paths. They engage the entanglements of modern antisemitism, racism, and colonialism, to explore the ideological bonds and the transmission of these political ideas and practices. The volume thus zooms in on the multi-vector conceptual transfers that operatedbetween the centre and the peripheries, as well as on the impact of transnational contacts and social networks on antisemitic tropes and discourses.The unifying context is that of globalisation and of a modernisation the global feature of which was its unevenness. It was this unevenness, and the resulting co-existence, incomplete overlap, and constant tension between different developmental horizons that in turn accounted forthe variety of forms antisemitism took across space and time.
    Note: "This book is based on the presentations at the Simon Wiesenthal Conference that took place in November 2015." - Introduction (Seite 49) , Sprachfassungen: Deutsch, Englisch
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  • 2
    ISBN: 9783700319214
    Language: English
    Pages: 388 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Year of publication: 2015
    Series Statement: Beiträge zur Holocaustforschung des Wiener Wiesenthal Instituts für Holocaust-Studien (VWI) Band 1
    Series Statement: Beiträge zur Holocaustforschung des Wiener Wiesenthal Instituts für Holocaust-Studien (VWI)
    DDC: 780.9040943
    RVK:
    RVK:
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    Keywords: Geschichte 1945-2010 ; Musikpflege ; Rezeption ; Komposition ; Judenvernichtung ; Deutschland ; Holocaust ; Shoa in der Musik ; KZ in der Musik ; Konferenzschrift 04.10.2011-06.10.2011 ; Konferenzschrift 2011 ; Deutschland ; Judenvernichtung ; Rezeption ; Komposition ; Musikpflege ; Geschichte 1945-2010
    Note: Angaben in der Einleitung: "Gemeinsam mit dem Institut für Analyse, Theorie und Geschichte der Musik der Universität für Musik und darstellende Kunst Wien (mdv) veranstaltete das Wiener Wiesenthal Institut für Holocaust-Studien (VWI) vom 4. bis zum 6. Oktober 2001 seine erste Simon Wiesenthal Conference" , Beiträge teilweise deutsch, teilweise englisch
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