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  • 1
    Language: English
    Year of publication: 2023
    Titel der Quelle: European Journal of Jewish Studies
    Angaben zur Quelle: 17,2 (2023) 226-248
    Keywords: Perle, Yehoshue, ; Perle, Yehoshue, ; Yiddish fiction History and criticism ; Jews Cultural assimilation 20th century ; History ; Jews in literature ; Middle class in literature ; Masculinity in literature ; Poland Social life and customs 1918-1945
    Abstract: This article explores “Nayn a zeyger inderfri” and “Gelt,” two novellas by the Polish- Jewish Yiddish author Yoshue Perle. These novellas feature first-generation Jewish middle-class men who anxiously struggle to perform according to the bourgeois masculine standards that their new class positioning requires. The article argues that Perle creates a narrative where Jewish masculinities come into direct interaction with non-Jewish bourgeois masculinities. While debates about Jewish masculinity often take “Torah study” or “productivity” as primary examples for thinking through appropriate activities for Jewish men, I suggest that a bank or a factory office is also a site for the negotiation of what constitutes ideal, failed, or proper masculine behavior. The article proposes a more nuanced approach to the study of Jewish masculinities, which would not be limited to looking at the intersection of gender and ethnicity, but would include class as another major factor.
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  • 2
    Language: Polish
    Year of publication: 2020
    Titel der Quelle: Kwartalnik Historii Żydów
    Angaben zur Quelle: 273 (2020) 69-89
    Keywords: Hirschbein, Peretz, Criticism and interpretation ; Yiddish literature History and criticism ; Shtetls in literature ; Country life in literature
    Abstract: Article examines the process of producing a narrative about the countryside and agriculture in the texts of the Yiddish writer Peretz Hirschbein. Through an analysis of his childhood reminiscences, his Argentine travelogue, as well as his play Grine felder, it shows that the village topos is one of the central components of his output. The article demonstrates that Hirschbein sees the village as idyllic space, as opposed to the unfriendly shtetl. Hirschbein clearly distinguishes the village, the shtetl and the town, assigning different meanings and roles to each of these Jewish spaces. In his epic writings and his plays the writer uses autobiographic elements and poses as a person molded by the rural environment. Hirschbein’s countryside is woven into Jewish modernization movements, including the plans for the Jews’ return to farming. In this way, the village does not look as a bastion of oppressive tradition (which the shtetl is), but as space with transformation potential.
    Note: With an English summary.
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