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  • 2005-2009  (18)
  • 1930-1934
  • Waltham, Mass. : National Center for Jewish Film  (18)
Region
Material
Language
Years
Year
  • 1
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: English
    Pages: 18 Min. , NTSC , s/w
    Year of publication: 2006
    Keywords: Sowjetunion ; Propagandafilm
    Abstract: This short propaganda film (or agitka) tells the tale of a Jew who survives a pogrom and becomes a leader in the Red Army. Intended to indoctrinate Soviet citizens by showing heroic examples of conversion to the Revolutionary cause, the agitka ('agitation pieces') were originally screened on Russian 'film trains.' A rare portrait of a Jewish character in early Russian cinema.
    Note: Orig.: UdSSR, 1919. - Engl. Zwischentitel
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  • 2
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Pages: 50 Min. , s/w
    Year of publication: 2008
    Keywords: Palästina ; Siedlung ; Kibbuz ; Chaluz ; Dokumentarfilm
    Abstract: This landmark documentary celebrates the pioneering labors of early Jewish settlers in Palestine. With striking visual compositions and a remarkable soundtrack by the Budapest Symphony Orchestra, the film records the technological and agricultural accomplishments of the pioneers and extols the idea of a socialist Jewish state. Footage includes shots taken at the Jaffa port, in Tel Aviv, and on various kibbutzim of the time; Strasbourg-born director Lerski's expressive style creates an almost mythic image of the Jew in Palestine, toiling and triumphing amidst the sweeping desert landscape.
    Note: Orig.: Israel, 1935. - Engl. Untertitel
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  • 3
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: English
    Pages: 66 Min. , NTSC , s/w
    Year of publication: 2008
    Keywords: Palästina ; Siedlung
    Abstract: An early travelogue on Palestine, focusing on Jews living and working in the Holy Land featuring the last appearance of Cantor Joseph (Yosselle) Rosenblatt. Locations featured here include Jerusalem sites (the market, Hebrew University, the King David Hotel, the Jewish Agency); the Judean Hills, Mikve Israel Agricultural School, pioneers working in fields; Rishon le Zion, Rehovot, Nes Ziona, citrus picking and packing; Jezreel valley and settlements; Tiberias and Lak Kinneret; Bedouin dwellings; Tel Aviv and Jaffa beach and street scenes and the Maccabiah Stadium.
    Note: Orig.: USA, 1934
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  • 4
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: Yiddish
    Pages: 66 Min. , NTSC , s/w
    Year of publication: 2006
    Keywords: Antisemitismus ; Judenverfolgung ; Nationalsozialismus ; Film ; Jiddisch ; Ewiger Jude
    Abstract: The Wandering Jew tells the story of Arthur Levi (Jacob Ben-Ami), a German-Jewish artist who experiences the new German anti-Semitism when his masterpiece, a portrait of his Polish-born father entitled The Eternal Wanderer is rejected by the Berlin Academy of Art, which also asks his resignation as professor. Later in the film the figure in the painting comes to life and tells Levi the story of the persecution of the Jewish people. The film ends with footage of an anti-Hitler rally at New York City's Madison Square Garden and Levi's resolve to bear onward in the face of adversity. The Wandering Jew is a unique find: the first American feature film to depict the situation of Jews in Nazi Germany, and the only Yiddish-language film of its era to address this subject. The film, which dramatizes the situation of German Jews, was an American-Jewish response to the Nazi regime. It was produced by Jewish American Film Arts at the Atlas Studio on Long Island, NY during the summer of 1933, just months after the Nazi rise to power in Germany. In the wake of the violence of Kristallnacht the film was given a December 1938 re-release under the title Jews in Exile, screening in RKO theaters all over the New York area. The NCJF restoration features new subtitles and represents the most complete version of the film in existence. Darsteller: Jakob Ben-Ami: Prof. Arthur Levi Natalie Browning: Gertrude M.B. Samuylow: Spirit of Arthur's father Ben Adler: Paul von Eisenon Jakob Mestel: Levi family valet Abraham Teitelbaum: Arts reporter William Epstein: Messenger
    Note: Orig.: USA, 1933. - Engl. Untertitel
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  • 5
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    ISBN: 158587227x
    Language: Russian
    Pages: 6 Min. , s/w
    Year of publication: 2007
    Keywords: Michoėls, Solomon M. ; Markiš, Perec D. ; Ejzenstejn, Sergej M. ; Sowjetunion ; Antifaschismus
    Abstract: In 1941, a group of the Soviet Union's most prominent Jewish writers and artists signed an appeal to Jews throughout the world, asking them to join the Soviet people "in the holy war against Fascism ... to destroy the enemy of humanity and of the Jewish people." The group included actor Solomon Mikhoels, poet Peretz Markish and film director Sergei Eisenstein. This newsreel footage captures their eloquent, impassioned appeals. Tragically, Mikhoels and Markish later fell victim to the Stalinist purges in the 1940s and '50s (Eisenstein died of natural causes in the 1940s.) This film stands as an important record of how the Soviet government relaxed its ethnic policies in order to appeal to anyone who could help fight fascism and the Nazis.
    Note: Orig.: UdSSR, 1941. - Engl. Untertitel
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  • 6
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: English
    Pages: 84 Min. , NTSC , s/w
    Year of publication: 2006
    Keywords: New York, NY ; Stummfilm ; Einwanderung ; USA ; Osteuropäische Juden
    Abstract: Based on the short stories of Anzia Yezierska, the first writer to bring stories of American Jewish women to a mainstream audience, Hungry Hearts focuses on the members of the Levin family who emigrate from Eastern Europe to New York City's Lower East Side. Abraham, the pious father learned in religion but uninterested in business, has difficulty making a living and adjusting to life in America. The daughter Sara scrubs floors in the tenement in order to earn money and "become a somebody." The mother Hannah, a noble matriarch, scrimps and saves to paint her dingy kitchen white only to have her landlord raise the rent because of the improvements. Filmed on location on the Lower East Side, this bittersweet classic captures the hopes and hardships of Jewish immigrants in the New World.
    Note: Orig.: USA, 1922. - Engl. Zwischentitel
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  • 7
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: Russian
    Pages: 84 Min. , NTSC
    Year of publication: 2007
    Keywords: Film ; Birobidschan
    Abstract: During the late 1920s, many impoverished Jews searching for a better life made their way to Birobidzhan, the Soviet Jewish Autonomous Region on the Chinese border. This melodrama tells the story of a Jewish family's immigration to Birobidzhan and their experiences as settlers on a collective farm in the area. While the family encounters hardships in adjusting to this new way of life (including son-in-law Pinya's greedy, misguided search for gold) their search for assimilation is ultimately shown as positive. While the film is essentially a Soviet propaganda piece emphasizing the utopian dream of Birobidzhan as a socialist Jewish homeland, the reality of the area was harsh and inhospitable.
    Note: Orig.: UdSSR 1934. - Engl. Untertitel
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  • 8
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Pages: 76 Min. , NTSC , s/w
    Year of publication: 2007
    Keywords: Sowjetunion ; Stummfilm
    Abstract: His Excellency was the first Soviet-Jewish film to be produced after a demand by the Central Committee's Department for Agitprop that fictional films be made "... in a way that an be appreciated by millions." In the tradition of brilliant Soviet directors Eisenstein and Pudovkin, His Excellency features stylized cinematography and stars Leonid Leonidov, a star of the Moscow Art Theater, and in a small part, Nikolai Cherkasov, who would later play the lead roles in Eisenstein's Alexander Nevsky and Ivan the Terrible. With J. Untershlak and Tamara Edelheim as Hirsh and Rivele Lekert, and the Moscow Art Theater's Leonid Leonidov as both the Tsar's governor and the community's rabbi. According to Director Roshel the subject matter of this film was so delicate that the Soviet Commissar of Enlightenment oversaw production of this film personally. The film is based on the life of Hirsch Lekert, a shoemaker and militant Jewish Labor Bund member, who attempted to assassinate the Vilna governor in 1902 to avenge the flogging of workers who participated in a May Day rally. Although the film was intended "as a tract against individualism,... a greater emphasis is placed on class stuggle within the Jewish community." Bourgeois Jewish Zionists find themselves pitted against fellow Jewish proletariats and the government.
    Note: Orig.: UdSSR, 1928. - Engl. Zwischentitel
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  • 9
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: Yiddish
    Pages: 10 Minuten , NTSC , s/w
    Year of publication: 2007
    Keywords: Filmkomödie ; Kantor
    Abstract: This short gem features Louis "Leibele" Waldman playing three different parts - first an old-world Eastern European, then a German, each auditioning to be the synagogue cantor. Displeased with what they've heard and unable to agree, the synagogue committee is visited by Leibele's agent who offers them a third alternative: a modern an American Chazan, with "pep and jazz," who can do Kol Nidre with a "two-step" and Netaneh Tokef with a "black bottom."
    Note: Original: USA, 1931; englische Untertitel
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  • 10
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: English
    Pages: 58 Min. , NTSC , s/w
    Year of publication: 2009
    Keywords: Einwanderung ; Dokumentarfilm ; USA
    Abstract: This documentary, sponsored by the Amalgamated Clothing Workers of America, chronicles the history of the garment workers from 1900 to 1964. Opening with the flood of immigrants that poured through Ellis Island in the early 1900s, the film goes on to unveil dim Lower East Side sweatshops, coal mines and textile mills filled with children, the battlefields of World War I, and the anxious years of the Depression. In this setting we see the immigrants struggle to become part of their new country and labor's brutal battle to organize into a united movement during the 1930s. Actual footage of the Memorial Day Massacre at Republic Steel brings the power of authenticity to these scenes. The film moves through World War II and the Civil Rights movement of the 1960s, as each generation fights to preserve and expand its freedom.
    Note: Orig.: USA, 1964
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