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Last 7 Days Catalog Additions

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  • Hebrew  (92)
  • 2025-2025  (7)
  • 2015-2019  (85)
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  • 1
    Journal/Serial
    Journal/Serial
    Tel-Aviv ; [1.]5692/93=1932; 2.5694/95=[1933/34]; 3.5699/700=[1939/40] - 32.5735/36=1975/76; 33/34.1976/82 = 1-46/50 = [Nr.] 1-393/408; damit Ersch. eingest.
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    Language: Hebrew
    Year of publication: 1
    Dates of Publication: [1.]5692/93=1932; 2.5694/95=[1933/34]; 3.5699/700=[1939/40] - 32.5735/36=1975/76; 33/34.1976/82 = 1-46/50 = [Nr.] 1-393/408; damit Ersch. eingest.
    Keywords: Kunst ; Literatur ; Zeitschrift
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  • 2
    Journal/Serial
    Journal/Serial
    New York, NY ; 2.5704=1943/44(1943) - 55/56.1997/99(2001); damit Erscheinen eingestellt
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    Language: Hebrew
    Year of publication: 2
    Dates of Publication: 2.5704=1943/44(1943) - 55/56.1997/99(2001); damit Erscheinen eingestellt
    Note: Repr.: Nendeln : Kraus , Abkürzungstitel: JBA , Index 26/40.1968/83 in: 40.1982/83 , Vorg. ---〉 Jewish book week annual
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  • 3
    Language: Hebrew
    Pages: 384 Seiten , Illustrationen
    Year of publication: 2017
    Series Statement: Kedem Bet Mekhirot Pumbiyot Yerushalayim 54
    Series Statement: Kedem Bet Mekhirot Pumbiyot Yerushalayim
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  • 4
    AV-Medium
    AV-Medium
    Kino Lorber
    Language: Hebrew
    Pages: 156 Min. , NTSC
    Year of publication: 2015
    Keywords: Rabin, Yitsḥaḳ ; Israel ; Film ; Attentat
    Note: Engl. Untertitel
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  • 5
    Language: Hebrew
    Pages: 136, VIII Seiten
    Year of publication: 2016
    Series Statement: ha- 'Itonut ha-Yehudit be-Germanyah ha-Natsit : mekorot ve-mehkar = Jewish press in Nazi Germany : texts and research 3
    Series Statement: ha- 'Itonut ha-Yehudit be-Germanyah ha-Natsit
    Keywords: Geschichte 1933-1938 ; Sport ; Jüdische Presse ; Deutschland
    Note: English summary
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  • 6
    Book
    Book
    Yerushalayim [u.a.] : Hotsa'at "Mi-neged"
    Language: Hebrew
    Pages: 357 Seiten , Illustrationen
    Year of publication: 2015
    Keywords: Spitzer, Moritz ; Verlag
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  • 7
    AV-Medium
    AV-Medium
    Berlin : Salzgeber & Co. Medien GmbH
    Language: Hebrew
    Pages: 59 Min.
    Year of publication: 2016
    Keywords: Berlin
    Abstract: Das jüdisch geführte Café Nagler am Moritzplatz war in den 1920er Jahren einer der aufregendsten Orte in ganz Berlin! Das jedenfalls hat die junge israelische Regisseurin Mor, eine Nachkommin der Naglers, ihr Leben lang in ihrer Familie gehört. Auf Treiben ihrer Großmutter reist sie nach Berlin, um einen Film über die Geschichte des Cafés zu drehen. Doch dort, wo früher das Nagler stand, liegt heute eine kahle Wiese. Tatsächlich scheint in Berlin von dem Café, das in Israel so legendär ist, niemand etwas zu wissen. Um ihre Großmutter, die sehnsüchtig auf erstes Filmmaterial aus Deutschland wartet, nicht zu enttäuschen, muss Mor tief in die dokumentarische Trickkiste greifen … Café Nagler ist ein anrührendes Familienporträt und erzählt eine ganz besondere deutsch-israelische Geschichte über die Kraft der Erinnerung und die Sehnsucht nach einer besseren Vergangenheit.
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  • 8
    Language: Hebrew
    Pages: [16] Blatt , Illustrationen
    Year of publication: 2015
    Series Statement: Sifriyat pig'amah
    Series Statement: Sifriyat pig'amah
    Keywords: Bilderbuch
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  • 9
    Language: Hebrew
    Pages: 54, 51 Min.
    Year of publication: 2015
    Keywords: Rahel ; Yalan-Stekelis, Miriam
    Description / Table of Contents: Alone, The legend of Miryam Yellan Shtekelis. - 2018
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  • 10
    Journal/Serial
    Journal/Serial
    Berlin ; Paris : Maison de la culture yiddish - Bibliothèque Medem ; 1.2016 -
    Language: Hebrew
    Year of publication: 1
    Dates of Publication: 1.2016 -
    Abstract: Mikan Ve’eylakh, a journal published in Berlin, is an intellectual and literary platform for contemporary diasporic Hebrew. Diaspora, from the Greek dia– (“throughout”) and sperein (“to sow”), is the dispersion of people across geographic areas analogous to the fertile dispersion of seeds. Unlike galut (Hebrew for “exile”), diaspora is not necessarily the result of a traumatic uprooting or expulsion. Furthermore, diaspora does not have to imply a single point of origin or a geographic center. A diasporic condition is one in which people, while in different locales with their own cultural and political particularities, share a common sense of identities and a network of communication and empathy across vast distances. This sense of diaspora is at the heart of this project. It aims to reach out to the ‘four corners of the word’ in which Hebrew exists, while at the same time marking the special place of Berlin in the history of modern Hebrew cultural production. The Hebrew expression mikan ve’eylakh can be translated both as “from now on” and as “from here and beyond,” conveying both a temporal and spatial connection. Accordingly, the journal assumes a diasporic position based on doikeyt (Yiddish for ‘here-ness’) coupled with translocalism, rather than a cosmopolitanism or globalism. By anchoring the project to the specific location of Berlin, the journal seeks to renew Hebrew intellectual and literary activity not only in the place where it was brutally destroyed, but also where it flourished for hundreds of years. Berlin was the birthplace of the Jewish Enlightenment (haskolo) in the 18th century and of Judaic Studies (Wissenschaft des Judentums) in the 19th century, two of the most important streams in modern Jewish thought. This place also played a major role in the history of modern Hebrew press and literature, from the publication of the first Hebrew journal in the 1750’s (Mendelssohn’s Qohelet musar, “Preacher of Morals”), through a centuries-long tradition of Hebrew printing reaching its golden age in the 1920’s and to the foundation of Brit ivrit olamit (“World Hebrew Union”) in 1931 by Simon Rawidowicz. Now, seventy years after Hebrew intellectual activity in Berlin and most of Europe has been shattered by National Socialism, Mikan Ve’eylakh contributes to the renewal of this tradition. Producing the journal in actual print, rather than publishing it online, reflects the wish to revive Berlin’s tradition of Hebrew printing and to create once again Hebrew letters as a material, tangible object precisely in the place from which they have been forcefully erased.
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