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Last 7 Days Catalog Additions

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  • 2000-2004  (84)
  • 1965-1969  (7)
  • Fotografie  (91)
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  • 1
    Book
    Book
    München : Piper Verlag
    ISBN: 3492043585
    Language: German
    Pages: 223 Seiten , zahlr. Ill.
    Year of publication: 2001
    Uniform Title: The last album ger
    Keywords: Konzentrationslager Auschwitz ; Fotografie ; Familienleben
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  • 2
    ISBN: 3894873515
    Language: German
    Pages: 157 Seiten , Fotografien
    Year of publication: 2000
    Keywords: Stetl ; Fotografie
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  • 3
    Book
    Book
    Aachen
    Language: German
    Pages: 18 Seiten , Illustrationen
    Year of publication: 2000
    Keywords: Künstler ; Fotografie ; Gedenken ; Judenverfolgung ; Ausstellung
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  • 4
    Book
    Book
    Trolley Books
    ISBN: 0954264851
    Language: English
    Pages: [60] Blatt , Fotografien
    Edition: 1. Auflage
    Year of publication: 2003
    Keywords: Fotografie ; Taliban
    Abstract: Zealotry has many forms of madness, and the Taliban are no exception. In the Toyota Land Cruiser abandoned in Kandahar by Mullah Omar, the man who banned music on pain of prison and torture, was found a cache of popular music CDs. Kandahar, a city of Pashtuns noted for their gaiety, so to speak, where Mullah Omar had made his final headquarters, has traditions of men in high-heeled sandals, with make-up of kohl and painted nails like sultry silent-movie stars. They liked to have their pictures taken and, because the Taliban most certainly needed passports, their vanities were accomodated in the hole-in-the-wall photo shops that exist in downtown Kandahar. The Magnum photographer Thomas Dworzak, on war assignment for the New Yorker, discovered their photographs days after they had fled the city. They hung among portraits of Bruce Lee, Leonardo DiCaprio and Ahmed Shah Massoud, their faces retouched by the artful brushwork of the photographer. As exotic backdrops the subjects have chosen chalets in the Swiss Alps, where the mountains are green and Julie Andrews sings, rather than the forbidding grey and brown of their own country. Some are alone, others with a friend or a Kalashnikov, with garish colours stroked into the theme, along with flowers. They were the killers who have fled, leaving behind an absurd record of their presence. Thomas Dworzak was born in 1972 in Kötzting and grew up in the small town of Cham in Bavaria. After and while finishing high school he started to travel and photograph in Eastern Europe and the Middle East. After living in Avila, Prague and Moscow, studying Spanish, Czech and Russian, he photographed the war in former Yugoslavia. He moved to Tbilisi, Georgia, in 1993 to begin work on a long-term project on the Caucasus and its people, covering the conflicts in Chechnya, Karabakh and Abkhazia. He continues with this project today. Based in Paris from 1999 he covered the Kosovo crisis for US News and World Report and returned to Chechnya the same year. After the fall of Grozny in early 2000 he embarked a project on the impact of the war in Chechnya on the neighboring North Caucasus, covering in between the events in Israel, the war in Macedonia, and the refugee crisis in Pakistan. Post 9/11 he has spent several months in Afghanistan for The New Yorker and returned to Chechnya in 2002. Since the fall of 2002 he has covered the crises in Iraq, Iran and Haiti, and the US elections. From 1995 to 1999 he was distributed by Wostok Press. In 2002 he became a Magnum nominee, in 2004 a member. He is based in Paris and New York and contributes to The New Yorker, Newsweek, USNews, Paris Match, The New York Times Magazine and Time Magazine.
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  • 5
    Book
    Book
    Berlin : Edition Ebersbach
    Language: German
    Pages: 207 Seiten , Fotografien
    Edition: 1. Auflage
    Year of publication: 2002
    Keywords: Ray, Man ; Abbott, Berenice ; Miller, Lee ; Henri, Florence ; Soupault, Ré ; Bing, Ilse ; Breslauer, Marianne ; Krull, Germaine ; Freund, Gisèle ; Cahun, Claude ; Maar, Dora ; Paris ; Fotografie ; Fotografin ; Moderne ; Porträtfotografie
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  • 6
    Language: German
    Pages: 125 Seiten, [1] Blatt , Ill.
    Edition: Dt. Erstausg.
    Year of publication: 2001
    Series Statement: 55
    Series Statement: 55
    Keywords: Fotografie ; Fotograf ; Sozialdokumentarische Fotografie ; Ukraine
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  • 7
    Language: English
    Pages: 87 Seiten , Illustrationen
    Year of publication: 2000
    Keywords: Fotografie ; Hasselblad award ; Fotograf ; Ausstellung
    Abstract: This past year Boris Mikhailov joined the ranks of William Eggleston, Cindy Sherman, and Robert Frank as the recipient of the prestigious Hasselblad Award, confirming the international stature and critical acclaim he has earned in the last few years with one-person exhibitions at the Stedelijk Museum in Amsterdam, London's Photographer's Gallery, and the DAAD Gallery in Berlin as well as representation in major international surveys such as the Carnegie International. His first book, Unfinished Dissertation, was published by Scalo in 1997, on the occasion of his receipt of the Albert Renger-Patzsch Prize; in 2000, he published his second book with Scalo, Case History, and was awarded the photo book award of the International Festival for Photography in Arles, France. Mikhailov also recently accepted an invitation to teach at Harvard University beginning in the fall of 2000. This new book contains a never-before published series of work from the early 1980s: Mikhailov photographed ''The Dancers" in his hometown in the Ukraine during a period when the former Soviet Union was a reality, before the appearance of Gorbachev and perestroika. We observe the open-air dancing scene with great astonishment; seeing older and younger people enjoy themselves in a way that might be contradictory to the images we might have about everyday life in the old Soviet Union. An essay by Russian art critic Boris Greys and an exhaustive interview make this volume a must have for readers and libraries interested in contemporary art and photography.
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  • 8
    Article
    Article
    In:  Dinge - Medien der Aneignung, Grenzen der Verfügung (2002), Seite 157 - 160
    Language: German
    Year of publication: 2002
    Titel der Quelle: Dinge - Medien der Aneignung, Grenzen der Verfügung
    Publ. der Quelle: Königstein, 2002
    Angaben zur Quelle: (2002), Seite 157 - 160
    Keywords: Fotografie ; Familie ; Album ; Nationalsozialismus ; Generation 3 ; Juden
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  • 9
    ISBN: 3775714995
    Language: German
    Pages: 253 Seiten , überw. Ill.
    Year of publication: 2004
    Keywords: Aktdarstellung ; Fotografie ; Kunst ; Bildband
    Abstract: Stripped Bare sucht nach einer Ikonografie des Körpers, der vermeintlich längst enthüllt und dennoch mit immer neuen Bedeutungen belegt wird. Der nackte Körper ist eines der ältesten und faszinierendsten Motive in der bildenden Kunst. Während Künstler früherer Jahrhunderte bei der Darstellung des unbekleideten Körpers den Konventionen des Idealschönen verpflichtet waren, sprengen sie im 20. Jahrhundert mehr und mehr die traditionellen akademischen Posen. Aus klassischen Akten werden Nackte. Der lebensechte Körper wird in der zeitgenössischen Kunst zur Projektionsfläche der künstlerischen Gedanken: Mit seinen Bedürfnissen und Trieben rückt er schonungslos offen, bisweilen drastisch ins Bild, wird zur Chiffre für das Menschsein an sich. Mit einer breiten Auswahl von Werken herausragender Künstler und Fotografen widmet sich Band der Darstellung des nackten Körpers in der zeitgenössischen Kunst und Fotografie. Ein Rückblick auf das frühe 20. Jahrhundert zeigt, dass sich bereits Vertreter der Klassischen Moderne - etwa Degas, Picasso, Giacometti und Man Ray - aus der Umklammerung durch ikonografische und akademische Traditionen befreiten. Aufschlussreiche Essays beleuchten die vielfältigen Aspekte des Themas im Spannungsfeld von Kunst und Voyeurismus. Die vorgestellten Künstler und Fotografen (Auswahl): Nobuyoshi Araki, Vanessa Beecroft, Daniele Buetti, Nan Goldin, Jeff Koons, Sarah Lucas, Boris Mikhailov, Richard Prince, Bettina Rheims, Gerhard Richter, Thomas Ruff, Cindy Sherman Ausstellung: C/O Berlin 28.9. - 2.12.2007
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  • 10
    Article
    Article
    In:  Dinge - Medien der Aneignung, Grenzen der Verfügung (2002), Seite 141 - 156
    Language: German
    Year of publication: 2002
    Titel der Quelle: Dinge - Medien der Aneignung, Grenzen der Verfügung
    Publ. der Quelle: Königstein, 2002
    Angaben zur Quelle: (2002), Seite 141 - 156
    Keywords: Fotografie ; Familie ; Nationalsozialismus ; Generation 3
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