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  • 2005-2009  (17)
  • 1955-1959
  • 1920 - 1924
  • Waltham, Mass. : National Center for Jewish Film
Library
Region
Material
Language
Years
  • 2005-2009  (17)
  • 1955-1959
  • 1920 - 1924
  • 1920-1924  (1)
Year
  • 1
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: English
    Pages: 63 Min. , s/w
    Year of publication: 2006
    Keywords: Polen
    Abstract: Directed by Lodz native Aleksander Ford and financed by the Jewish Labor movement in Poland, Children Must Laugh is one of the few surviving documentaries about Jewish life in Poland before WWII. This institutional film was produced to raise funds for the Vladimir Medem Sanitarium which, noted for its modern and spacious facilities, stood as the embodiment of health and enlightenment, in striking contrast to the grim images of urban Polish-Jewish poverty. The sanitarium's theme song, "Mir Kumen On (Here We Come)," punctuates the film with a sense of hope and accomplishment. The Bund's optimistic internationalism, exemplified by the children's endearing performances, permeates the film, creating powerful yet unintended ironies for post-Holocaust audiences.
    Note: Orig.: PL 1935. - Engl. Untertitel
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  • 2
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: Yiddish
    Pages: 72 Min. , s/w
    Year of publication: 2009
    Keywords: Sowjetunion ; Arbeiter
    Abstract: This rare, newly restored feature was originally advertised as "the first Yiddish talkie from Soviet Russia." The plot centers on Nathan Becker, a Jewish bricklayer who returns to Russia after twenty-eight years in America. After reuniting with his father (played with comic eccentricity by Solomon Mikhoels) Nathan leaves the shtetl to work in the new industrial center of Magnitogorsk. There, he soon finds that the work habits he acquired in America conflict with the Soviet system. While the film's resolution emphasizes the triumph of socialist productivity, the screenplay by Yiddish author Peretz Markish reflects the warmth and humor of the Jewish spirit.
    Note: Orig.: USSR 1932. - Engl. Untertitel
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  • 3
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: Yiddish
    Pages: 60 Min. , s/w
    Edition: Reissue of "Tkies Kaf/The Vow / directed by Zygmund Turkow", 1924
    Year of publication: 2007
    Abstract: Few reminders are left of the vibrant Yiddish theatrical world that flourished in Warsaw in the 1920s. This film is one of them. Jewish producers were preeminent in the interwar Polish film industry but, due to the pervasive antisemitism of the early '20s, they shied away from films dealing with Jewish themes. It was not until 1924 that amateurs, Henryk Bojm and Leo Forbert, adapted a Peretz Hirshbein play for the screen. Ambitiously mounted, professionally cast, it was one of the most successful Jewish cinematic efforts undertaken up to that time. In 1933, a group of New York Yiddish actors decided to give the original 1924 gem a new lease on life. They added a narration and several new scenes (those in the tavern) which gave dramatic justification to the narrative form. A precursor to the 1937 classic, The Dybbuk, A Vilna Legend features the same classic tale of frustrated love and destiny and the breaking/fulfillment of vows. A yeshiva student and an orphan girl who are deeply in love face eternal separation even though their parents promised them to each other before birth. Only the prophet Elijah's miraculous intervention allows their parents to fulfill their vow and the couple their love.
    Note: Orig.: USA 1933. - Engl. Untertitel
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  • 4
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: Russian
    Pages: 84 Min. , NTSC
    Year of publication: 2007
    Keywords: Film ; Birobidschan
    Abstract: During the late 1920s, many impoverished Jews searching for a better life made their way to Birobidzhan, the Soviet Jewish Autonomous Region on the Chinese border. This melodrama tells the story of a Jewish family's immigration to Birobidzhan and their experiences as settlers on a collective farm in the area. While the family encounters hardships in adjusting to this new way of life (including son-in-law Pinya's greedy, misguided search for gold) their search for assimilation is ultimately shown as positive. While the film is essentially a Soviet propaganda piece emphasizing the utopian dream of Birobidzhan as a socialist Jewish homeland, the reality of the area was harsh and inhospitable.
    Note: Orig.: UdSSR 1934. - Engl. Untertitel
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  • 5
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Pages: 50 Min. , s/w
    Year of publication: 2008
    Keywords: Palästina ; Siedlung ; Kibbuz ; Chaluz ; Dokumentarfilm
    Abstract: This landmark documentary celebrates the pioneering labors of early Jewish settlers in Palestine. With striking visual compositions and a remarkable soundtrack by the Budapest Symphony Orchestra, the film records the technological and agricultural accomplishments of the pioneers and extols the idea of a socialist Jewish state. Footage includes shots taken at the Jaffa port, in Tel Aviv, and on various kibbutzim of the time; Strasbourg-born director Lerski's expressive style creates an almost mythic image of the Jew in Palestine, toiling and triumphing amidst the sweeping desert landscape.
    Note: Orig.: Israel, 1935. - Engl. Untertitel
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  • 6
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Pages: 76 Min. , NTSC , s/w
    Year of publication: 2007
    Keywords: Sowjetunion ; Stummfilm
    Abstract: His Excellency was the first Soviet-Jewish film to be produced after a demand by the Central Committee's Department for Agitprop that fictional films be made "... in a way that an be appreciated by millions." In the tradition of brilliant Soviet directors Eisenstein and Pudovkin, His Excellency features stylized cinematography and stars Leonid Leonidov, a star of the Moscow Art Theater, and in a small part, Nikolai Cherkasov, who would later play the lead roles in Eisenstein's Alexander Nevsky and Ivan the Terrible. With J. Untershlak and Tamara Edelheim as Hirsh and Rivele Lekert, and the Moscow Art Theater's Leonid Leonidov as both the Tsar's governor and the community's rabbi. According to Director Roshel the subject matter of this film was so delicate that the Soviet Commissar of Enlightenment oversaw production of this film personally. The film is based on the life of Hirsch Lekert, a shoemaker and militant Jewish Labor Bund member, who attempted to assassinate the Vilna governor in 1902 to avenge the flogging of workers who participated in a May Day rally. Although the film was intended "as a tract against individualism,... a greater emphasis is placed on class stuggle within the Jewish community." Bourgeois Jewish Zionists find themselves pitted against fellow Jewish proletariats and the government.
    Note: Orig.: UdSSR, 1928. - Engl. Zwischentitel
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  • 7
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: English
    Pages: 80 Min. , NTSC , s/w und Farbe
    Year of publication: 2007
    Keywords: Russland ; Sowjetunion ; World ORT Union
    Abstract: Produced for the Women's American ORT and narrated by Eli Wallach, this highly acclaimed documentary describes more than a century of Jewish life in Russia. Stills and archival footage recreate the life of the Russian-Jewish community from the shtetl through the first World War, the Holocaust, the Warsaw Ghetto, the displaced persons camps and the establishment of the State of Israel. L'Chaim: To Life also examines the origins and activities of the ORT, a movement dedicated to the vocational training and education of the Jewish people.
    Note: Original: USA, 1973
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  • 8
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: English
    Pages: 66 Min. , NTSC , s/w
    Year of publication: 2008
    Keywords: Palästina ; Siedlung
    Abstract: An early travelogue on Palestine, focusing on Jews living and working in the Holy Land featuring the last appearance of Cantor Joseph (Yosselle) Rosenblatt. Locations featured here include Jerusalem sites (the market, Hebrew University, the King David Hotel, the Jewish Agency); the Judean Hills, Mikve Israel Agricultural School, pioneers working in fields; Rishon le Zion, Rehovot, Nes Ziona, citrus picking and packing; Jezreel valley and settlements; Tiberias and Lak Kinneret; Bedouin dwellings; Tel Aviv and Jaffa beach and street scenes and the Maccabiah Stadium.
    Note: Orig.: USA, 1934
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  • 9
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: English
    Pages: 50 Min. , NTSC , s/w
    Year of publication: 2006
    Keywords: Palästina ; Siedlung ; Zionismus
    Abstract: Spectacular rare archival film footage of Palestine in the tumultuous 1920s forms the heart of this documentary by Israeli filmmaker and scholar Ya'akov Gross. Considered lost for more than 70 years, these early films taken by Ya'akov Ben Dov, the father of Hebrew cinema, depict settlements and activities in Jerusalem, Tel Aviv, Rishon le Zion and Old Jaffa; visits by Albert Einstein and Winston Churchill; the funeral of Eliezer Ben-Yehuda; and early Zionists who pioneered the Third and Fourth Aliyahs. A vital and accessible look at a formative period in Israeli history. Dreamers and Builders includes material from three rare films by Ya'akov Ben Dov: Return to Zion (1920-21), The Rebirth of a Nation (1923), and Romance of Palestine (1926) - preserved in a joint project by the National Center for Jewish Film and the Israel Film Archive.
    Note: Orig.: Israel, 1996
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  • 10
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: English
    Pages: 18 Min. , NTSC , s/w
    Year of publication: 2006
    Keywords: Sowjetunion ; Propagandafilm
    Abstract: This short propaganda film (or agitka) tells the tale of a Jew who survives a pogrom and becomes a leader in the Red Army. Intended to indoctrinate Soviet citizens by showing heroic examples of conversion to the Revolutionary cause, the agitka ('agitation pieces') were originally screened on Russian 'film trains.' A rare portrait of a Jewish character in early Russian cinema.
    Note: Orig.: UdSSR, 1919. - Engl. Zwischentitel
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