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Last 7 Days Catalog Additions

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  • 2005-2009  (38)
  • 1965 - 1969
  • Paris  (21)
  • Waltham, Mass. : National Center for Jewish Film  (17)
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Language
Year
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  • 1
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: Russian
    Pages: 84 Min. , NTSC
    Year of publication: 2007
    Keywords: Film ; Birobidschan
    Abstract: During the late 1920s, many impoverished Jews searching for a better life made their way to Birobidzhan, the Soviet Jewish Autonomous Region on the Chinese border. This melodrama tells the story of a Jewish family's immigration to Birobidzhan and their experiences as settlers on a collective farm in the area. While the family encounters hardships in adjusting to this new way of life (including son-in-law Pinya's greedy, misguided search for gold) their search for assimilation is ultimately shown as positive. While the film is essentially a Soviet propaganda piece emphasizing the utopian dream of Birobidzhan as a socialist Jewish homeland, the reality of the area was harsh and inhospitable.
    Note: Orig.: UdSSR 1934. - Engl. Untertitel
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  • 2
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: English
    Pages: 63 Min. , s/w
    Year of publication: 2006
    Keywords: Polen
    Abstract: Directed by Lodz native Aleksander Ford and financed by the Jewish Labor movement in Poland, Children Must Laugh is one of the few surviving documentaries about Jewish life in Poland before WWII. This institutional film was produced to raise funds for the Vladimir Medem Sanitarium which, noted for its modern and spacious facilities, stood as the embodiment of health and enlightenment, in striking contrast to the grim images of urban Polish-Jewish poverty. The sanitarium's theme song, "Mir Kumen On (Here We Come)," punctuates the film with a sense of hope and accomplishment. The Bund's optimistic internationalism, exemplified by the children's endearing performances, permeates the film, creating powerful yet unintended ironies for post-Holocaust audiences.
    Note: Orig.: PL 1935. - Engl. Untertitel
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  • 3
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: Yiddish
    Pages: 60 Min. , s/w
    Edition: Reissue of "Tkies Kaf/The Vow / directed by Zygmund Turkow", 1924
    Year of publication: 2007
    Abstract: Few reminders are left of the vibrant Yiddish theatrical world that flourished in Warsaw in the 1920s. This film is one of them. Jewish producers were preeminent in the interwar Polish film industry but, due to the pervasive antisemitism of the early '20s, they shied away from films dealing with Jewish themes. It was not until 1924 that amateurs, Henryk Bojm and Leo Forbert, adapted a Peretz Hirshbein play for the screen. Ambitiously mounted, professionally cast, it was one of the most successful Jewish cinematic efforts undertaken up to that time. In 1933, a group of New York Yiddish actors decided to give the original 1924 gem a new lease on life. They added a narration and several new scenes (those in the tavern) which gave dramatic justification to the narrative form. A precursor to the 1937 classic, The Dybbuk, A Vilna Legend features the same classic tale of frustrated love and destiny and the breaking/fulfillment of vows. A yeshiva student and an orphan girl who are deeply in love face eternal separation even though their parents promised them to each other before birth. Only the prophet Elijah's miraculous intervention allows their parents to fulfill their vow and the couple their love.
    Note: Orig.: USA 1933. - Engl. Untertitel
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  • 4
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: Yiddish
    Pages: 66 Min. , NTSC , s/w
    Year of publication: 2006
    Keywords: Antisemitismus ; Judenverfolgung ; Nationalsozialismus ; Film ; Jiddisch ; Ewiger Jude
    Abstract: The Wandering Jew tells the story of Arthur Levi (Jacob Ben-Ami), a German-Jewish artist who experiences the new German anti-Semitism when his masterpiece, a portrait of his Polish-born father entitled The Eternal Wanderer is rejected by the Berlin Academy of Art, which also asks his resignation as professor. Later in the film the figure in the painting comes to life and tells Levi the story of the persecution of the Jewish people. The film ends with footage of an anti-Hitler rally at New York City's Madison Square Garden and Levi's resolve to bear onward in the face of adversity. The Wandering Jew is a unique find: the first American feature film to depict the situation of Jews in Nazi Germany, and the only Yiddish-language film of its era to address this subject. The film, which dramatizes the situation of German Jews, was an American-Jewish response to the Nazi regime. It was produced by Jewish American Film Arts at the Atlas Studio on Long Island, NY during the summer of 1933, just months after the Nazi rise to power in Germany. In the wake of the violence of Kristallnacht the film was given a December 1938 re-release under the title Jews in Exile, screening in RKO theaters all over the New York area. The NCJF restoration features new subtitles and represents the most complete version of the film in existence. Darsteller: Jakob Ben-Ami: Prof. Arthur Levi Natalie Browning: Gertrude M.B. Samuylow: Spirit of Arthur's father Ben Adler: Paul von Eisenon Jakob Mestel: Levi family valet Abraham Teitelbaum: Arts reporter William Epstein: Messenger
    Note: Orig.: USA, 1933. - Engl. Untertitel
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  • 5
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: Yiddish
    Pages: 72 Min. , s/w
    Year of publication: 2009
    Keywords: Sowjetunion ; Arbeiter
    Abstract: This rare, newly restored feature was originally advertised as "the first Yiddish talkie from Soviet Russia." The plot centers on Nathan Becker, a Jewish bricklayer who returns to Russia after twenty-eight years in America. After reuniting with his father (played with comic eccentricity by Solomon Mikhoels) Nathan leaves the shtetl to work in the new industrial center of Magnitogorsk. There, he soon finds that the work habits he acquired in America conflict with the Soviet system. While the film's resolution emphasizes the triumph of socialist productivity, the screenplay by Yiddish author Peretz Markish reflects the warmth and humor of the Jewish spirit.
    Note: Orig.: USSR 1932. - Engl. Untertitel
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  • 6
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: English
    Pages: 66 Min. , NTSC , s/w
    Year of publication: 2008
    Keywords: Palästina ; Siedlung
    Abstract: An early travelogue on Palestine, focusing on Jews living and working in the Holy Land featuring the last appearance of Cantor Joseph (Yosselle) Rosenblatt. Locations featured here include Jerusalem sites (the market, Hebrew University, the King David Hotel, the Jewish Agency); the Judean Hills, Mikve Israel Agricultural School, pioneers working in fields; Rishon le Zion, Rehovot, Nes Ziona, citrus picking and packing; Jezreel valley and settlements; Tiberias and Lak Kinneret; Bedouin dwellings; Tel Aviv and Jaffa beach and street scenes and the Maccabiah Stadium.
    Note: Orig.: USA, 1934
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  • 7
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Pages: 85 Min. , NTSC , s/w
    Year of publication: 2006
    Keywords: Filmkomödie
    Abstract: This delightful comedy opens as Morris Brown, a New Yorker better acquainted with his checkbook than his prayerbook, returns to Galicia with his very American daughter, Mollie (Molly Picon) for a family wedding. The bride, daughter of his traditionally observant brother, and Mollie, whose exuberant antics fill the film, could not be more different. But Mollie unexpectedly meets her match, an engaging young yeshiva scholar who forsakes tradition and joins the secular world to win her heart. East and West features classic scenes of Molly Picon lifting weights and boxing, teaching young villagers to shimmy and stealing away from services to gorge herself before sundown on Yom Kippur. Underlying these hijinks is veteran filmmaker Goldin's affectionate appreciation of differences, for good-natured comedy shapes his portrayal of worldly Jews encountering traditional shtetl life.
    Note: Orig.: AT, 1923. - Engl. und jidd. Zwischentitel , Ex. b: Nur für den internen Gebrauch
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  • 8
    Language: German
    Year of publication: 2009
    Keywords: École de Paris
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  • 9
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Language: English
    Pages: 18 Min. , NTSC , s/w
    Year of publication: 2006
    Keywords: Sowjetunion ; Propagandafilm
    Abstract: This short propaganda film (or agitka) tells the tale of a Jew who survives a pogrom and becomes a leader in the Red Army. Intended to indoctrinate Soviet citizens by showing heroic examples of conversion to the Revolutionary cause, the agitka ('agitation pieces') were originally screened on Russian 'film trains.' A rare portrait of a Jewish character in early Russian cinema.
    Note: Orig.: UdSSR, 1919. - Engl. Zwischentitel
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  • 10
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    Pages: 27 Min. , NTSC , s/w
    Year of publication: 2007
    Keywords: Russland ; Israel ; Auswanderung
    Abstract: This short documentary chronicles a 90 year old man's emigration to Israel from his native shtetl in Bessabaria. Yakhnis' beautifully photographed film poetically captures the end of a rich Jewish heritage in Russia.
    Note: Orig.: RU, 1992
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