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Last 7 Days Catalog Additions

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  • 2010-2014  (554)
  • 1945-1949  (11)
  • Ausstellung  (548)
  • Malerei
  • נצרות
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  • 1
    Book
    Book
    Naftali Bezem: Toing and Froing (2012)
    Tel Aviv
    Details
    Language: English
    Pages: 235 Seiten, [2] Blatt , Illustrationen
    Year of publication: 2012
    Series Statement: [Tel Aviv Museum of Art] Catalogue = Katalog / Muze'on Tel Aviv la-Omanut 12/2012
    Series Statement: Catalogue
    Keywords: Künstler ; Ausstellung
    Abstract: Naftali Bezem has returned to Tel Aviv after 15 years in Europe, and seems never to have left. His language is exclusive and personal; this uniqueness has preserved him throughout the years from the influence of trends, fashions and criticisms. His unique, clear style stems from deep knowledge; his artistic oeuvre turns Jewish history to an artistic, historical experience.
    Note: Ausstellung, 29.12.2012 ​- 17.4.2013
    URL: https://tamuseum.org.il/en/exhibition/naftali-bezem-toing-and-froing/
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  • 2
    Book
    Book
    L' art en guerre - France 1938 - 1947 : Musée d'Art Moderne de la Ville de Paris, 12 octobre 2012 - 17 février 2013 (2012)
    Paris : Paris-Musées
    Details
    ISBN: 9782759601851 , 2759601854
    Language: French
    Pages: 495 Seiten , Illustrationen
    Year of publication: 2012
    Keywords: Geschichte 1938-1947 ; Kunst ; Ausstellung ; Frankreich
    Abstract: Catalogue de l'exposition L'Art en guerre, France 1938-1947, présentée au Musée d'Art Moderne de la ville de Paris du 12 octobre 2012 au 17 février 2013. Cet ouvrage montre comment, dans un contexte de pénurie et d'oppression, les artistes ont proposé des réponses nouvelles qui modifieront en profondeur le contenu et la forme de l'art jusqu'à aujourd'hui. Articulé en une dizaine de séquences fortes, l'exposition ouvre en 1938 avec l'Exposition internationale du Surréalisme dans l'atmosphère troublée de l'avant-guerre. Cet ouvrage de référence aborde sous un angle nouveau les enjeux artistiques des années 1940, intégrant l'histoire sociale et politique de cette décennie. Il sera composé d'une première partie présentant les oeuvres exposées (plus de 300 oeuvres de quatre-vingts artistes) et d'un abécédaire de plus de 200 entrées, rédigées par plus de 150 auteurs
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025420192&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025420192&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
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  • 3
    Book
    Book
    Maya Schweizer, die selbe Geschichte an einem anderen Ort : weitererzählt, verstreut, fragmentiert, täglich, rückwärts und wieder von vorn ; [anlässlich der Ausstellung Maya Schweizer: La Même Histoire Ailleurs, 4.9. - 24.10. 2010 Westfälischer Kunstverein] (2010)
    Leipzig : Spectormag GbR
    Details
    ISBN: 9783940064974
    Language: German
    Pages: 128 Seiten , Illustrationen , 29 cm, 500 gr.
    Edition: 1. Auflage
    Year of publication: 2010
    Keywords: Künstlerin ; Ausstellung
    URL: https://d-nb.info/1006327975/04
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  • 4
    Book
    Book
    Everyone carries a room inside : [Museum on the Seam, Jerusalem] ; November 2013 (2013)
    Jerusalem
    Details
    Language: English
    Pages: 119 Seiten, [3] Blatt , Illustrationen
    Year of publication: 2013
    Keywords: Kunst ; Videokunst ; Fotografie ; Installation ; Kunstausstellung ; Ausstellung
    Abstract: ״If you are lonely when you are alone, you are in bad company״ Jean Paul Sartre Loneliness is a major contemporary phenomenon, gaining more and more impact on people’s lives. The exacting urban environment, in the face of social and technological changes, never leaves the individual in peace – it forever urges him, stimulates his nerves and attacks his senses in an endless sequence of fleeting perceptions and random impressions. Many amongst us seek simulations of life that seem more exciting than life itself. We fear a reality which is not mediated by computers. Thousands of text messages sent daily by people all over the world, who spend endless hours in social networks, have created a new reality of social alienation, unparalleled in its dimensions compared to past generations. Thus we become victims of the illusion of virtual friendships on the web, where we collect thousands of friends whom we imagine to be human relationships that only lead us to further loneliness. The more technology advances, the more our mental lives retreat. Loneliness and solitude are seemingly similar but are in fact very different scenarios, in which the individual is alone. Loneliness is a state of segregation of the individual, while solitude is a voluntary state in which the individual is independent and can appreciate the space surrounding him, and where perhaps, he might find the best possible company. In his book "Between Man and Man" Martin Buber writes: “We have seen how in the history of the human spirit man again and again becomes solitary… that is, he seeks a divine form of being with which, solitary as he is, he can communicate ;he stretches his hands out beyond the world to meet this form. But we have also seen that there is a way leading from one edge of solitude to the next, that is, that each solitude is colder and stricter than the preceding, and salvation from it more difficult. But finally man reached a condition where he can no longer stretch his hands out from his solitude to meet a divine form. That is at the basis of Nietzsche’s saying, ‘God is dead’. Apparently, nothing more remains now to the solitary man but to seek an intimate communication with himself.” Raphie Etgar, Curator
    URL: https://www.mots.org.il/everyone-carries-a-room-inside
    URL: https://www.mots.org.il/everyone-carries-a-room-inside-hb
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  • 5
    Book
    Book
    Günter Kunert: Augenspielereien : Zeichnungen, Radierungen, Bronzen : 1946 bis 2010 ; Ausstellung vom 11. März bis 30. April 2010 (2010)
    Hamburg
    Details
    Language: German
    Pages: 104 Seiten , Illustrationen , 25 cm
    Year of publication: 2010
    Series Statement: Kunst in der Handelskammer 6
    Series Statement: Kunst in der Handelskammer
    Keywords: Künstler ; Ausstellung
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  • 6
    Book
    Book
    This place : [DOX Centre for Contemporary Art, Prague, 24 October 2014 - 2 March 2015 ; Tel Aviv Museum of Art, Tel Aviv, 14 May 2015 - 6 September 2015 ; Norton Museum of Art, Florida, 15 October 2015 - 15 January 2016 ; Brooklyn Museum of Art, New York, 12 Februray 2016 - 5 June 2016] (2014)
    [London] : MACK Books Ltd.
    Details
    ISBN: 9781910164136
    Language: English
    Pages: 191 Seiten , Fotografien
    Edition: 1. edition
    Year of publication: 2014
    Keywords: Palästina ; Israel ; Interview ; Bildband ; Ausstellung ; Wanderausstellung
    Abstract: Touring exhibition: DOX, Centre for Contemporary Art, Prague, 24.10.2014 - 03.03.2015 Tel Aviv Museum of Art, 14.05.2015 - 06.09.2015 Norton Museum of Art, Florida, 15.10.2015 - 15.01.2016 Brooklyn Museum of Art, 12.02.2016 - 05.06.2016 THIS PLACE unveils twelve contemporary photographic vantage points upon Israel and the West Bank, created primarily between 2009 and 2012 by Frédéric Brenner, Wendy Ewald, Martin Kollar, Josef Koudelka, Jungjin Lee, Gilles Peress, Fazal Sheikh, Stephen Shore, Rosalind Fox Solomon, Thomas Struth, Jeff Wall and Nick Waplington. Together, they act as a heterogeneous narrative of a conflicted, paradoxical and deeply resonant place, drawn from the combination of these individual photographic sensibilities and approaches. The conception of THIS PLACE began for its initiator Frédéric Brenner in 2005. As his afterword to this catalogue attests, Brenner was driven by a desire to facilitate a visual counter-argument to the prevailing, often polarised, representations of Israel and the West Bank in both national and international news media. Whilst on the one hand acknowledging and paying heed to the region’s ongoing conflicts, THIS PLACE also asks that we look beyond this – that we widen and multiply our lens. From the outset, Brenner acknowledged to himself that no single vantage point – including his own – could speak of the complexity of this historic and contested place and its shaping of contemporary lives; to begin to comprehend the radical dissonance of this place would require a multiplicity of practices and perspectives. Charlotte Cotton, project curator
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028043589&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA$zInhaltsverzeichnis
    URL: http://www.this-place.org/
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  • 7
    Book
    Book
    Felix Nussbaum im Spiegel seiner Zeit : mit Werken aus der Sammlung Schlenke ; Schloss Cappenberg, 21. Oktober 2012 - 07. April 2013 (2012)
    Unna
    Details
    ISBN: 9783862062072
    Language: German
    Pages: 203 Seiten , zahlr. Ill. , 31 cm
    Year of publication: 2012
    Keywords: Malerei ; Künstler ; Sammlung ; Sammler ; Ausstellung
    Abstract: Das umfangreiche Katalogbuch vereint mehr als 140 Arbeiten aus der Sammlung Irmgard und Hubert Schlenke, in deren Mittelpunkt die Werke Felix Nussbaums stehen. Nussbaum wurde 1904 als Kind jüdischer Eltern in Osnabrück geborenen, 1944 verhaftet, nach Auschwitz transportiert und ermordet. Die Schrecken des Krieges haben sich in den Bildern des Künstlers auf eindrückliche und zugleich bedrückende Weise niedergeschlagen. Zu den im Katalog vertretenen Künstlern gehören neben Felix Nussbaum und seiner polnischen Ehefrau Felka Platek u.a. auch Peter August Böckstiegel, Walter Grammaté, Rudolf Levy, Hanna Höch, Hans Hubertus Graf von Merveldt, Otto Möller, Emy Roeder, Horst Strempel und Max Schwimmer. Viele von ihnen hatten in der kurzen Zeitspanne zwischen den Kriegen große Erfolge und wirkten mit Experimentierfreude und starkem Veränderungswillen prägend auf das kulturelle und gesellschaftliche Leben. Ihre Hoffnungen jedoch, den unruhigen, krisengeschüttelten Anfangsjahrzehnten des 20. Jahrhunderts würde eine Zeit der Stabilität für eine in Freiheit erneuerte Gesellschaft folgen, erloschen spätestens mit der Machtergreifung durch die Nationalsozialisten.
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  • 8
    Online Resource
    Online Resource
    Orient in Bohemia? - Jewish refugees during the First World War (2014)
    Details
    Language: English
    Year of publication: 2014
    Keywords: Flüchtling ; Weltkrieg ; Ausstellung ; Juden ; Böhmen
    Abstract: From 28. 08. 2014 to 01. 02. 2015 A new exhibition by the Jewish Museum in Prague focuses on the fate of refugees during the First World War and reflects on the centenary of the outbreak of this conflict. During the First World War, hundreds of thousands of people fled from destroyed and occupied towns to the inner regions of the Habsburg monarchy out of fear of violence in the Front areas. “Although they were the first large group of refugees in the modern history of the Bohemian lands, their fate has been overlooked. By holding this exhibition, the Jewish Museum in Prague seeks not only to commemorate the centenary of the outbreak of the First World War, but also to emphasize the importance of refugees and refugee policy in Czech and Czechoslovak history of the 20th century. For the Jewish population in particular, the flight of these refugees and their loss of rights was part of their journey through what was to be a century of refugees,” says Michal Frankl, the author of the exhibition. This exhibition follows the fate of Jewish refugees in Bohemia and Moravia in the broader context of refugees and refugee policy throughout the Habsburg Monarchy. In addition to highlighting the immediate fate of the refugees, however, it also explores the response of society. It examines the extent to which the then widespread division of people along ethnic lines influenced the attitude towards refugees, the extent to which the response to Jewish refugees was affected by prejudices, and the reason why Jewish refugees were targeted in unscrupulous anti-Semitic campaigns in the post-war period after the founding of an independent Czechoslovakia. On display are photographs that have never before been shown in the Czech Republic. These images not only document the life of the refugees and refugee camps, but also point to a fascination with the difference of “Eastern Jews” whose clothing, piety and unusual language attracted great attention at the time. Narrated excerpts from period chronicles and newspapers illustrate how the local population dealt with this difference and reveal the prejudices against Jewish refugees. The exhibition also features items from the Jewish Museum's visual arts collection, which further document the response to the Jewish refugees living in Bohemia. The voices, experiences and attitudes of the refugees appear to have vanished among the heaps of documents and dozens of photographs that have been preserved in archives in the Czech Republic and other countries. This is why the exhibition features the unique audiovisual testimonies of Jewish refugees and draws attention to their opinions and everyday life as reconstructed from newspapers and from fragmentary materials relating to aid organizations. Visitors will also have an opportunity to study the response of the Jewish press in dealing with the “Eastern” Jews and their difference from the more integrated Jews in the Bohemian lands. For the most part, the only physical traces of the refugees' stay in Bohemia during the First World War are their graves in Jewish cemeteries. One of these, a unique wooden tombstone on loan from Horažďovice, will be on view at the exhibition from October. The exhibition has been put together by Michal Frankl, Jan Wittenberg and Wolfgang Schellenbacher. The partner of the exhibition is the Jewish Museum in Berlin. The project was implemented with the kind support of the German-Czech Future Fund and the Foundation of the Jewish Museum in Prague.
    Note: Kein Katalog erschienen.
    URL: http://www.jewishmuseum.cz/en/program-and-education/exhibits/archive-exhibits/103/
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    Jewish Museum Berlin
  • 9
    Book
    Book
    Through a narrow window : Friedl Dicker-Brandeis and her Terezín students (2010)
    Albuquerque : University of New Mexico Press
    Show associated volumes/articles
    Details
    Language: English
    Pages: XVIII, 147 Seiten , Illustrationen
    Edition: 1. Auflage
    Year of publication: 2010
    Keywords: Konzentrationslager Theresienstadt ; Künstlerin ; Kind ; Kinderzeichnung ; Ausstellung ; Schoa
    Abstract: Not long after the end of World War II, two suitcases from Terezín, the so-called model ghetto designed by the Nazi propaganda machine to showcase creative endeavors, were delivered to members of what remained of the Jewish community of Prague. The contents of the suitcases included children's drawings, paintings, and collages made at Terezín thanks to the efforts of a teacher interned there. Rediscovered in the 1950s, the pictures, by then housed at the Jewish Museum in Prague, were exhibited, and over time some were published. Friedl Dicker-Brandeis was the remarkable woman who taught art to many of Terezín's children before she was killed at Auschwitz. While she has been valorized for her heroic efforts as a teacher, her approach to teaching art has remained unexamined. This book and the accompanying exhibition, curated by Linney Wix at the University of New Mexico Art Museum, offer a closer look at the methods and philosophy of Dicker-Brandeis's teaching, the history behind her approach, and its possible psychological effects on the children she taught. The book includes biographical and art historical information on Dicker-Brandeis, and sheds light on her roles as an artist, teacher, and heroine behind Nazi lines in the Second World War. Published in cooperation with the University of New Mexico Art Museum.
    URL: http://www.unmpress.com/books.php?ID=12314386068261
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  • 10
    Book
    Book
    Neuer Kosmos von Form und Farbe (2012)
    Neuwied : Graphische Werkstätte Wolfgang Schwieck
    Details
    ISBN: 9783000439926
    Language: German
    Pages: 68 Seiten , Illustrationen , 30 cm, 300 g
    Year of publication: 2012
    Keywords: Künstler ; Grafik ; Plastik ; Ausstellung
    Note: Literaturangaben
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