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Last 7 Days Catalog Additions

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  • 2015-2019  (58)
  • Künstlerin  (54)
  • History and criticism
  • Jews
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Language
Year
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253024855 , 9780253024688
    Language: English
    Pages: xi, 203 Seiten , 1 Illustration
    Year of publication: 2017
    Series Statement: Jewish literature and culture
    Parallel Title: Erscheint auch als Liska, Vivian, 1956- author German-Jewish thought and its afterlife
    DDC: 943.004924
    RVK:
    RVK:
    Keywords: Jews Intellectual life ; Germany ; Jews Civilization ; Germany ; Jews Intellectual life ; Jews Civilization ; Jews ; Deutschland ; Juden ; Denken ; Geistesleben ; Kultur ; Philosophie ; Literatur ; Moderne ; Postmoderne ; Geschichte 1900-2000 ; Deutschland ; Jüdische Literatur ; Jüdische Philosophie ; Geschichte 1920-1980 ; Deutschland ; Jüdische Literatur ; Jüdische Literatur ; Geschichte 1920-1980
    Abstract: "The visions of modernity depicted in the writings of major Modernist German-Jewish writers and philosophers manifest, says Vivian Liska, the paradoxical dynamic that the break with tradition invokes figures of thought derived from Jewish tradition. In German-Jewish Thought and Its Afterlife, Liska innovatively focuses on the changing form, fate and function of messianism, law, exile, election, remembrance, and the transmission of tradition itself in three different temporal and intellectual frameworks: German-Jewish modernism, postmodernism, and the current period. Highlighting these elements of the Jewish tradition in the works of Franz Kafka, Walter Benjamin, Gershom Scholem, Hannah Arendt, and Paul Celan, Liska reflects on dialogues and conversations between them and on the reception of their work. She shows how this Jewish dimension of their writings is transformed, but remains significant in the theories of Maurice Blanchot and Jacques Derrida and how it is appropriated, dismissed or denied by some of the most acclaimed thinkers at the turn of the twenty-first century such as Giorgio Agamben, Slavoj Žižek, and Alain Badiou."--
    Abstract: Tradition and Transmission -- Law and Narration -- Messianic Language -- Exile, Remembrance, Exemplarity
    Note: Includes bibliographical references and index
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  • 2
    ISBN: 9781479850389
    Language: English
    Pages: viii, 500 pages , illustrations, maps , 24 cm
    Year of publication: 2017
    DDC: 974.7/004924
    Keywords: Jews History ; Jews ; New York (N.Y.) ; New York, NY ; Juden ; Geschichte 1654-2015
    Note: Includes bibliographical references (pages 409-483) and index
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  • 3
    Book
    Book
    New York : Bloomsbury Academic is an imprint of Bloomsbury Publishing Inc
    ISBN: 9781441166852 , 1441166858
    Language: English
    Pages: x, 282 Seiten
    Year of publication: 2015
    DDC: 305.892/4043
    RVK:
    Keywords: Jews History 1800-1933 ; Jews Intellectual life 19th century ; Jews Intellectual life 20th century ; German literature Jewish authors ; History and criticism ; Jews in literature ; Antisemitism History ; Germany Ethnic relations ; Aufsatzsammlung ; Deutschland ; Kultur ; Literatur ; Juden ; Geschichte 1800-1933 ; Deutsches Sprachgebiet ; Juden ; Intellektueller ; Kulturleben ; Geschichte 1800-1940 ; Deutsches Sprachgebiet ; Juden ; Kulturelle Identität ; Religiöse Identität ; Geschichte 1800-1940
    Abstract: "Paul Reitter's scholarship on German-Jewish culture has won acclaim in both specialized journals and forums like the New York Review of Books, the London Review of Books, Bookforum, and the TLS, which named his study of Karl Kraus one of the best books of 2008. Writing for such publications as The Nation, Harper's Magazine, and the Jewish Review of Books, Reitter has also produced essays that address topics related to his expertise but written for a wider audience, earning a reputation for being a witty, erudite, and deeply illuminating critic in the popular intellectual arena. Bambi's Jewish Roots brings together the best of his essayistic work, which take on an array of figures and concerns, from the contradictions in Heinrich Heine's self-understanding to the echoes of Zionism in Felix Salten's novel Bambi"--
    Description / Table of Contents: Machine generated contents note:Preface I. Self-Reflections 1. Total Polemic 2. Irrational Man 3. The Text Life of Dreams II. Legendary Lives 4. Misreading Kafka 5. The Wittgensteins and the Perils of Family Biography 6. Dust-to-Dust Song 7. Sadness in the Mountains III. Beyond the Canon 8. Bambi's Jewish Roots 9. Appraising the Collector 10. The Middle Way of Erich Fromm 11. Fear and Self-Loathing in fin-de-siecle Vienna IV. Renderings 12. That Other Metamorphosis 13. The Task of the Retranslator 14. Storm and Stress V. Studying German Jewry15. Kafka's Identity Politics 16. Whose Jewish 17. Role Models 18. Vienna: Waltz or Go-Go? 19. Rereading Freud's Moses Again 20. Auerbach's Exile VI. The End 21. Hitler Viennese Waltz 22. The Fuhrer Furor 23. Holocaust Imponderables 24. Racism: Coded as Culture Bibliography Index.
    Note: Literaturverzeichnis: Seiten 267-270
    URL: Cover
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  • 4
  • 5
    Book
    Book
    Berlin : Jüdischer Verlag
    ISBN: 9783633542833 , 3633542833
    Language: German
    Pages: 107 Seiten , Illustrationen
    Edition: überarbeitete Ausgabe
    Year of publication: 2017
    Keywords: Salomon, Charlotte ; Künstlerin
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  • 6
    ISBN: 9783930353354
    Language: German
    Pages: 176 Seiten , Illustrationen
    Year of publication: 2016
    Keywords: Künstler ; Künstlerin ; Exil
    Abstract: Unter den zehntausend Kulturschaffenden aller Disziplinen, die ab 1933 von den Nationalsozialisten ins weltweite Exil vertrieben wurden, waren auch mehrere hundert bildende Künstler. Außer den wenigen Berühmten wie Max Beckmann, Oskar Kokoschka, George Grosz oder Max Ernst gerieten die meisten nach 1945, als Abstraktion und Informel vorherrschten, in unverdiente Vergessenheit, obwohl sie bis 1933 durchaus eine wichtige Rolle gespielt hatten - wie z.B. Eugen Spiro, Charlotte Berend-Corinth, Lotte Laserstein, Rudolf Levy oder Josef Scharl. Wie sehr zu Unrecht sie nicht mehr präsent sind, dokumentiert vorliegender Bildband.
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  • 7
    ISBN: 9783867322829 , 3867322821
    Language: German
    Pages: 190 Seiten , zahlreiche Schwarzweißabbildungen , 20 cm x 21 cm
    Edition: 1. Auflage
    Year of publication: 2017
    Keywords: Künstlerin ; Ausstellung
    Abstract: Durch ihre Freundschaften offenbart sich das Wesen der Künstlerin Käthe Kollwitz. Unser Bild von ihr und ihrer Kunst wird präzisiert, wenn wir ihren Umgang mit Kollegen, Freunden und Bekannten befragen. Wie intensiv war die Freundschaft zur Münchener Studienfreundin Marianne Fiedler? Wieviel Nähe suchte sie zum Akademiepräsidenten Max Liebermann, zum Dichterfürsten Gerhart Hauptmann? Was beschäftigte die Freunde Otto Nagel, Heinrich Zille und Käthe Kollwitz? Was vertraute sie dem Kunstkritiker Julius Elias an? Wie begegnete sie dem berühmten Albert Einstein? Was bedeutete sie dem jungen Maler Reinhard Schmidhagen? Was fesselte sie an der Reformpädagogik von Fritz Klatt? Welche ihrer Werke besaß Julius Freund? Wie versuchte ihr Hermann F. Reemtsma nach 1938 zu helfen? Mit Kunstwerken, Briefen, Dokumenten und Fotografien von über 30 Leihgebern aus Deutschland, der Schweiz und Kanada sowie mit einer Medienstation.
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  • 8
    Language: German
    Pages: 63 Seiten , Ill.
    Year of publication: 2016
    Keywords: Malerei ; Künstlerin ; Ausstellung
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  • 9
    Language: German
    Pages: [8] Blatt , Illustrationen
    Year of publication: 2017
    Keywords: Berlin ; Ausstellung ; Kunst ; Künstlerin
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  • 10
    Language: English
    Pages: 132 Seiten, [2] Blatt, 80 Seiten , Illustrationen
    Year of publication: 2018
    Keywords: Installation ; Künstlerin ; Ausstellung
    Abstract: Regardless of her chosen media – wood, metal or fabric – Dina Recanati’s art remains steadily dedicated to the abstract. The great advantage of abstract art is the freedom it gives creators, and the room for interpretation it allows for viewers. Dina Recanati works within this boundless freedom and invites viewers to enter a world that combines colors and forms, dream and reality. Glimpses of Dina Recanati’s memories, which feed into her works, appear in both early and recent works. The memories, in shapes and colors, are tucked into the fabric folds, hidden behind arches and gates, and sketched in the pages of wordless books. The works’ colors – light desert tones, sky blues, and more recently, white – are the colors of memories. Some are very clear, others have blurred over time. The female figures in Passage (2000) are covered from head to toe, reminiscent of the “unidentifiable” women who populated the streets of Cairo in the 1940s, and who have in recent years returned to the streets of many cities worldwide. These figures’ colors and material makeup joins the artist’s earlier large abstract paintings, Untitled (1992). As if a landscape seen from the window of a fast train, memory acquires blurred colors and a checkered interpretation in the abstract paintings, which stress the free use of color in a way that leaves much room for coincidence. Although the appearance is based on concrete sights it is blurred, leaving behind more a sense of the colors than visual images. The fluidity of the colors and the amorphic stains emphasize the free movement of the colors on the canvas. Lacking perspective and center, the color stains all have the same value as they merge with each other. The form becomes secondary in these large colorful paintings that seem limited only by the size of the canvas. The Open Museum Tefen is honored to host the exhibition and its accompanying book, which together enfold 60 years of Dina Recanati’s creation. Ruthi Ofek
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