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Last 7 Days Catalog Additions

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  • 2020-2024  (117)
  • 1930-1934  (11)
  • Judaism  (73)
  • Künstler  (55)
  • היסטוריה
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Language
Years
Year
Keywords
Subjects(RVK)
  • 1
    ISBN: 9783111374680 , 3111374688
    Language: German
    Pages: X, 283 Seiten , 23 cm x 15.5 cm
    Year of publication: 2024
    Series Statement: Europäisch-jüdische Studien – Beiträge 72
    Series Statement: Europäisch-jüdische Studien Beiträge
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Heidelberg 2022
    DDC: 290
    Keywords: Geschichte der Religion ; Geschichte des Nahen und Mittleren Ostens ; HISTORY / Jewish ; HISTORY / Middle East / Israel ; History of religion ; Judaism ; Judentum ; Middle Eastern history ; RELIGION / Judaism / History ; Social & cultural history ; Sozial- und Kulturgeschichte ; Israel ; Israel ; Hochschulschrift
    Abstract: Wie verliefen frühe zionistische Identitätskonstruktionen? Auf welche Traditionen haben die frühen Zionisten zurückgegriffen? Welche Kontinuitäten und Brüche werden sichtbar? Ausgehend von globalgeschichtlichen Überlegungen wird der frühe Zionismus als Beispiel für globale Verflechtungs- und Aushandlungsprozesse um 1900_untersucht. Dazu werden Identitätskonstruktionen in den Schriften von Martin Buber, Aharon Gordon und Ber Borochov anhand der Kategorien Religion, Nation und - als wichtigem zeitgenössischem Einfluss - Esoterik analysiert. Diese Untersuchung des frühen Zionismus in einem globalen historischen Kontext zeigt sowohl nationalistische als auch antikoloniale Tendenzen im frühen Zionismus auf und verdeutlicht dessen Stellung als jüdische Bewegung in der breiteren Geschichte von Religion und Esoterik
    Note: Literaturverzeichnis: Seite 252-277 , Zielgruppe: 5PGJ, Bezug zu Juden und jüdischen Gruppen
    URL: Unbekannt  (lizenzpflichtig)
    URL: Cover
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  • 2
    ISBN: 9780881236095 , 0881236098
    Language: English
    Pages: 340 pages , 23 cm
    Year of publication: 2023
    Parallel Title: Erscheint auch als Re-forming Judaism
    DDC: 296.09
    Keywords: Jews History ; Judaism History ; Jewish philosophy History ; Judaism Essence, genius, nature ; Reform Judaism Essence, genius, nature ; Jews History ; Philosophy ; Judaïsme - Histoire ; Philosophie juive - Histoire ; Judaïsme - Essence, esprit, nature ; Judaïsme réformé - États-Unis - Essence, esprit, nature ; Juifs - Histoire ; Jewish philosophy ; Judaism ; Judaism - Essence, genius, nature ; History ; United States
    Abstract: "Throughout Jewish history, revolutionary events and subversive ideas have burst onto the scene, transforming everything in their path. Re-forming Judaism seeks to explore these ideas-and the individuals behind them-by delving into historical disruptions that led to lasting change in Jewish thought"--
    Description / Table of Contents: Introduction: Thinking about Continuity and Disruption / Rabbi Stanley M. Davids -- The Disruptive Prophets: Linking Action and Intention / Kristine Henriksen Garroway, PhD -- 586 bce: Defeat and the Emergence of Jewish Peoplehood / Jacob L. Wright, PHd -- Christianity: A Pauline Revolution / Rabbi Joshua D. Garroway, PhD -- Persecution, Martyrdom, and Divine Justice: How the Afterlife Came to Be / Rabbi Candice Levy, PhD -- They Are Israel: Nonbinary Gender Then and Now / Gwynn Kessler, PhD -- The Radical Rationalist: Maimonides Reshapes Rabbinic Discourse / Tamar Ron Marvin, PhD -- The Zohar Transformation: A New Understanding of Torah, God, and Humanity / Rabbi Lawrence A. Englander -- Sabbatianism: Convulsions and Creativity / Rabbi Stanley M. Davids -- Jewish Thought in the North African Sephardic Diaspora: A Hidden Transformation / Michal Ohana, PhD -- Haskalah in Berlin: Moses Mendelssohn, Immanuel Kant, and the Foundations of Reform Judaism / Yoav Schaefer -- Breaking the Chain: The Radical Thought of Rabbi Samuel Holdheim / Michael A. Meyer, PhD -- Sephardism and Modernity: Jewish Communities in Flux / Rabbi Marc D. Angel, PhD -- The Pittsburgh Platform of 1885: The American Reform Rabbis' Declaration of Independence / Rabbi Kari Tuling, PhD -- Power, Pragmatism, and Peoplehood: Mordecai Kaplan's Radical American Judaism / Rabbi Michael Marmur, PhD -- The Breakup: Rethinking American Jewish Literary History / Adam Rovner, PhD -- Liturgy as an Instrument of Intellectual Change: Between Comfort and Disruption / Rabbi Sonja K. Pilz, PhD -- Reform Jewry Sings a New Song: Disruptions and Innovations / Cantor Evan Kent, DMA -- The Gender Revolution: Disruptions of Jewish Feminism / Rabbi Elyse Goldstein -- Moving Beyond Post-Holocaust Theology: Critical Theory as a New Paradigm / Rabbi Jason Rodich -- Holocaust Testimony: Listening, Humanizing, and Sacralizing / Stephen D. Smith, PhD -- Inclusive Judaism: A Vision for the Future / Rabbi Nora Feinstein -- Afterword / Leah Hochman,
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  • 3
    Book
    Book
    Berlin : J. J. Ottens Verlag
    Language: German
    Pages: 16 Seiten, [48] Blatt , Illustrationen
    Year of publication: 1930
    Keywords: Künstler ; Provenienz: Steinhardt, Jakob Autogramm
    Note: Exemplar II.12. Stein 30: Handschriftliche Widmung auf dem Vorsatzblatt mit schwarzer Tinte: "Dem Kunstfreund / Herrn Dr. Zlocisti / von / Jakob Steinhardt ! / Telaviv 17. Aug. 1933."; mit grüner Tinte: "In freundlichem / Gedenken / an Frau Sina [...phal, / [...] 5.12.44"
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  • 4
    ISBN: 9782503583945
    Language: English
    Pages: 357 Seiten , Illustrationen , 28 cm
    Year of publication: 2023
    Series Statement: Medieval identities: socio-cultural spaces volume 11
    Series Statement: Medieval identities: socio-cultural spaces
    Parallel Title: Erscheint auch als
    DDC: 305.8924
    RVK:
    Keywords: Jews History To 1500 ; Material culture History To 1500 ; Material culture Religious aspects ; Judaism ; Jews Antiquities ; Jews Civilization ; Jews Intellectual life ; Jewish art History ; Aufsatzsammlung ; Europa ; Juden ; Kultur ; Künste ; Geistesleben ; Kulturerbe ; Geschichte 500-1500 ; Europa ; Jüdische Kunst ; Geschichte 500-1500
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  • 5
    Language: French
    Pages: 4 [Blatt] , Illustrationen
    Year of publication: 1930
    Keywords: Künstler ; École de Paris ; Ausstellung
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  • 6
    Book
    Book
    Berlin : Rothgiesser & Diesing AG
    Language: German
    Pages: 254 Seiten , 15 x 11,2 cm
    Year of publication: 1932
    Keywords: Künstler ; Rundfunk ; Porträtfotografie
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  • 7
    Book
    Book
    Berlin : Verlag Bruno Cassirer
    Language: German
    Pages: [3] Blatt, 118 Seiten, 153 Blatt , Illustrationen
    Year of publication: 1930
    Keywords: Künstler
    Note: Erschienen in den Verlagen Bruno Cassirer und Klinkhardt & Biermann , Sammlung Bruno Cassirer
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  • 8
    Language: Hebrew
    Pages: 191 Seiten, [2] Blatt , Illustrationen
    Year of publication: 2021
    Series Statement: [Tel Aviv Museum of Art] Catalogue = Katalog / Muze'on Tel Aviv la-Omanut 2/2021
    Series Statement: Catalogue
    Keywords: Künstler ; Ausstellung
    Abstract: Recipient of the Rappaport Prize for an Established Israeli Artist, 2019 The exhibition spans five decades of artistic practice, from 1973 to 2020, but it is centered on the verso paintings created by David Ginton in the past twenty years. These works push the linguistic preoccupation in Ginton's oeuvre to the limit, a process which has been rooted from the very outset in 1960s and 1970s European and American conceptual art. The engagement with language was already at the core of Ginton's work in the early 1970s. It was manifested, for example, in photographs documenting physical acts, illustrating Hebrew idioms, such as Burying One's Head in the Sand, Burning Oneself in Scalding Water, and Jumping into Stormy Waters. These works embodied the absurd violence sparked in the encounter between language and image — violence which was later enhanced in political contexts: In 1973, Ginton inquired how to make Art in a Time of War; he subsequently exhibited bullet-pierced art books and photographs of buildings at the Hebrew University of Jerusalem; and in the 1990s he inserted a bullet in a series of paintings depicting the Israeli flag, thereby indicating the complexity of making art in light of the Israeli political reality following the 1967 war. Two key works were made before Ginton's return to Israel from a sojourn abroad, with the outbreak of the 1973 (Yom Kippur) war: one features him kneeling before the door of Joseph Beuys's Düsseldorf house (In Front of Beuys’s House), and the other—standing in the shadow of a replica of Michelangelo's sculpture David in Florence (David and I). These photographic works preceded another recurrent avenue, touching on art-making in the periphery, which continued in the early 1990s with the flag works, which a "local adaptation" of seminal modernist works by Jasper Johns, Lucio Fontana, and others, using quotes and appropriation. This practice was further elaborated in the 2000s with ironic titles, such as The English Painter, given to a group of paintings that quote and distort texts from the back covers of books. Since 1994, the key motif in Ginton's oeuvre has been the "back" of the painting, initially in photographs of the reverse side of paintings from the collection of Tel Aviv Museum of Art, and later, in the 2000s, in verso paintings alluding to the trompe l'oeil tradition in Western painting. These paintings depict the (alleged) backs of fictitious paintings, bearing the paintings' titles alongside texts—excerpts from theoretical essays and books about art, biblical verses, Midrashim, as well as invented texts. In presenting the text appearing on what seems to be the back side of a painting, Ginton brings the literal-conceptual aspect underlying his work to the fore. The painting's reversal is interpreted in these paintings in terms of revealment and concealment, questioning the work's elusive existence and its ability to reveal itself to the viewer, while concurrently hinting at theological aspects associated with seeing the face of God and with death. Through the title of the exhibition — "The Name of the Painting" — Ginton points out the unique status of the title in his verso paintings: "The name precedes the painting," he explains. "The paintings are spawned by their names. Once a name comes up that is worthy of a new painting, the painting has already been conceived to a large extent, and it only remains to realize it in paint: a painting depicting the back of a painting. A painting is born from words, as it were."
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  • 9
    Language: Hebrew
    Pages: 90 Seiten, [3] Blatt , Illustrationen
    Year of publication: 2020
    Series Statement: Catalogue 2020/2
    Series Statement: Catalogue
    Keywords: Künstler ; Ausstellung
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  • 10
    Book
    Book
    Berlin : Deutscher Kunstverlag
    ISBN: 9783422986824 , 3422986820
    Language: German
    Pages: 128 Seiten , Illustrationen , 683 g
    Edition: 1. Auflage
    Year of publication: 2022
    Keywords: Künstler ; Ausstellung
    Abstract: Max Liebermann (1847–1935) – Mitbegründer der Berliner Secession und langjähriger Präsident der Akademie der Künste – war einer der wichtigsten Künstler seiner Generation. Neben seinem beeindruckenden malerischen Werk spielt auch Liebermanns Druckgrafik eine wichtige Rolle: Über 600 Motive als Radierungen, Lithografien und Holzschnitte sind heute in Museums- und Privatsammlungen auf der ganzen Welt verteilt. Dieser Katalog bietet eine Einführung in Liebermanns druckgrafische Arbeiten anhand ausgewählter Werke aus der Sammlung der Max-Liebermann-Gesellschaft Berlin. Darüber hinaus werden die gängigen, druckgrafischen Techniken vorgestellt sowie die Entwicklung der Druckgrafik des bedeutendsten Vertreters des Impressionismus genauer beleuchtet. Fokussiert wird die Sammlungs- und Ausstellungsgeschichte seiner druckgrafischen Blätter sowie die Erforschung dieser Werke heute. Ausstellung „Max Liebermann: schwarz / weiß: Die Druckgraphik", Liebermann-Villa am Wannsee, 6. März bis 6. Juni 2022 Erste einführende Publikation zu Liebermanns Druckgrafik Texte von Sigrid Achenbach, Alice Cazzola, Denise Handte, Viktoria Bernadette Krieger, Andreas Schalhorn, Lucy Wasensteiner
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