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Last 7 Days Catalog Additions

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  • 2020-2024  (158)
  • 1935-1939  (12)
  • Ausstellung  (168)
  • Germany
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  • 1
    ISBN: 9780820365077 , 9780820365060
    Language: English
    Pages: xiii, 163 Seiten , 23 cm
    Year of publication: 2023
    Series Statement: Sociology of race and ethnicity
    Parallel Title: Erscheint auch als
    DDC: 323.092
    Keywords: Du Bois, William E. B. ; Geschichte ; Antisemitismus ; Schwarze ; Rassismus ; Einfluss ; Deutschland ; USA ; Du Bois, W. E. B. / (William Edward Burghardt) / 1868-1963 / Sources ; Du Bois, W. E. B. / (William Edward Burghardt) / 1868-1963 / Knowledge / Antisemitism ; Antisemitism / Germany ; African Americans / Relations with Jews ; Jews / Germany / History / 1800-1933 ; African Americans / Social conditions / To 1964 ; Racism in the social sciences ; Germany / Intellectual life / 19th century ; United States / Intellectual life / 1865-1918 ; Jews ; Racism in the social sciences ; Germany ; United States ; To 1964 ; History ; Du Bois, William E. B. 1868-1963 ; USA ; Schwarze ; Rassismus ; Deutschland ; Antisemitismus ; Einfluss ; Geschichte
    Abstract: "The Souls of Jewish Folk argues that late nineteenth century Germany's struggle with its 'Jewish question' - what to do with Germany's Jews, served as an important and to date underexamined influence on W.E.B. Du Bois's considerations of America's anti-Black racism at the turn of the twentieth century. Du Bois's well-known characterization of the twentieth century's greatest challenge, "the problem of the color line", is actually haunted by the specter of the German Jew. What The Souls of Jews? asks readers to take seriously, then, is how our ideas, and indeed intellectual work itself, is shaped by and embedded within the networks of people, places, and prevailing contexts of its time. The major social, political, and economic events of Du Bois's own life - including his time spent living and learning in a late nineteenth century Germany defined in no small part by its violent antisemitism - comprises the soil from which his most serious ideas about race, racism, and the global color line spring forth."
    Description / Table of Contents: On roots and routes -- Race, science, and madness -- The Du Boisian reformulation -- Germany, anti-Semitism, and the problem of the color line -- Post-souls, veiled mysteries
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  • 2
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781350319301
    Language: English
    Pages: xiv, 306 Seiten , Illustrationen
    Edition: Paperback edition
    Year of publication: 2024
    DDC: 943.004924
    Keywords: Geschichte ; Rassismus ; Kolonialismus ; Juden ; Antisemitismus ; Deutschland ; Colonialism & imperialism ; HISTORY / Jewish ; Kolonialismus und Imperialismus ; POL045000 ; Deutschland ; Germany ; Deutschland ; Juden ; Antisemitismus ; Kolonialismus ; Rassismus ; Geschichte
    Abstract: Colonialism and the Jews in German History brings together new and path-breaking studies on the historical relationship between colonialism and the Jews in Germany. The book considers the mutual influences on the situation of the Jews in Germany, including attitudes towards Jews and anti-Semitism but also Jewish self-conceptions, and the ideology and politics of German colonialism. The contributors discuss the ways in which colonial ideology and practice have affected the position of the Jews in Germany, and the relationship between anti-Semitism and colonial racism. In doing so, the volume introduces German colonialism as a relevant context for German-Jewish history, and it expands the perspective on German colonial history significantly by considering Jews both as distinct objects and also as agents within the field of German colonialism. The volume includes studies on the pre-colonial era, the phase of active German colonialism since the 1880s, and the time after Germany lost its colonies in the First World War. All these studies testify to the fact that German-Jewish history takes on additional significance if seen as part of a global history of collective relationships
    URL: Cover
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  • 3
    Book
    Book
    Berlin : Verlag für Kultur- und Wirtschaftswerbung
    Language: German
    Pages: 30 Seiten , Illustrationen
    Edition: [2. Auflage]
    Year of publication: 1937
    Keywords: Entartete Kunst ; Verbotene Kunst ; Ausstellung
    Note: Titel auf d.U.: Entartete "Kunst" : Ausstellungsführer
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  • 4
    Language: Yiddish
    Pages: [3] Blatt
    Year of publication: 1936
    Keywords: Künstler ; Ausstellung
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  • 5
    Language: German
    Pages: 15 Seiten
    Year of publication: 1936
    Keywords: Künstler ; Ausstellung
    Note: Online-Ausgabe: Berlin: Jüdisches Museum Berlin, 2017. - Digitalisierungsvorlage 〈II.12. Liebe 469b〉 , Gemeinfrei - Freier Zugang
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  • 6
    Book
    Book
    Berlin : Verlag für Kultur- und Wirtschaftswerbung
    Language: German
    Pages: 30 Seiten , Illustrationen
    Year of publication: 1937
    Keywords: Entartete Kunst ; Verbotene Kunst ; Ausstellung
    Note: Titel auf d.U.: Entartete "Kunst" : Ausstellungsführer
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  • 7
    ISBN: 9783960987284 , 3960987285
    Language: German
    Pages: 451 Seiten , 450 Illustrationen , 30.5 cm x 24.5 cm
    Year of publication: 2020
    Keywords: Brücke (Künstlervereinigung) ; Ausstellung ; Bilderrahmen
    Abstract: Ausgerahmt, verloren, vergessen! Keiner hat sie bislang beachtet: die originalen Künstlerrahmen der »Brücke«. Dabei waren sie für die Mitglieder der avantgardistischen Künstlergruppe von entscheidender Bedeutung. Für Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, Erich Heckel, Emil Nolde, Otto Mueller und Max Pechstein waren Bilder und selbst gestaltete Rahmen eine unzertrennliche Einheit. Dabei kommen die Künstler aber zu jeweils sehr individuellen Lösungen. Sie entwarfen die Rahmen, nutzten besondere Rahmenprofile, versahen sie mit geschnitzten Ornamenten, fassten sie farblich und bemalten sie.
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  • 8
    ISBN: 9783990289471 , 3990289470
    Language: English
    Pages: 316 Seiten , Illustrationen , 21 cm x 13 cm, 450 g
    Edition: 1st edition
    Year of publication: 2020
    Series Statement: artedition | Verlag Bibliothek der Provinz
    Series Statement: art edition
    Keywords: Auerbach, Ellen ; Stern, Grete ; Dicker, Friedl ; Niebuhr, Elly ; Gert, Valeska ; Model, Lisette ; Ora, Madame d' ; Paalen, Wolfgang ; Réthi, Lili ; Vogel, Amos ; Laserstein, Lotte ; Lasker-Schüler, Else ; Fleck, Luise ; Papanek, Victor ; Trier, Walter ; Suschitzky, Wolf ; Exil ; Ausstellung
    Abstract: The third and likely final presentation in the series of exhibitions about artists in exile explores Scenes of Exile (2020) all over the world; among them are ports of embarkation and arrival, but also mere places of transit and stopovers where new doors unexpectedly opened, yearned-for destinations, places where escapees got stuck, and scenes of return. Focusing on a selection of places—Zurich, Jerusalem, London, New York, Collingwood, Stockholm, and Shanghai—the exhibition will feature the graphic oeuvre of the writer Else Lasker-Schüler (1869 Elberfeld, DE―1945 Jerusalem, IL), the photographs and films of Wolf Suschitzky (1912 Vienna, AT―2016 London, UK), the drawings and caricatures of Walter Trier (1890 Prague, CZ―1951 Collingwood, Ontario, CA), furniture designs by Victor Papanek (1923 Vienna, AT―1998 Lawrence, KS, US), the self-portraits of the painter Lotte Laserstein (1898 Preußisch Holland, today PL―1993 Kalmar, SE), and the films of the director Louise Kolm-Fleck (1873―1950 Vienna, AT). It will illustrate that the scenes of exile with their distinctive conditions gave some, such as Trier and Suschitzky, the chance to build new lives for themselves, while others, like Laserstein, survived in refuges where the need to adapt to the expectations of new audiences and the loss of familiar milieus and sources of inspiration lastingly stunted their gift for creative innovation.
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  • 9
    ISBN: 9783868325676 , 3868325670
    Language: German
    Pages: 131 Seiten , Fotografien , 28 cm
    Year of publication: 2020
    Keywords: Fotograf ; Ausstellung
    Abstract: Max Jacoby (1919–2009) floh 1937 aus seiner Geburtsstadt Koblenz nach Argentinien. Eine Kamera-Assistenz bei dem ungarischen Fotografen George Friedmann bot einen Neuanfang und zusammen mit anderen emigrierten Fotografen bildeten sie die Künstlergruppe „La Carpeta de los Diez“. 1957 wagte Jacoby den Sprung nach Berlin und blieb als freier Fotograf für Presse, Film, Buch- und Zeitschriften-Verlage. Er porträtierte Arbeiter und Künstler, Bettler und Politiker und dokumentierte das politische Leben und den Alltag in der geteilten Stadt. Dieser Band gibt nun einen Überblick über seinen Nachlass mit einer lang erwarteten Dokumentation seines bedeutenden fotografischen Werks.
    Abstract: In 1937, Max Jacoby fled from his hometown of Koblenz to Argentina. A job as camera assistant with the photographer George Friedmann offered a new beginning. Together with other emigrated photographers, he co-founded the artist group La Carpeta de los Diez. In 1957, Jacoby returned to Berlin, where he remained as a freelance photographer, portraying workers and artists, beggars and politicians and documented political and everyday life in the divided city.
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  • 10
    ISBN: 9783829608985 , 3829608985
    Language: German
    Pages: 171 Seiten , Illustrationen , 33 cm
    Year of publication: 2020
    Keywords: Installation ; Fotografie ; Ausstellung
    Abstract: Das Franz Marc Museum in Kochel bereitet eine Einzelausstellung von Anselm Kiefer vor, in der 23 Glasvitrinen Kiefers gezeigt werden. Die Vitrinen tragen poetische Titel wie Hortus conclusus, Athanor, Daphne, Mohn und Gedächtnis, Sternenfall oder Die Tagebücher der Könige von Juda. In diesen bleigefassten Glasbehältern hat Kiefer Objekte und Materialien zu Stillleben arrangiert, die wie Zeitkapseln die verschiedenen Themenkreise des Künstlers vorstellen. Die Vitrinen sind zugleich transparent und dicht, leicht und schwer, und sie umfassen wie ein assoziationsreiches Ensemble von Schaufenstern ein Konzert von Dingen, Bildern und Bedeutungen. Verschiedene Schriftsteller – Patrizia Görg, Marion Poschmann, Michael Krüger, Christoph Ransmayr, Wolf Singer und Ferdinand von Schirach – geben in extra für den Band verfassten Texten ihre Interpretation dieses Opus Magnum zu Protokoll.
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