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  • Mychajlov, Borys  (9)
  • Auerbach, Ellen  (5)
  • Perez, Nissan N.  (5)
  • Fotografie  (19)
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  • 1
    ISBN: 9781848221307
    Language: English
    Pages: 240 Seiten , Fotografien
    Year of publication: 2013
    Keywords: Fotografie ; Ausstellung
    Abstract: The early practitioners of photography in the late 19th century and first decades of the 20th century shaped the evolving language of the medium by expanding the limits of the photographic vision. Many of these pioneers were immigrants - people displaced by choice or, quite often, by necessity. These photographers became observers and interpreters of their new surroundings through the filters of their different cultures, languages and religions. Photography in the 20th century (particularly the Modernist vision) is deeply indebted to them. Displaced Visions reconsiders the work and influence of key figures in modernist photography from the point of view of their status as immigrants, considering how this condition affected their vision and creativity and enhanced the development of the photographic language in general. It features the work of nearly 100 photographers, including André Kertész, Brassai, Bill Brandt, Man Ray, Robert Frank, the New York School photographers, the Photo League Photographers, Lisette Model, Moholy-Nagy, Erich Salomon, Weegee, William Klein, Tina Modotti, Inge Morath and many more. It accompanies a major touring exhibition opening at The Israel Museum, Jerusalem in spring 2013.
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  • 2
    Language: French
    Pages: 35 Seiten , überw. Ill.
    Year of publication: 2008
    Keywords: Fotografie
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  • 3
    Article
    Article
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    In:  Ariel : eine Zeitschrift zur Kunst und Bildung in Israel (1993), Heft 88, Seite 45 - 49
    Language: German
    Year of publication: 1993
    Titel der Quelle: Ariel : eine Zeitschrift zur Kunst und Bildung in Israel
    Publ. der Quelle: Jerusalem
    Angaben zur Quelle: (1993), Heft 88, Seite 45 - 49
    Keywords: Fotografie
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  • 4
    Book
    Book
    Pages: 23 Min. , stumm
    Year of publication: 1935
    Keywords: Tel Aviv ; Fotografie ; Reise
    Abstract: Der Film zeigt Blicke über Dächer und die Strassen von Tel Aviv, Szenenaus dem Arbeitsleben, Gesichter, die Bedeutung der hebräischen Sprache im Alltag, das Leben auf den Straßen.
    Note: Privatbesitz , Nur für den internen Gebrauch.
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  • 5
    Book
    Book
    Göttingen : Gerhard Steidl
    ISBN: 3882439688
    Language: German
    Pages: [66] Blatt , nur Ill. , 27 x 33 cm
    Edition: 1. Aufl.
    Year of publication: 2004
    Keywords: Fotografie
    Abstract: Rarely has anyone photographed reality in such an unprettified way as Boris Mikhailov. He captures the unadorned and the natural; in pictures devoid of aesthetic exhaltation, he concentrates on people and their living conditions. On his journeys through Russia, Germany, and his Ukrainian homeland, Mikhailov has equally observed the poor, the well-to-do, the outcasts, and the homeless. ~Look at Me, I Look at Water was composed in 1999 at the suggestion of the Heiner Müller-Society when Boris Mikhailov's name was found in one of Heiner Müller's notebooks. With this book Mikhailov is continuing, thematically and conceptionally, what he began with his artist's book Unfinished Dissertation in 1985. The photographs are accompanied by handwritten Russian commentaries, which together give the impression of a private album which narrates stories from a chapter in the artist's life. This was a time in my life of much travelling - from East to West, and back again - and it coincided with a certain loss of identity. It was a time in which moral qualities seemed shaken: the focus of my attention altered, latching onto the possibility of moral changes. The gaze which searches over the surface of things held sway over a more analytical response to the visual. I feel that this book may be of interest, trying as it does to reflect the initial period associated with the processes of emigration. The pictures describe a range of unstable states, and also the intensity of some obscure quest, a quest which is also a sort of experiment. --Boris Mikhailov
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  • 6
    Book
    Book
    London : Phaidon Press Limited
    ISBN: 9780714848563
    Language: English
    Pages: 124 Seiten , zahlr. Ill.
    Edition: 1. Aufl.
    Year of publication: 2008
    Keywords: Fotografie
    Abstract: This is the first book ever published on the famous Russian photographer Boris Mikhailov's fascinating early body of work entitled the Superimposition series. Boris Mikhailov (b.1938) is the most influential Russian photographer living today. An artist, a documentary photographer and a social observer, he has experimented with many photographic styles and his work is highly respected by both the photography world and contemporary art lovers. In this series from the late 60s to early 70s, he has overlayed two colour slides, creating fascinating "sandwiches", i.e beautifully composed tableaux of glamorous naked women, surreal urban landscapes and strange scenes of everyday Soviet life.
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  • 7
    Language: German
    Pages: Ill.
    Year of publication: 2012
    Titel der Quelle: Museumsjournal
    Publ. der Quelle: Berlin
    Angaben zur Quelle: 26 (2012), Heft 2, Seite 83
    Keywords: Ausstellung Boris Mikhailov. Time Is Out Of Joint (2012 : Berlin) ; Fotografie
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  • 8
    Book
    Book
    Zürich [u.a.] : Scalo
    ISBN: 3908247012
    Language: German
    Pages: 216 Seiten , überw. Ill.
    Year of publication: 1998
    Keywords: Fotografie
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  • 9
    ISBN: 9783865218346
    Language: German
    Pages: [135] Blatt , zahlr. Ill.
    Edition: 1. Aufl.
    Year of publication: 2009
    Keywords: Fotografie ; Braunschweig
    Note: Text dt. und engl.
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  • 10
    ISBN: 9652782610
    Language: Hebrew
    Pages: 127 Seiten , überw. Ill.
    Year of publication: 2000
    Series Statement: Israel Museum Catalogue = Katalog 436
    Series Statement: Israel Museum Catalogue
    Keywords: Israel ; Fotografie
    Abstract: The history of photography in the land of Israel spans a period of a hundred years, from the moment the first pioneers and colonizers arrived in Palestine towards the end of the 19th century. Besides their pioneering endeavor of resettling the ancestral land, they have also gained recognition as the pioneers of the local photography made from a Jewish Zionist point of view, and with a definite goal. In a limited selection of images, this volume aims at uncovering and reflecting the beauty of the early photographs, veiled mostly by their aura of nostalgia, and deals essentially with Jewish photography in the land of Israel from the early work of the first pioneers at the end of the 19th century and until the present, a topic which has not as yet been approached in a thorough study covering the entire period. Thus far, research on the history of photography in the land of Israel has been limited to a handful of publications and this book is only a preparation for a deeper and more thorough investigation of the subject and a detailed survey of the still uncharted territory which is photography in Eretz Israel.
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